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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.6k355
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h728103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k596
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k134
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.2k287
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k365
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4k508
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k299
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h915101
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k200
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k202
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k234
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k295
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k191
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h7.9k1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h15.9k2.1k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h8.7k1.2k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h91878
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k550
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k576
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.1k388
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.4k725
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k580
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h15823
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h49736
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h443
7d1277
30d57234
2 shows
2 tapes
1990
3/26/90
Crowd/Tuning
3:20
Hell In A Bucket
6:18
Dupree's Diamond Blues
6:56
Just A Little Light
5:33
Black Throated Wind
7:31
Big Railroad Blues
5:57
Picasso Moon
8:49
Row Jimmy
12:16
Blow Away, Set Break
12:56
Tuning
1:25
Built To Last
5:00
Victim Or The Crime
10:31
China Cat Sunflower>
5:50
I Know You Rider>
5:27
Man Smart, Women Smarter>
6:21
Dr..ums> (Tape Flip)
10:56
Space>
10:31
I Need A Miracle>
4:06
Dear Mr. Fantasy>
5:26
Gimme Some Lovin'>
5:15
Morning Dew, Encore Break
12:45
Brokedown Palace
5:55
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
2:29:55
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-03-26.161587.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- This is 160431 2496 > 1644
Taper: Recorded by Don Pearson and Dan Healy
2:29:54
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-03-26.161120.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Taper: Recorded by Don Pearson and Dan Healy
2:29:54
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] December 19, 2022
SHNID:
gd1990-03-26.160431.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (TDK MA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
Transferrer: Charlie Miller
2:19:05
SBD
Rating:
8.67 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-26.135497.sbd.miller.flac16
Source:
SBD -> Dat -> Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16
Taper Notes:
View NotesNotes: -- Encore moved to end of 1st Set to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- This is from a custom live recording mix by John Cutler -- Thanks to Steve Marcus for the tapes -- This is a pitch corrected version of shnid=87350 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
2:34:10
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1990-03-26.127210.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger
Taper Notes:
View NotesMatrix by dusborne 02-21-2014 ------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 02-25-2014
Transferrer: Charlie Miller
2:21:21
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1990-03-26.sbd.miller.87350.sbeok.flac16
Source:
SBD -> Dat -> Cassette Master (TDK MA-R90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Encore moved to end of 1st Set to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- This is from a custom live recording mix by John Cutler -- Thanks to Steve Marcus for the tapes
Source 7 of 24
2:18:48
SBD
Rating:
8.86 / 7 ratings
SHNID:
gd90-03-26.sbd.gorinsky.8508.sbeok.shnf
Source:
24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
Taper Notes:
View Notes24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- <a href="http://mars.dead.net" rel="ugc nofollow">go buy it</a>
Transferrer: David Hollister
2:18:50
SBD
Transferrer:
David Hollister
SHNID:
gd1990-03-26.sbd.hollister.7509.shnf
Source:
SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD
Lineage:
CD > EAC > MKW > SHN
Taper Notes:
View NotesThe FC/DD2496 refers to the A/D transfer. The FC is a Flying Calf external 24-bit A/D converter. This provided the A/D conversion (@ 44.1KHz) which was then fed into my Delta DiO 2496 soundcard. Minor Editing done in Sound Forge
Transferrer: Randy Griesman
2:19:35
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Randy Griesman
SHNID:
gd1990-03-26.sbd.griesman.6697.sbeok.shnf
Source:
SBD>?>CD-r
Taper Notes:
View Notes*appears on "Dozin' At The Knick" final "Built To Last" Set 1 has dead air edited for some reason No other known flaws Extraction and Shortening on 12/23/2001 by Randy Griesman([email protected]) via EAC and MKW.
Taper: Master Digital Audience Recording by Ted Mattes
2:34:26
REMASTER
Taper:
Master Digital Audience Recording by Ted Mattes
Transferrer:
Transfer by Charlie Miller Edited & reMastered using Adobe Audition by Joe Noel March 28, 2020
SHNID:
gd1990-03-26.149395.FOB.Schoeps.Mattes.Miller.Noel.reMaster.t-flac1648
Source:
rom the Teddy Ballgame Archive - a reMaster of shnid 142991 Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250) Location: Sec 5 Row E Seat 7
Lineage:
Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesPatch info: - shnid 141115 (AKG 460B/CK63 ULS) - s2t08; 5:03 - 5:55 Notes: - Thanks to Ted Mattes for recording the show. - Thanks to Charlie Miller for the transfer. - Thanks to Ray Ackerman for suppling the patch source. - last Dupree's: 04-05-89 - last Big RxR Blues: 09-18-88 - final Built to Last - FM broadcast on WPYX - upgrade to shnid 13304 - this source is complete.
Taper: Ted Mattes
2:34:26
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-26.142991.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller
Lineage:
Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
Taper Notes:
View NotesNotes: - Many thanks to Ted for recording & sharing. - Thanks to Charlie for being the go-between. - Thanks to Ray Ackerman for suppling the patch source. - last Dupree's: 04-05-89 - last Big RxR Blues: 09-18-88 - final Built to Last - FM broadcast on WPYX - upgrade to shnid 13304 - this source is complete.
Taper: Ray Akerman
2:31:41
Taper:
Ray Akerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-03-26.141115.OTS.AKG.Akerman.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
Taper Notes:
View NotesNotes: - Thanks to Charlie for being the go-between. - last Dupree's: 04-05-89 - last Big RxR Blues: 09-18-88 - final Built To Last - FM broadcast on WPYX
Taper: Richard Berner friends
2:34:56
Taper:
Richard Berner friends
Transferrer:
bltz
SHNID:
gd1990-03-26.135063.bltz.flac2496
Source:
First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right
Taper Notes:
View NotesOriginal Master Rescue Project. Master off previously unreleased Audience FOB DAT. SBDs of this are available on CD as a partial on "Dozin at the Knick", from GDP, and "Spring 1990", from the same fine folks. And, it is a large 96/24 set, in the 3+ GB range. Judge your choice to download accordingly. If you prefer audience to SBD/CDs, and don't mind having some versions, this is for you. Taping quality: equivalent to 1961 Bordeaux wine in terms of tape crafting. (1961 was apparently a very good year for Bordeaux.) Band Playing Quality: Row Jimmy and Blow Away are candy, as is most of the rest of this tour, given the large CD release... Some flaws, nach. Enjoy the audience being appreciative. Very 3-D auditory. Nice separation and bass. Source: Some fine, fine audience taping work. The provenance is a bit complex, thanks to the "FOB Daredevils": yet, it was taped in an FOB sweet spot for the most part. First set, thru Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110º ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24. They seem to have kept the audience around them pretty disciplined; the change in sources is noticeable. China -> Rider: Schoeps CMC 421 Sub Cardioids, 100º, 1 row in front of soundboard, about 4 seats right. There may or may not be a full-security-body-tackle recorded, just because that crew delights in that kind of thing, then a likely fade-in back-of-board. All provenance bets are off at that point, but it still sounds very nice. Only posting in 96/24 to keep the sound quality up, feel free to convert it if you like, I hear there are open-source CD-burners that convert on the fly. Mastered with Bose Quiet-Comfort 20 Headphones with NC on. Thanks, Pete-O! Recorded by: Richard Berner and Friends Sown and Seeded by: bltz
Taper: Ted Mattes
2:33:53
Taper:
Ted Mattes
Transferrer:
Craig Hillwig;Lenny Stubbe
SHNID:
gd1990-03-26.133045.122541-fix.mattes.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of <a href="http://db.etree.org/shn/122541">source ID 122541</a>
Taper Notes:
View NotesNotes: - Levels very conservative at beginning of each set, but quickly pick up - A 44.1k version exists Seeded to etree on: 10/24/2012 ***fix of SHNID 122541 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix. 05/23/2015 **16 bit/48khz**
Taper: Fitzy
2:36:08
Rating:
10.00 / 3 ratings
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.Fitzy.Keo.126789.Flac1644
Taper Notes:
View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this broadcast!There are a few radio interferences from the initial broadcast but very small and comparing my other source for this show they appear to be the same there as well.Another excellent share from the Fitzy collection of masters!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Fitzy
2:36:08
Taper:
Fitzy
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.Fitzy.Keo.126788.Flac2496
Taper Notes:
View Notes* End Was Missing From Master FM Tapes, Added From My First Generation Cassette Transfer From Master VHS From Broadcast @ 1 Bit/5.6 MHz * Comments:Another Huge Thanks out to Fitzy for recording and sharing his source for this broadcast!There are a few radio interferences from the initial broadcast but very small and comparing my other source for this show they appear to be the same there as well.Another excellent share from the Fitzy collection of masters!!!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Ted Mattes
2:33:53
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1990-03-26.122542.mk21.sbeok.flac16
Source:
Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Levels very conservative at beginning of each set, but quickly pick up - A 48k version exists Seeded to etree on: 10/24/2012
Taper: Ted Mattes
2:33:53
Rating:
10.00 / 2 ratings
Taper:
Ted Mattes
Transferrer:
DAT clone (1) provided by: Craig Hillwig Transferred and seeded by: Lenny Stubbe
SHNID:
gd1990-03-26.122541.mk21.48khz.flac16
Source:
<b>flac16/48kHz</b>; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7;
Lineage:
Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
Taper Notes:
View Notes- Levels very conservative at beginning of each set, but quickly pick up - A 44.1k version exists Seeded to etree on: 10/24/2012
Taper: B.R. And Mr. Currier
2:39:04
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-26.AKG451.Berger.Currier.Keo.120943.Flac1644
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier for recording and to Mr. Berger for the initial mic and deck set up for this show.These are being shared in case the master dats don't surface.For me I could never have too many copies of this run of shows and this is another excellent recording and share from Mr. Currier's collection sent to me to work on to share with everyone! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: B.R. And Mr. Currier
2:39:04
Taper:
B.R. And Mr. Currier
Transferrer:
Rob Berger and Keo
SHNID:
gd1990-03-26.AKG451.Berger.Currier.Keo.120942.Flac2496
Source:
Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes
Lineage:
B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to B.R. and Mr. Currier for recording and to Mr. Berger for the initial mic and deck set up for this show.These are being shared in case the master dats don't surface.For me I could never have too many copies of this run of shows and this is another excellent recording and share from Mr. Currier's collection sent to me to work on to share with everyone! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Transferrer: Keo
2:33:43
Rating:
10.00 / 2 ratings
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.richp.Keo.112093.Flac2496
Taper Notes:
View NotesHuge thanks to Rich for recording this and sharing with me!We went to this together and Rich had his VHS recorder programmed for the start of the broadcast,We worked this up the next day or so,can't recall what we used to transfer to cassette and I'm sure nothing too fancy or any high end equipment. This was good enough that I didn't grab my friends master audience of this night and I know since having the two earlier nights they were excellent as well.In a few small areas you can hear static or interuptions from the broadcast but to be expected from a FM broadcast and not too distracting at all.In the start of both sets I believe you can hear the SBD mix being added to the audience so maybe a matrix? To my knowledge this hasn't been shared with many other people other than my friend's who I have made copies for and not sure if Rich had made any copies of his master VHS copy and shared with others either.Have been out of touch with Rich for a good number of years (13 or so,too long) and I hope he's doing well and gets to hear this transfer of his recording I made!Thanks Buddy!Enjoy!
Taper: richp
2:33:43
Rating:
8.00 / 2 ratings
Taper:
richp
Transferrer:
Keo
SHNID:
gd1990-03-26.FM.richp.Keo.112092.Flac1644
Taper Notes:
View NotesHuge thanks to Rich for recording this and sharing with me!We went to this together and Rich had his VHS recorder programmed for the start of the broadcast,We worked this up the next day or so,can't recall what we used to transfer to cassette and I'm sure nothing too fancy or any high end equipment. This was good enough that I didn't grab my friends master audience of this night and I know since having the two earlier nights they were excellent as well.In a few small areas you can hear static or interuptions from the broadcast but to be expected from a FM broadcast and not too distracting at all.In the start of both sets I believe you can hear the SBD mix being added to the audience so maybe a matrix? To my knowledge this hasn't been shared with many other people other than my friend's who I have made copies for and not sure if Rich had made any copies of his master VHS copy and shared with others either.Have been out of touch with Rich for a good number of years (13 or so,too long) and I hope he's doing well and gets to hear this transfer of his recording I made!Thanks Buddy!Enjoy!
Taper: Keith Litzenberger
2:32:07
Rating:
9.33 / 3 ratings
Taper:
Keith Litzenberger
Transferrer:
Keith Litzenberger
SHNID:
gd1990-03-26.sennME80.wklitz.94411.flac16
Source:
Sennheiser ME-80's>Technics SV-MD1
Lineage:
DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC
Taper: Ted Gidley
2:22:13
Rating:
10.00 / 2 ratings
Taper:
Ted Gidley
Transferrer:
Andrew F
SHNID:
gd1990-03-26.aud.gidley.91916.sbeok.flac16
Source:
Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - This and 3-16-90 were the two versions of B.T.Wind with alternate lyrics. - Patch 0:01 > 0:12 in Miracle, taken from MAC that was next in line. - Sorry...the encore is missing on both MAC's from this source.