Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1990
Sources
Transferrer: Matrix by photoleon
2:47:26
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by photoleon
SHNID:
gd1990-02-26.137905.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
Source 2 of 7
2:34:18
SBD
Rating:
9.60 / 6 ratings
Source:
Snbd > Dat> cdr >Dat
Lineage:
Dat > sblive > cd wave > mkw Audio tools > Shn
Source 3 of 7
2:32:31
SBD
Rating:
8.80 / 30 ratings
SHNID:
gd90-02-26.sbd.shakedown.451.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Lineage:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8
Taper: Ted Mattes
2:47:01
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
Taper Notes:
View NotesNotes: - major upgrade to shnid 131004 - Tom Thumb tracking starts with "We want Phil" chant, cause its all about star power. - I was in my early twenties when I experienced this Scarlet > Fire first hand. It was a religious experience then & it remains so to this day. - Jerry wasn't ready to finish Stella. Man, does he fight to keep her going too.
Taper: Gris
5:10:44
Taper:
Gris
Transferrer:
Hale
SHNID:
gd1990-02-26.137963.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
Taper Notes:
View NotesNotes: This was recorded by my old friend and touring/taping partner Gris, with my gear while I was an honored guest (POW) of the state of Kanasas for a year(mostly 89 and early 90). After taping with my gear for a while Gris finally flipped for an incredible outfit including this Lunatek thing, a DAT deck, and a pair of balanced Neumann KM-140s. Gris recorded the Emmy Lou Harris at Lund Auditorium. The tape flip during set II was near the end of Terrapin(100's didn't save us). I faded out and back into it. I tried for a few hours to patch it, but had neverending problems with the speed of the patch source. It could easilly be due to my lack of experience with this process. It seemed much slower and just leaving my fades was preferable. I didn't get the impression that my masters sounded too fast. If I'm mistaken, please offer your opinion. I haven't noticed anything irregular in the speed of my source deck versus the speed of my play back deck which is my only workinig unit. I have read much about others having problems with this issue. I hope the recordings sound accurate. No enhancement or equalization was used in the recording or transfer of these or any of my recordings. Everything set straight up and flat. I included two versions, one fits on three discs and another slightly edited 2 disc version (nothing missing but the tuning and some crowd noise).
Taper: Rick Katzeff and Ted Mattes
2:47:22
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
jwpetty
SHNID:
gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16
Source:
Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
Taper: Alabama Bob
2:20:46
Rating:
6.00 / 1 rating
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16
Source:
FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Disc break is seamless. - Tape flip in Terrapin at 6:34, aprx two minutes missing. - Drums not recorded on the MAC. - Tape flip in Space at 7:06.918, mended together.