Bands
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Bands
Grateful Dead
Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1990
Sources
Transferrer: Matrix by photoleon
2:47:26
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Matrix by photoleon
SHNID:
gd1990-02-26.137905.mtx.photoleon.t-flac16
Source:
<b>flac16/48kHz</b>; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
Source 2 of 7
2:34:18
SBD
Rating:
9.60 / 6 ratings
Source:
Snbd > Dat> cdr >Dat
Lineage:
Dat > sblive > cd wave > mkw Audio tools > Shn
Source 3 of 7
2:32:31
SBD
Rating:
8.80 / 30 ratings
SHNID:
gd90-02-26.sbd.shakedown.451.sbeok.shnf
Source:
SBD > DAT > CDR > WAV > SHN
Lineage:
SBD > DAT > CDR > WAV > SHN
Taper Notes:
View NotesSBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via [email protected]; note revision in txt file for d1t8
Taper: Ted Mattes
2:47:01
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1990-02-26.141871.FOB.Schoeps.Mattes.Miller.Noel.t-flac1648
Source:
<b>flac16/48kHz</b>; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
Taper Notes:
View NotesNotes: - major upgrade to shnid 131004 - Tom Thumb tracking starts with "We want Phil" chant, cause its all about star power. - I was in my early twenties when I experienced this Scarlet > Fire first hand. It was a religious experience then & it remains so to this day. - Jerry wasn't ready to finish Stella. Man, does he fight to keep her going too.
Taper: Gris
5:10:44
Taper:
Gris
Transferrer:
Hale
SHNID:
gd1990-02-26.137963.dbx.hale.flac16
Source:
Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
Taper Notes:
View NotesNotes: This was recorded by my old friend and touring/taping partner Gris, with my gear while I was an honored guest (POW) of the state of Kanasas for a year(mostly 89 and early 90). After taping with my gear for a while Gris finally flipped for an incredible outfit including this Lunatek thing, a DAT deck, and a pair of balanced Neumann KM-140s. Gris recorded the Emmy Lou Harris at Lund Auditorium. The tape flip during set II was near the end of Terrapin(100's didn't save us). I faded out and back into it. I tried for a few hours to patch it, but had neverending problems with the speed of the patch source. It could easilly be due to my lack of experience with this process. It seemed much slower and just leaving my fades was preferable. I didn't get the impression that my masters sounded too fast. If I'm mistaken, please offer your opinion. I haven't noticed anything irregular in the speed of my source deck versus the speed of my play back deck which is my only workinig unit. I have read much about others having problems with this issue. I hope the recordings sound accurate. No enhancement or equalization was used in the recording or transfer of these or any of my recordings. Everything set straight up and flat. I included two versions, one fits on three discs and another slightly edited 2 disc version (nothing missing but the tuning and some crowd noise).
Taper: Rick Katzeff and Ted Mattes
2:47:22
Taper:
Rick Katzeff and Ted Mattes
Transferrer:
jwpetty
SHNID:
gd1990-02-26.131004.cmc44.fob.mattes.katzeff.flac16
Source:
Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
Taper: Alabama Bob
2:20:46
Rating:
6.00 / 1 rating
Taper:
Alabama Bob
Transferrer:
Andrew F.
SHNID:
gd1990-02-26.fob.senn421.alabamabob.andrewf.93841.sbeok.flac16
Source:
FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center.
Lineage:
MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View NotesNotes: - Disc break is seamless. - Tape flip in Terrapin at 6:34, aprx two minutes missing. - Drums not recorded on the MAC. - Tape flip in Space at 7:06.918, mended together.