Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h51970
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k293
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.6k338
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.5k471
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.4k442
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k398
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k365
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k171
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.9k965
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k120
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2k232
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.6k642
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.4k184
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k207
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k237
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.5k1.1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.7k242
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k259
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.8k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h12.5k1.7k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36638
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k499
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.4k715
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3k383
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k195
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.9k229
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k217
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h64680
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10415
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h27221
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h332
7d1037
30d62737
2 shows
2 tapes
1986
Sources
Transferrer: Kevin Tobin
2:20:32
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141791.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:20:31
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141789.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Thanks to Paul Scotton and Joani Walker for the Cassettes
2:23:25
SBD
Taper:
Thanks to Paul Scotton and Joani Walker for the Cassettes
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd.miller.81518.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX-90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4>Oade M118>PCM>Audacity>CD supplies (By Oade Bros): Drums (from 12:36 - 12:41) Notes: -- Encore moved to end of 1st Set to fit show onto 2 Discs -- Seamless transition between 2nd Set and Encore -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- He's Gone Deadicated To Len Bias
Transferrer: Charlie Miller
52:51
SBD
Rating:
3.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd-set1-pcm.miller.81011.flac16
Source:
SBD -> PCM -> Dat -> Sonic Solutions -> CD
Lineage:
CD -> EAC -> FLAC
Taper Notes:
View NotesThanks to David Gans for the disc
Transferrer: SIRMick
2:23:42
SBD
Transferrer:
SIRMick
SHNID:
gd1986-06-21.mtx.sirmick.35035.flac16
Lineage:
GANS SBD + OADE AUD
Taper Notes:
View Notesmatrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 the sbd source for set 2: - has extended tuning at the beginning, the aud cuts in at 2:36. - has approximately 1:29 missing from the crowd chanting during NFA the aud source continues for an additional 40 seconds after the sbd, at the end of Brokedown Palace
Source 6 of 22
2:19:57
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd86-06-21.sbd.brame.15406.sbeok.shnf
Source:
MSC>DAT>CDR>SHN
Taper Notes:
View NotesMSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame
Taper: Chris Hecht
2:22:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-06-21.148479.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156953.akgc422.davis-holbrook.flac2448
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156952.akgc422.davis-holbrook.flac1644
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152062.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac1648
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - dithered using dBpoweramp Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 16bit 48Hz file set
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152060.fixed.151978.Mouth.AKG.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 24bit 96Hz file set
Taper: Recording by JFK
2:22:54
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151951.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac16
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151978.Mouth.AKG.JFK.Rogers.Noel.fixed.151707.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here.
Taper: JFK
2:22:53
Taper:
JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151707.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias
Source 15 of 22
2:22:46
SHNID:
gd1986-06-21.148478.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Doug Lamarre
2:16:46
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139050.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Transferrer: Rob Berger
2:16:46
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139049.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117829.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117828.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Grace and Annie Szvetecz
2:30:02
Taper:
Mike Grace and Annie Szvetecz
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1986-06-21.fob.schoeps.grace-szvetecz.gems.98673.sbeok.flac16
Source:
OTS, Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLACd Flac Frontend level 8
Taper Notes:
View Notes* Transfer into 16bit/44.1kHz wav files. * The biggest challenge was getting the bata tapes to playback without dropouts. * The best process was doing a full fast forward/rewind to repack the tape. * Then play about 10 minutes of the PCM tape and tweak the tracking for the strongest playback envelope. * Next Mike ran the transfer of the entire set and write down the time position of any dropouts. * If any dropouts occured he replayed the same section to new wav files for a complete no drop out transfer * Usually the second or third pass works. * Using a Wavelab montage Mike edited the patch to line up to the exact sample and use no cross fade.
Source 21 of 22
2:21:18
Rating:
8.33 / 6 ratings
SHNID:
gd86-06-21.oade-schoeps.sacks.21924.sbeok.flacf
Source:
Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Lineage:
Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Taper Notes:
View NotesJim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Source 22 of 22
2:16:59
Rating:
8.67 / 3 ratings
SHNID:
gd86-06-21.senn.eD.13063.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Senn 441Âs>Sony TC-D5; via the Poor Boy; seedeD