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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.4k458
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h68496
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3k410
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k134
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k223
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k326
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k485
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k281
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h946104
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k214
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k187
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k187
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k209
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k257
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.4k500
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k186
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h11.7k1.6k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h72067
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k518
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k249
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.9k569
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.9k461
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h54769
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15721
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42431
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1986
3/23/86
01 Gimme Some Lovin
5:14
02 Deal
7:45
03 Hand Jive
6:40
04 Candyman
6:41
05 Cassidy
5:38
06 West LA Fadeaway
7:53
07 Mama Tried
2:34
08 Big River
5:05
09 Might As Well
4:32
10 Shakedown Street
12:14
11 Samson And Delilah
7:51
12 He's Gone
11:43
13 Spoonful
5:36
14 Drums
12:09
15 Space
7:36
16 The Other One
5:56
17 Comes A Time
7:47
18 Good Lovin'
8:33
19 Keep Your Day Job
4:15
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:15:42
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-23.142392.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source
Transferrer: Andrew F. and Andrew F
35:33
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Andrew F. and Andrew F
SHNID:
gd1986-03-23.133940.sbd.set2partial.andrewf.flac1644
Source:
Partial Set 2 Source: SBD > ? > Cassette.
Lineage:
Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015
Taper Notes:
View NotesNote: This was found on an unmarked tape that contained a compilation of various 1986 soundboard material. Hopefully the rest will surface...
Taper: Stephen Thomas
2:17:06
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-23.172448.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Stephen Thomas
2:17:06
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-23.172447.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the folks responsible for the Oade brothers Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2024
Taper: Michael Hessberg
2:18:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.156623.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2020
Taper: Michael Hessberg
2:18:47
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.156622.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:09 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2020
Taper: Ted Mattes
2:18:33
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-23.148873.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition - Debut Of "Desolation Row" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Oade Brothers
2:22:26
Rating:
9.00 / 2 ratings
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Jim Wise
SHNID:
gd1986-03-23.141998.fob.oade.schoeps.cmc4.mk41.wise.miller.clugston.flac1644
Source:
Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk - Thanks to Jim Wise for the hard disk - Thanks to Charlie Miller for coordinating this effort - Thanks to Tony Suraci for the shnid79879 Nakamichi 304 source which supplies a 0:01.2 patch at the end of "Mama Tried" - Other One space included in "The Other One" - Another fine Oade capture Mastered by Scott Clugston May 17, 2018
Taper: Jon Pasternak
2:11:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1986-03-23.159373.OTS-Nak300.pasterrnak.vernon.flac2448
Source:
OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon - vol adjustments at beginning of Gimmie Some Lovin - tape flip in space This is a 24 bit 48khx fileset
Taper: Jon Pasternak
2:11:57
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1986-03-23.159372.OTS-Nak300.pasterrnak.vernon.flac1648
Source:
OTS Nak CM300/CP-4/Marantz PMD 420/TDK MA 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon - vol adjustments at beginning of Gimmie Some Lovin - tape flip in space This is a 16 bit 48khz fileset
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:06:44
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-23.156077.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16 Comments: First known Grateful Dead version of "Willie & The Hand Jive" There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:06:44
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-23.156076.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes##- not on the master tapes; replaced with SHN ID:111956; https://archive.org/details/gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16 Comments: First known Grateful Dead version of "Willie & The Hand Jive" There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Ted Mattes
2:18:33
Taper:
Ted Mattes
SHNID:
gd1986-03-23.148872.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:15 patch in the "Drums > Space" transition - Debut Of "Desolation Row" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Unknown
2:18:38
Transferrer:
Mark Lynn, Datbrad;
SHNID:
gd1986-03-23.133873.cmc34-fob.deemph.flac16
Source:
FOB Schoeps CMC3s/MK4s>PCM>DAT;
Taper Notes:
View Notes*de-emphasis version of SHNID 132708* July 26, 2015 - the FLACs sounded way too bright with a high noise floor Applied deemphasis musing xACT 2.34 by chillwig #ripbrent
Taper: Unknown
2:18:38
Transferrer:
mark lynn and datbrad
SHNID:
gd1986-03-23.132708.fob-schoeps.datbrad.flac16
Source:
FOB Schoeps CMC3s/MK4s>PCM>DAT;
Taper: chasingwilma
2:12:47
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-23.127536.chasingwilma.flac24
Source:
source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:16:39
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1986-03-23.111956.beyer-senn.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes;
Lineage:
Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Greg Holtz
2:14:43
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-23.nak100.holtz.jaz.102167.flac16
Source:
Nakamichi cm 100's w/shotguns -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:16:47
Rating:
10.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-23.nak300.damico.87649.flac16
Source:
nak 300 mics w/cp4 shotguns > sony d-5
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:13:41
Rating:
9.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-23.nakcm304.suraci.sbeok.79879.flac16
Source:
Nak CM304's>SonyD5
Lineage:
Nak CR5A>Lunatec V3>Sd722
Taper Notes:
View Notes* Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Brian Mandel
2:16:21
Rating:
6.00 / 2 ratings
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-23.nak300.mandel.79565.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 22 of 23
2:19:20
Source:
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's)
Lineage:
MAC > wav > shn
Source 23 of 23
2:19:20
Rating:
8.57 / 7 ratings
Source:
MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn
Taper Notes:
View NotesMAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn