RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1986
12/31/86
01 - Tuning
3:01
02 - Jack Straw >
5:29
03 - Sugaree
11:09
04 - Me And My Uncle >
3:04
05 - Mexicali Blues
5:51
06 - Candyman
6:57
07 - Desolation Row
11:57
08 - U.S. Blues
6:23
09 - Midnight Madness >
3:38
10 - Touch Of Grey >
6:01
11 - Let It Grow
12:00
12 - Black Muddy River >
6:28
13 - Samson And Delilah
7:13
14 - Terrapin Station >
14:06
15 - Drums >
10:23
16 - Space >
9:38
17 - Wharf Rat >
10:01
18 - Goin' Down The Road Feeling Bad >
6:47
19 - Turn On Your Lovelight
5:44
20 - Set-Break
6:24
21 - Tuning
1:44
22 - Gimme Some Lovin' >
4:58
23 - When Push Comes To Shove
4:46
24 - Box Of Rain
5:25
25 - In The Midnight Hour >
4:35
26 - Brokedown Palace
7:35
FIN
View on archive.org
Sources
Taper: Recorded by Don Pearson and Dan Healy
3:01:17
SBD
Taper:
Recorded by Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2022
SHNID:
gd1986-12-31.156532.UltraMatrix.sbd.cm.miller.t.flac1644
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There's a lot of balloon pops at midnight -- Ultramatrix PCM master used to cover the tape flips and some tuning -- This is 155987 2496 > 1644.1
Taper: Don Pearson and Dan Healy
3:01:17
SBD
Taper:
Don Pearson and Dan Healy
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] March 8, 2022
SHNID:
gd1986-12-31.155987.ultramatrix.miller.flac2496
Source:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded by Don Pearson and Dan Healy -- There's a lot of balloon pops at midnight -- Ultramatrix PCM master used to cover the tape flips and some tuning
Taper: Joani Walker and Paul Scotton
2:49:00
SBD
Rating:
7.50 / 4 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1986-12-31.sbd.walker-scotton.miller.99051.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Seamless transition between discs 2 and 3 -- Thanks to Paul Scotton and Joani Walker for the tapes
Transferrer: Charlie Miller
2:44:24
SBD
Rating:
8.80 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-12-31.sbd.miller.77447.flac16
Source:
SBD -> Cassette Master (Sony D5/MX-XG90) D
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->
Taper Notes:
View NotesNotes: -- Seamless transition between Discs 2 and 3 -- Thanks to Paul Scotton and Joani Walker for the tapes -- This is a better mix than the FM that circulates
Taper: PO and Stucco TINA Holmes
2:57:20
SBD
Taper:
PO and Stucco TINA Holmes
Transferrer:
Jason Chastain;Norm
SHNID:
gd1986-12-31.137263.sbd.GEMS.flac16
Source:
Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm
Taper Notes:
View NotesPatches: 0:01:53 - 0:01:55 : shnid 81330 (before Jack Straw) 1:41:45 - 1:41:50 : shnid 99051 (during drums)
Source 6 of 13
2:45:36
SBD
Rating:
7.82 / 11 ratings
SHNID:
gd86-12-31.prefm.candyman.4637.sbeok.shnf
Source:
Pre-FM SBD > DAT > CDR > WAV > SHNv3
Taper Notes:
View NotesPre-FM SBD > DAT > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo
Taper: Doug Lamarre
2:48:04
Taper:
Doug Lamarre
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-12-31.176485.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's, Blake Jacobs and Charlie Miller for the Schoeps CMC4 MK41 source which supplies a 0:53 patch in "Terrapin Station", as well as a 3:35 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2024
Taper: Oade Brothers
2:58:01
Taper:
Oade Brothers
Transferrer:
Scott Clugston and Charlie Miller and Blake Jacobs
SHNID:
gd1986-12-31.142303.fob.schoeps.composite.oade.jacobs.miller.clugston.flac1644
Source:
Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for their master recording(s), as well as the transfer to hard disk - Thanks to Blake Jacobs for the hard disk - Thanks to Charlie Miller for coordinating this effort - Usual fireworks/pops throughout, mostly at the beginning of the 2nd Set. Couple of mic bumps thrown in for good measure. - Outstanding capture, imo Mastered by Scott Clugston June 13, 2018
Taper: David Gans
3:08:48
Rating:
7.00 / 2 ratings
Taper:
David Gans
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1986-12-31.140822.ultramatrix.pcm.gans.miller.clugston.flac1644
Source:
Master UltraMatrix PCM
Taper Notes:
View NotesNotes: - Thanks to David Gans for the master UltraMatrix PCM source - Thanks to Charlie Miller for the transfer - Typical of a New Year's show, pops throughout, especially at the beginning of the 2nd set Mastered by Scott Clugston January 22, 2018
Source 10 of 13
2:48:04
SHNID:
gd1986-12-31.176486.senn441.lamarre.miller.clugston.flac2496
Taper: Ian Stoy
2:59:49
Taper:
Ian Stoy
Transferrer:
Ian Stoy
SHNID:
gd1986-12-31.137457.AA-toaK1.flac24
Source:
Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
Taper Notes:
View NotesCelebrating 30 years!!!! … The master cassettes are getting older and need to be Archived digitally before they are gone…. A new start to going though my recordings. Nothing special about this run… I was way in the back of the HJ Kaiser in the balcony in the Official Taping section. Though seating capacity is only around 6000, so it’s not huge. Running my Toa K1’s Spaced at 24” on bar about 10’ up > xlr to mini (1/8” /3.5mm) TRS,> direct to Sony WM-D6C..There must have been more that 30 or more mic stands up and who knows how many decks, not to mention any front of board tapers. For me personally it’s historic, as It was 30 years ago, and this set of shows were the first Grateful Dead shows I taped (recorded). A big thanks to Ron Cook who custom machined my 24” spreader bar for my Toa K1’s and James (Jim) Ford both of whom helped getting tickets and seats to secure taping locations in 87, 87, 88, 89… I will begin to jump around in my collection of recordings to find special ones and or ones that are unique or of better quality of my uncirculated captures. enjoy - ArchivalAudio
Taper: chasingwilma
2:32:02
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-12-31.135513.chasingwilma.flac24
Source:
source: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Don Beckham and Tony Suraci
2:33:51
Rating:
10.00 / 1 rating
Taper:
Don Beckham and Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-12-31.nakcm304.beckham.suraci.sbeok.81330.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes* Thanks to Don for running my rig. // tape flip, towards the end. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.