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June 5th
5 shows
26 tapes
Years
1995
27.4k
PlaybackListensHours
48h3.1k423
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69497
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h3.4k461
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k130
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.7k228
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.6k339
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.9k488
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k139
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k283
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h953106
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.9k220
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.5k199
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k191
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k212
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.9k563
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.4k190
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.4k1.1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.7k2.1k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h10.6k1.5k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h76170
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.2k524
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h4.1k540
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k360
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k248
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h6.4k616
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h3.1k500
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h52966
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14820
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h50038
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h372
7d1468
30d57134
2 shows
2 tapes
1986
6/21/86
Alabama Getaway >
5:46
The Promised Land
4:18
Friend Of The Devil
8:09
C.C. Rider
7:50
Loser
6:15
Desolation Row
10:12
China Cat Sunflower >
5:54
I Know You Rider
5:21
Saint Of Circumstance >
8:32
Gimme Some Lovin’ >
5:05
He’s Gone *>
8:28
Smokestack Lightning >
4:59
Drums >
12:46
Space >
5:58
The Other One >
5:14
Wharf Rat >
8:21
Throwing Stones >
8:59
Not Fade Away
9:34
e: Brokedown Palace
5:05
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:20:32
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141791.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:20:31
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141789.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Thanks to Paul Scotton and Joani Walker for the Cassettes
2:23:25
SBD
Taper:
Thanks to Paul Scotton and Joani Walker for the Cassettes
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd.miller.81518.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX-90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4>Oade M118>PCM>Audacity>CD supplies (By Oade Bros): Drums (from 12:36 - 12:41) Notes: -- Encore moved to end of 1st Set to fit show onto 2 Discs -- Seamless transition between 2nd Set and Encore -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- He's Gone Deadicated To Len Bias
Transferrer: Charlie Miller
52:51
SBD
Rating:
3.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd-set1-pcm.miller.81011.flac16
Source:
SBD -> PCM -> Dat -> Sonic Solutions -> CD
Lineage:
CD -> EAC -> FLAC
Taper Notes:
View NotesThanks to David Gans for the disc
Transferrer: SIRMick
2:23:42
SBD
Transferrer:
SIRMick
SHNID:
gd1986-06-21.mtx.sirmick.35035.flac16
Lineage:
GANS SBD + OADE AUD
Taper Notes:
View Notesmatrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 the sbd source for set 2: - has extended tuning at the beginning, the aud cuts in at 2:36. - has approximately 1:29 missing from the crowd chanting during NFA the aud source continues for an additional 40 seconds after the sbd, at the end of Brokedown Palace
Source 6 of 22
2:19:57
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd86-06-21.sbd.brame.15406.sbeok.shnf
Source:
MSC>DAT>CDR>SHN
Taper Notes:
View NotesMSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame
Taper: Chris Hecht
2:22:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-06-21.148479.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156953.akgc422.davis-holbrook.flac2448
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156952.akgc422.davis-holbrook.flac1644
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152062.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac1648
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - dithered using dBpoweramp Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 16bit 48Hz file set
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152060.fixed.151978.Mouth.AKG.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 24bit 96Hz file set
Taper: Recording by JFK
2:22:54
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151951.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac16
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151978.Mouth.AKG.JFK.Rogers.Noel.fixed.151707.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here.
Taper: JFK
2:22:53
Taper:
JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151707.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias
Source 15 of 22
2:22:46
SHNID:
gd1986-06-21.148478.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Doug Lamarre
2:16:46
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139050.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Transferrer: Rob Berger
2:16:46
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139049.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117829.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117828.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Grace and Annie Szvetecz
2:30:02
Taper:
Mike Grace and Annie Szvetecz
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1986-06-21.fob.schoeps.grace-szvetecz.gems.98673.sbeok.flac16
Source:
OTS, Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLACd Flac Frontend level 8
Taper Notes:
View Notes* Transfer into 16bit/44.1kHz wav files. * The biggest challenge was getting the bata tapes to playback without dropouts. * The best process was doing a full fast forward/rewind to repack the tape. * Then play about 10 minutes of the PCM tape and tweak the tracking for the strongest playback envelope. * Next Mike ran the transfer of the entire set and write down the time position of any dropouts. * If any dropouts occured he replayed the same section to new wav files for a complete no drop out transfer * Usually the second or third pass works. * Using a Wavelab montage Mike edited the patch to line up to the exact sample and use no cross fade.
Source 21 of 22
2:21:18
Rating:
8.33 / 6 ratings
SHNID:
gd86-06-21.oade-schoeps.sacks.21924.sbeok.flacf
Source:
Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Lineage:
Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Taper Notes:
View NotesJim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Source 22 of 22
2:16:59
Rating:
8.67 / 3 ratings
SHNID:
gd86-06-21.senn.eD.13063.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Senn 441Âs>Sony TC-D5; via the Poor Boy; seedeD