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June 11th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k260
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.3k296
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.4k183
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k430
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.6k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k331
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.1k134
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.1k241
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h909102
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k199
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.7k661
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k149
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k279
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k257
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.1k2.1k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.5k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h36539
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h3.8k509
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.4k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2k265
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.7k186
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k195
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k165
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h67185
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9115
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h41026
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h544
7d1076
30d59534
2 shows
2 tapes
1986
6/21/86
Alabama Getaway
4:16
The Promised Land
5:53
Friend Of The Devil
8:14
C.C. Rider
9:15
Loser
6:14
Desolation Row
10:16
China Cat Sunflower
5:19
I Know You Rider
8:13
We Want Phil chant
1:17
Saint Of Circumstance
6:41
Gimme Some Lovin'
5:10
He's Gone
8:50
Smokestack Lightning
4:52
Drums
17:47
The Other One Jam> The Other One
6:06
Wharf Rat
8:26
Throwing Stones
9:11
Not Fade Away
8:29
Brokedown Palace
5:28
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:20:32
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141791.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:20:31
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-06-21.141789.mtx.tobin.flac1644
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz;
Lineage:
Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 28-APR-2018 - Trader Little Helper - Tagged 28-APR-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Taper: Thanks to Paul Scotton and Joani Walker for the Cassettes
2:23:25
SBD
Taper:
Thanks to Paul Scotton and Joani Walker for the Cassettes
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd.miller.81518.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX-90) D
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Taper Notes:
View NotesPatch Info: Schoeps CMC4/MK4>Oade M118>PCM>Audacity>CD supplies (By Oade Bros): Drums (from 12:36 - 12:41) Notes: -- Encore moved to end of 1st Set to fit show onto 2 Discs -- Seamless transition between 2nd Set and Encore -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- He's Gone Deadicated To Len Bias
Transferrer: Charlie Miller
52:51
SBD
Rating:
3.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-06-21.sbd-set1-pcm.miller.81011.flac16
Source:
SBD -> PCM -> Dat -> Sonic Solutions -> CD
Lineage:
CD -> EAC -> FLAC
Taper Notes:
View NotesThanks to David Gans for the disc
Transferrer: SIRMick
2:23:42
SBD
Transferrer:
SIRMick
SHNID:
gd1986-06-21.mtx.sirmick.35035.flac16
Lineage:
GANS SBD + OADE AUD
Taper Notes:
View Notesmatrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 the sbd source for set 2: - has extended tuning at the beginning, the aud cuts in at 2:36. - has approximately 1:29 missing from the crowd chanting during NFA the aud source continues for an additional 40 seconds after the sbd, at the end of Brokedown Palace
Source 6 of 22
2:19:57
SBD
Rating:
8.57 / 7 ratings
SHNID:
gd86-06-21.sbd.brame.15406.sbeok.shnf
Source:
MSC>DAT>CDR>SHN
Taper Notes:
View NotesMSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame
Taper: Chris Hecht
2:22:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-06-21.148479.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156953.akgc422.davis-holbrook.flac2448
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
57:20
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
Transferrer:
Kyle Holbrook
SHNID:
gd1986-06-21.156952.akgc422.davis-holbrook.flac1644
Source:
Source: 1GEN CA microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18 recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) location: approximately 40 feet from stage handheld
Lineage:
original transfer: Sony TC-D5M > Sony TC-D5M digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesNOTES: Desolation Row had left channel drop out, replaced with RT channel for first 1:38 seconds ** Phil announces the show is being broadcast on KPFA radio
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152062.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac1648
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - dithered using dBpoweramp Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 16bit 48Hz file set
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.152060.fixed.151978.Mouth.AKG.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here. - This is a 24bit 96Hz file set
Taper: Recording by JFK
2:22:54
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151951.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac16
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
Taper: Recording by JFK
2:22:53
Taper:
Recording by JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151978.Mouth.AKG.JFK.Rogers.Noel.fixed.151707.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias Notes (fix) - The previous source had the channels reversed, they have been swapped here.
Taper: JFK
2:22:53
Taper:
JFK
Transferrer:
Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021
SHNID:
gd1986-06-21.151707.Mouth.AKG.Master.Cassette.JFK.Rogers.Noel.t-flac2496
Source:
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Lineage:
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Taper Notes:
View NotesPatch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - [email protected] * Dedicated to Len Bias
Source 15 of 22
2:22:46
SHNID:
gd1986-06-21.148478.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to all the folks responsible for the Oade's Schoeps CMC4 MK42 source which supplies a 0:29 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Doug Lamarre
2:16:46
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139050.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Transferrer: Rob Berger
2:16:46
Transferrer:
Rob Berger
SHNID:
gd1986-06-21.139049.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117829.Flac1644
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Darby
2:20:55
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1986-06-21.Senn421sNak300CP4s.Darby.117828.Flac2448
Source:
Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
Taper Notes:
View NotesComments:Another Huge thanks out to Mr. Darby for recording and sharing this 4 Mic Mix!Another excellent recording and performance from this time frame! As always ENJOY!!!!!
Taper: Mike Grace and Annie Szvetecz
2:30:02
Taper:
Mike Grace and Annie Szvetecz
Transferrer:
Todd Evans and Jamie Waddell
SHNID:
gd1986-06-21.fob.schoeps.grace-szvetecz.gems.98673.sbeok.flac16
Source:
OTS, Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1
Lineage:
Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav file; Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLACd Flac Frontend level 8
Taper Notes:
View Notes* Transfer into 16bit/44.1kHz wav files. * The biggest challenge was getting the bata tapes to playback without dropouts. * The best process was doing a full fast forward/rewind to repack the tape. * Then play about 10 minutes of the PCM tape and tweak the tracking for the strongest playback envelope. * Next Mike ran the transfer of the entire set and write down the time position of any dropouts. * If any dropouts occured he replayed the same section to new wav files for a complete no drop out transfer * Usually the second or third pass works. * Using a Wavelab montage Mike edited the patch to line up to the exact sample and use no cross fade.
Source 21 of 22
2:21:18
Rating:
8.33 / 6 ratings
SHNID:
gd86-06-21.oade-schoeps.sacks.21924.sbeok.flacf
Source:
Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Lineage:
Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Taper Notes:
View NotesJim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin ([email protected])
Source 22 of 22
2:16:59
Rating:
8.67 / 3 ratings
SHNID:
gd86-06-21.senn.eD.13063.sbeok.shnf
Source:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Senn 441Âs>Sony TC-D5; via the Poor Boy; seedeD