Bands
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Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:07:26
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.142429.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Brown Eyed Women, Desolation Row and Might As Well are MP3 sourced from the GD Vault -- No encore because someone threw a bottle at the drummers during Comes A Time -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source -- I had a blast at this show and this mix really brings me back
Taper: Paul Scotton and Joani Walker
1:48:28
SBD
Rating:
6.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.sbd.walker-scotton.miller.106111.flac16
Source:
SBD -> ? -> 2nd Gen Cassette
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Missing part of Set 1 -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Michael Hessberg
2:05:15
Rating:
6.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source # 122001 (Pasternak) supplies - s1t07; last ten seconds - s1t08; first two seconds - s2t05; 5:40 - 6:20
Taper: Michael Hessberg
2:05:16
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
Taper: Jon Pasternak
2:07:27
Rating:
7.00 / 3 ratings
Taper:
Jon Pasternak
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.122001.schoeps.pasternak.miller.flac16
Source:
(FOB) Schoeps -> PCM -> Dat
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 ->SHN -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=25527 -- The mic stand wasn't completely raised for the 1st minute of the show -- This was one of the many shows I lost a job over :)
Source 6 of 18
2:07:31
Rating:
6.00 / 3 ratings
SHNID:
gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf
Source:
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper Notes:
View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:14
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:15
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: chasingwilma
2:01:01
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127568.chasingwilma.nak300-441.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: chasingwilma
2:01:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127552.chasingwilma.flac24
Source:
source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:00:25
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-31.nak300.morris.crazyfingers.106556.flac16
Source:
Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90)
Lineage:
Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2
Taper: Jon Pasternak
2:03:19
Rating:
7.00 / 2 ratings
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-31.nak300.pasternak.mallick.102337.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:05:03
Rating:
8.00 / 1 rating
Taper:
Joe D'Amico
SHNID:
gd1986-03-31.nak300.damico.88001.flac16
Source:
nak 300 mics w/cp4 shot guns > sony d-5
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83475.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: s1t01 - low levels for first 1:12 , boosted by 5 decibels patches: s1t03 - subsecond patch at 2:03 s1t05 - last 6 seconds s1t06 - first 5 seconds s1t07 - first 5 seconds s2t05 - 2 seconds starting from 7:08 s2t06 - 17 seconds starting from 4:47 s2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83186.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: d1t01 - low levels for first 1:12 , boosted by 5 decibels patches: d1t03 - subsecond patch at 2:03 d1t05 - last 6 seconds d1t06 - first 5 seconds d1t07 - first 5 seconds d2t05 - 2 seconds starting from 7:08 d2t06 - 17 seconds starting from 4:47 d2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise downsampled & dithered with iZotope Ozone (Mbit+) tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: Tony Suraci
2:05:05
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# the bulk of drums continued on side B of tape 2. * Recorded from front right corner of SBD. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Joe D'Amico
2:04:38
Taper:
Joe D'Amico
Transferrer:
Brian Mandel
SHNID:
gd1986-03-31.nak300.damico.25294.shnf
Source:
Nakamichi 300 Shotguns CP4's > Sony TCD5M > MAC
Lineage:
MAC > Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 18 of 18
2:07:33
Rating:
8.17 / 12 ratings
SHNID:
gd86-03-31.aud.eD.13463.sbeok.shnf
Source:
AUD>MC>CDR
Taper Notes:
View NotesAUD>MC>CDR; via Mr.Benson; seedeD