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Bands
Grateful Dead
Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h56777
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k262
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k304
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h2.9k423
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h9.8k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.5k312
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k136
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h82894
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k195
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.6k655
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k156
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k150
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h1.9k239
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k298
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.5k214
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k254
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12k1.6k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h35237
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4.2k555
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11k1.5k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k201
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k203
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k160
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h69387
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8814
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42427
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1986
Sources
Transferrer: Charlie Miller
2:07:26
SBD
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.142429.sbd.miller.flac1648
Source:
SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Brown Eyed Women, Desolation Row and Might As Well are MP3 sourced from the GD Vault -- No encore because someone threw a bottle at the drummers during Comes A Time -- Thanks to Rob Eaton for the Dats -- Thanks to the Oade Brothers for the patch source -- I had a blast at this show and this mix really brings me back
Taper: Paul Scotton and Joani Walker
1:48:28
SBD
Rating:
6.00 / 4 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.sbd.walker-scotton.miller.106111.flac16
Source:
SBD -> ? -> 2nd Gen Cassette
Lineage:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Missing part of Set 1 -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Source 3 of 19
2:08:56
SBD
SHNID:
gd1986-03-31.177724.sbd.eaton.miller.repatch.flac1648
Taper: Michael Hessberg
2:05:15
Rating:
6.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.141051.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - source # 122001 (Pasternak) supplies - s1t07; last ten seconds - s1t08; first two seconds - s2t05; 5:40 - 6:20
Taper: Michael Hessberg
2:05:16
Taper:
Michael Hessberg
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24
Source:
Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses & flips; cross faded. - Second & final (I'm A) Roadrunner - A local & a bottle prevented an encore. - I was just behind the stage, Jerry's side when, during Comes a Time I heard a loud crack. I remember this very well cause my touring parter & everyones favorite jokester looked at me & said my name in a way that implicated me with a question mark. I never saw the incident but I heard it. What I did watch was a pissed off Kreutzman exit the stage. He prowled behind the stage looking up into the seats for the perpetrator. He returned to his "busted kit" midway through Truckin'. The band did their best to keep it together, but there was no way they were gonna come back out, so they swung into JGB & that was all she wrote.
Taper: Jon Pasternak
2:07:27
Rating:
7.00 / 3 ratings
Taper:
Jon Pasternak
Transferrer:
Charlie Miller
SHNID:
gd1986-03-31.122001.schoeps.pasternak.miller.flac16
Source:
(FOB) Schoeps -> PCM -> Dat
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 ->SHN -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is an upgrade to shnid=25527 -- The mic stand wasn't completely raised for the 1st minute of the show -- This was one of the many shows I lost a job over :)
Source 7 of 19
2:07:31
Rating:
6.00 / 3 ratings
SHNID:
gd86-03-31.fob-schoeps-pasternak.miller.25527.sbeok.shnf
Source:
Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper Notes:
View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:14
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156189.akgc422.davis-murtha-holbrook.flac2448
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
2:07:15
Taper:
Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-31.156188.akgc422.davis-murtha-holbrook.flac1644
Source:
Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center
Lineage:
Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
Taper Notes:
View NotesComments ++ missed on master: borrowed entire track from: https://archive.org/details/gd1986-03-31.139471.FOB.SennME80.Hessberg.Miller.Noel.t-flac24 // tape flips There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise". This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
Taper: chasingwilma
2:01:01
Rating:
10.00 / 2 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127568.chasingwilma.nak300-441.flac24
Source:
source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: chasingwilma
2:01:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-31.127552.chasingwilma.flac24
Source:
source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:00:25
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Chuck T.
SHNID:
gd1986-03-31.nak300.morris.crazyfingers.106556.flac16
Source:
Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90)
Lineage:
Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2
Taper: Jon Pasternak
2:03:19
Rating:
7.00 / 2 ratings
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-31.nak300.pasternak.mallick.102337.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Joe D'Amico
2:05:03
Rating:
8.00 / 1 rating
Taper:
Joe D'Amico
SHNID:
gd1986-03-31.nak300.damico.88001.flac16
Source:
nak 300 mics w/cp4 shot guns > sony d-5
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83475.flac24
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: s1t01 - low levels for first 1:12 , boosted by 5 decibels patches: s1t03 - subsecond patch at 2:03 s1t05 - last 6 seconds s1t06 - first 5 seconds s1t07 - first 5 seconds s2t05 - 2 seconds starting from 7:08 s2t06 - 17 seconds starting from 4:47 s2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: D. Thompson
2:02:49
Taper:
D. Thompson
Transferrer:
A. Egert and SIRMick
SHNID:
gd1986-03-31.fob.thompson.motb.83186.flac16
Source:
AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav
Taper Notes:
View NotesMastering notes: d1t01 - low levels for first 1:12 , boosted by 5 decibels patches: d1t03 - subsecond patch at 2:03 d1t05 - last 6 seconds d1t06 - first 5 seconds d1t07 - first 5 seconds d2t05 - 2 seconds starting from 7:08 d2t06 - 17 seconds starting from 4:47 d2t10 - 13 seconds starting from 4:18 mastered with Adobe Audition, Soundforge and Wavelab (using iZotope Ozone, TC Works Native Dex and Waves Xnoise downsampled & dithered with iZotope Ozone (Mbit+) tracked with CD Wave & flacs made with Mike Wren's Flac Frontend
Taper: Tony Suraci
2:05:05
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-31.nakcm304.suraci.sbeok.79912.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# the bulk of drums continued on side B of tape 2. * Recorded from front right corner of SBD. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Joe D'Amico
2:04:38
Taper:
Joe D'Amico
Transferrer:
Brian Mandel
SHNID:
gd1986-03-31.nak300.damico.25294.shnf
Source:
Nakamichi 300 Shotguns CP4's > Sony TCD5M > MAC
Lineage:
MAC > Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Source 19 of 19
2:07:33
Rating:
8.17 / 12 ratings
SHNID:
gd86-03-31.aud.eD.13463.sbeok.shnf
Source:
AUD>MC>CDR
Taper Notes:
View NotesAUD>MC>CDR; via Mr.Benson; seedeD