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June 14th
Years
1995
29.9k
PlaybackListensHours
48h45762
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k372
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k307
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k366
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.8k378
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k164
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.5k945
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h961109
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.6k306
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k560
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.2k159
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k228
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k984
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.5k208
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.9k251
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.6k1.3k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.8k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47648
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.8k638
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h2.9k367
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k180
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k264
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h825101
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11617
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h21417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1986
3/25/86
Tuning
3:50
Feel Like A Stranger
9:46
Tennessee Jed >
7:54
CC Rider
8:44
Tons Of Steel
5:14
It Must Have Been The Roses
5:19
Desolation Row >
11:16
Don't Ease Me In
3:05
Space >
2:40
Scarlet Begonias >
6:33
Touch Of Grey >
6:18
Looks Like Rain >
8:39
Goin' Down The Road Feeling Bad >
7:55
Drums >
11:17
Space >
8:04
Just Like Tom Thumb's Blues >
5:10
Black Peter >
7:25
Throwing Stones >
7:54
Turn On Your Love Light
3:31
Encore Break
1:09
E: Brokedown Palace
5:17
FIN
View on archive.org
Sources
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176167.sbd.donaldson.miller.clugston.flac1648
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176166.sbd.donaldson.miller.clugston.flac2496
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:14:51
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1986-03-25.145620.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145618.PandP-sbd.tobin.flac16
Source:
Patched and pitch corrected soundboard (44/16)
Taper Notes:
View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute Brokedown House Production
Source 5 of 24
2:14:02
SBD
Rating:
7.00 / 8 ratings
SHNID:
gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf
Source:
Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed
Taper Notes:
View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="ugc nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
Transferrer: Rob Harrison and Peter Braverman
2:14:02
SBD
Transferrer:
Rob Harrison and Peter Braverman
SHNID:
gd1986-03-25.sbd.braverman.9404.shnf
Source:
Soundboard
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesKnown flaws: Desolation Row cuts in abruptly at the vocal, the result of a tape flip. Thanks to Rob Harrison for the discs. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Stephen Thomas
2:11:16
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.172644.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Michael Hessberg for the Sennheiser ME80 source which supplies a 0:17 patch in the "Desolation Row > Don't Ease Me In" transition, as well as a 0:27 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Ted Mattes
2:17:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes
2:17:00
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Charlie Miller
2:13:22
Transferrer:
Charlie Miller
SHNID:
gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- DAT clone of Bryant's master - Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider - Starting out the second set, Healy invites a little chaos. - Phil, he's going back to Cuernavaca. - Bob musta got some, he thanks Philly (once again).
Source 11 of 24
2:11:16
SHNID:
gd1986-03-25.172643.nak304.thomas.miller.clugston.flac1648
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:27
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:29
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:14:49
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1986-03-25.145624.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145619.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesPatched during close to the end of Drums. This recording was fairly fast - about .7 second per minute Brokedown House Production
Taper: chasingwilma
2:11:59
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-25.127540.chasingwilma.flac24
Source:
source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: D5scott
2:08:51
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1986-03-25.117825.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * There are gaps that are filled in with this alternative source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m) --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mark McCue
2:11:43
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16
Source:
MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
Taper Notes:
View NotesComments: - * First time played Notes: - Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M) - Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) - SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.
Taper: Jon Pasternak
2:11:34
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-25.nak300.pasternak.mallick.105580.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Greg Holtz
2:11:13
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-25.nak100.holtz.jaz.102169.flac16
Source:
2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:11:55
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-25.nak300.damico.87672.flac16
Source:
nak 300 mics w/ cp4 shotguns
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:08:41
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-25.nak300.mandel.80002.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper Notes:
View NotesNote - Disc1 Flip after It Must Have Been the Roses Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start . flip - after Drums/Space
Taper: Tony Suraci
2:10:44
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# first Desolation Row, also a tape flip at the 9:42 mark. * Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 24 of 24
2:06:34
Rating:
7.45 / 11 ratings
SHNID:
gd86-03-25.beyer.connor.3188.sbeok.shnf
Source:
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (
Taper Notes:
View NotesAUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min