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June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.2k304
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67896
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.9k659
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.3k166
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3k395
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k360
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.7k466
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82792
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k194
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k188
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.4k817
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.3k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.4k1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k528
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k568
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k391
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k238
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.8k764
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59874
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13820
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h44432
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h483
7d1277
30d57234
2 shows
2 tapes
1986
3/25/86
Tuning
3:37
Feel Like a Stranger
9:36
Tennessee Jed
7:48
C. C. Rider
8:37
Tons of Steel
5:10
It Must Have Been the Roses
5:13
Desolation Row
10:54
Don't Ease Me In
2:54
space
2:43
Scarlet Begonias
6:29
Touch of Grey
6:07
Looks Like Rain
8:34
Goin' Down the Road Feeling Bad
7:49
drums
9:33
space
8:54
Just Like Tom Thumb's Blues
5:02
Black Peter
7:22
Throwin' Stones
7:51
Turn on Your Lovelight
3:37
Brokedown Palace (encore)
6:12
FIN
View on archive.org
Sources
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176167.sbd.donaldson.miller.clugston.flac1648
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176166.sbd.donaldson.miller.clugston.flac2496
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:14:51
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1986-03-25.145620.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145618.PandP-sbd.tobin.flac16
Source:
Patched and pitch corrected soundboard (44/16)
Taper Notes:
View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute Brokedown House Production
Source 5 of 24
2:14:02
SBD
Rating:
7.00 / 8 ratings
SHNID:
gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf
Source:
Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed
Taper Notes:
View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="ugc nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
Transferrer: Rob Harrison and Peter Braverman
2:14:02
SBD
Transferrer:
Rob Harrison and Peter Braverman
SHNID:
gd1986-03-25.sbd.braverman.9404.shnf
Source:
Soundboard
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesKnown flaws: Desolation Row cuts in abruptly at the vocal, the result of a tape flip. Thanks to Rob Harrison for the discs. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Stephen Thomas
2:11:16
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.172644.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Michael Hessberg for the Sennheiser ME80 source which supplies a 0:17 patch in the "Desolation Row > Don't Ease Me In" transition, as well as a 0:27 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Ted Mattes
2:17:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes
2:17:00
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Charlie Miller
2:13:22
Transferrer:
Charlie Miller
SHNID:
gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- DAT clone of Bryant's master - Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider - Starting out the second set, Healy invites a little chaos. - Phil, he's going back to Cuernavaca. - Bob musta got some, he thanks Philly (once again).
Source 11 of 24
2:11:16
SHNID:
gd1986-03-25.172643.nak304.thomas.miller.clugston.flac1648
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:27
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:29
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:14:49
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1986-03-25.145624.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145619.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesPatched during close to the end of Drums. This recording was fairly fast - about .7 second per minute Brokedown House Production
Taper: chasingwilma
2:11:59
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-25.127540.chasingwilma.flac24
Source:
source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: D5scott
2:08:51
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1986-03-25.117825.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * There are gaps that are filled in with this alternative source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m) --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mark McCue
2:11:43
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16
Source:
MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
Taper Notes:
View NotesComments: - * First time played Notes: - Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M) - Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) - SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.
Taper: Jon Pasternak
2:11:34
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-25.nak300.pasternak.mallick.105580.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Greg Holtz
2:11:13
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-25.nak100.holtz.jaz.102169.flac16
Source:
2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:11:55
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-25.nak300.damico.87672.flac16
Source:
nak 300 mics w/ cp4 shotguns
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:08:41
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-25.nak300.mandel.80002.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper Notes:
View NotesNote - Disc1 Flip after It Must Have Been the Roses Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start . flip - after Drums/Space
Taper: Tony Suraci
2:10:44
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# first Desolation Row, also a tape flip at the 9:42 mark. * Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 24 of 24
2:06:34
Rating:
7.45 / 11 ratings
SHNID:
gd86-03-25.beyer.connor.3188.sbeok.shnf
Source:
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (
Taper Notes:
View NotesAUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min