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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1986
3/25/86
Tuning
3:10
Feel Like A Stranger
8:35
Tennessee Jed
7:54
C.C. Rider
8:45
Tons Of Steel
5:01
It Must Have Been the Roses
5:33
Desolation Row
11:16
Don't Ease Me In
3:04
Tuning/Space
2:41
Scarlet Begonias
6:39
Touch Of Grey
6:11
Looks Like Rain
8:40
Goin' Down the Road Feeling Bad
7:55
Drums
9:55
Space
9:30
Just Like Tom Thumb's Blues
5:04
Black Peter
7:24
Throwing Stones
7:56
Turn On Your Lovelight
4:28
Brokedown Palace
5:10
FIN
View on archive.org
Sources
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176167.sbd.donaldson.miller.clugston.flac1648
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176166.sbd.donaldson.miller.clugston.flac2496
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:14:51
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1986-03-25.145620.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145618.PandP-sbd.tobin.flac16
Source:
Patched and pitch corrected soundboard (44/16)
Taper Notes:
View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute Brokedown House Production
Source 5 of 24
2:14:02
SBD
Rating:
7.00 / 8 ratings
SHNID:
gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf
Source:
Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed
Taper Notes:
View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="ugc nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
Transferrer: Rob Harrison and Peter Braverman
2:14:02
SBD
Transferrer:
Rob Harrison and Peter Braverman
SHNID:
gd1986-03-25.sbd.braverman.9404.shnf
Source:
Soundboard
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesKnown flaws: Desolation Row cuts in abruptly at the vocal, the result of a tape flip. Thanks to Rob Harrison for the discs. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Stephen Thomas
2:11:16
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.172644.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Michael Hessberg for the Sennheiser ME80 source which supplies a 0:17 patch in the "Desolation Row > Don't Ease Me In" transition, as well as a 0:27 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Ted Mattes
2:17:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes
2:17:00
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Charlie Miller
2:13:22
Transferrer:
Charlie Miller
SHNID:
gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- DAT clone of Bryant's master - Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider - Starting out the second set, Healy invites a little chaos. - Phil, he's going back to Cuernavaca. - Bob musta got some, he thanks Philly (once again).
Source 11 of 24
2:11:16
SHNID:
gd1986-03-25.172643.nak304.thomas.miller.clugston.flac1648
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:27
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:29
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:14:49
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1986-03-25.145624.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145619.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesPatched during close to the end of Drums. This recording was fairly fast - about .7 second per minute Brokedown House Production
Taper: chasingwilma
2:11:59
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-25.127540.chasingwilma.flac24
Source:
source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: D5scott
2:08:51
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1986-03-25.117825.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * There are gaps that are filled in with this alternative source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m) --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mark McCue
2:11:43
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16
Source:
MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
Taper Notes:
View NotesComments: - * First time played Notes: - Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M) - Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) - SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.
Taper: Jon Pasternak
2:11:34
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-25.nak300.pasternak.mallick.105580.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Greg Holtz
2:11:13
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-25.nak100.holtz.jaz.102169.flac16
Source:
2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:11:55
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-25.nak300.damico.87672.flac16
Source:
nak 300 mics w/ cp4 shotguns
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:08:41
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-25.nak300.mandel.80002.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper Notes:
View NotesNote - Disc1 Flip after It Must Have Been the Roses Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start . flip - after Drums/Space
Taper: Tony Suraci
2:10:44
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# first Desolation Row, also a tape flip at the 9:42 mark. * Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 24 of 24
2:06:34
Rating:
7.45 / 11 ratings
SHNID:
gd86-03-25.beyer.connor.3188.sbeok.shnf
Source:
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (
Taper Notes:
View NotesAUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min