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Today In History
June 11th
Years
1995
30.1k
PlaybackListensHours
48h59080
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k308
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k195
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10.1k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k334
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k250
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k693
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k157
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k291
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17.1k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37640
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k534
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k281
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k204
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k164
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68687
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8914
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1986
3/25/86
Tuning
3:50
Feel Like A Stranger
9:46
Tennessee Jed >
7:54
CC Rider
8:44
Tons Of Steel
5:14
It Must Have Been The Roses
5:19
Desolation Row >
11:16
Don't Ease Me In
3:05
Space >
2:40
Scarlet Begonias >
6:33
Touch Of Grey >
6:18
Looks Like Rain >
8:39
Goin' Down The Road Feeling Bad >
7:55
Drums >
11:17
Space >
8:04
Just Like Tom Thumb's Blues >
5:10
Black Peter >
7:25
Throwing Stones >
7:54
Turn On Your Love Light
3:31
Encore Break
1:09
E: Brokedown Palace
5:17
FIN
View on archive.org
Sources
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176167.sbd.donaldson.miller.clugston.flac1648
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Taper: Dougal Donaldson
2:17:00
SBD
Taper:
Dougal Donaldson
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.176166.sbd.donaldson.miller.clugston.flac2496
Source:
Soundboard > VHS Master (Sony Handycam)(Stereo) > Dougal Donaldson's 1st Generation Cassettes > Sony TC-D5M (Maxell XLIIS-90 (Dolby B)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Dougal Donaldson for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Connor for the Beyer M88 source which supplies a 0:17 patch in the "It Must Have Been The Roses > Desolation Row" transition, as well as a 0:47 patch in "Space" - Debut of "Desolation Row" - All soundboard sources in general circulation derive from this source - Pitch corrected Mastered by Scott Clugston January 2026
Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
2:14:51
SBD
Transferrer:
SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin
SHNID:
gd1986-03-25.145620.mtx.tobin.flac16
Source:
SBD + AUD Matrix 2 Source Mix (44/16)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145618.PandP-sbd.tobin.flac16
Source:
Patched and pitch corrected soundboard (44/16)
Taper Notes:
View NotesPatches during start of Desolation Row and close to the end of Drums. This recording was extremely fast - about 1 second per minute Brokedown House Production
Source 5 of 24
2:14:02
SBD
Rating:
7.00 / 8 ratings
SHNID:
gd86-03-25.sbd.braverman-munder.9880.sbeok.shnf
Source:
Shntool fix by Willy of previous <a href= "http://db.etree.org/shninfo_detail.php?shnid=9404">Braverman</a> seed
Taper Notes:
View NotesShntool fix by Willy of previous <a href="http://db.etree.org/shninfo_detail.php?shnid=9404" rel="ugc nofollow">Braverman</a> seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
Transferrer: Rob Harrison and Peter Braverman
2:14:02
SBD
Transferrer:
Rob Harrison and Peter Braverman
SHNID:
gd1986-03-25.sbd.braverman.9404.shnf
Source:
Soundboard
Lineage:
Master Cassette> DAT> CD> SHN
Taper Notes:
View NotesKnown flaws: Desolation Row cuts in abruptly at the vocal, the result of a tape flip. Thanks to Rob Harrison for the discs. Seeded by Peter Braverman ([email protected]), May 2002.
Taper: Stephen Thomas
2:11:16
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1986-03-25.172644.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Michael Hessberg for the Sennheiser ME80 source which supplies a 0:17 patch in the "Desolation Row > Don't Ease Me In" transition, as well as a 0:27 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Ted Mattes
2:17:00
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151099.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes
2:17:00
Rating:
10.00 / 1 rating
Taper:
Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1986-03-25.151098.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassettes - Thanks to Charlie Connor for the Beyer M88 source which supplies the beginning of "Desolation Row" (0:08) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:33 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Charlie Miller
2:13:22
Transferrer:
Charlie Miller
SHNID:
gd1986-03-25.139773.FOB.Schoeps.Oade.Bryant.Gastwirt.Miller.Noel.t-flac1644
Source:
Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller
Lineage:
DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
Taper Notes:
View Notes- DAT clone of Bryant's master - Hints of Revolutionary Hamstrung Blues after hints of IMBTR after CC Rider - Starting out the second set, Healy invites a little chaos. - Phil, he's going back to Cuernavaca. - Bob musta got some, he thanks Philly (once again).
Source 11 of 24
2:11:16
SHNID:
gd1986-03-25.172643.nak304.thomas.miller.clugston.flac1648
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:27
Rating:
10.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156081.beyerm201-murtha.holbrook.flac2448
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
2:13:29
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1986-03-25.156080.beyerm201-murtha.holbrook.flac1644
Source:
Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesnote: ++ Bobby says before they start playing, "This next one is in the key of F...I think" ## First time played There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks. I listened to several FOB audience sources from this tour and they all have this "noise".
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:14:49
Rating:
10.00 / 1 rating
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1986-03-25.145624.5-1.tobin.flac1648
Source:
5.1 LPCM Surround Sound Mix (48k)
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 09-MAR-2019 - Trader Little Helper - Tagged 09-MAR-2019 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:14:51
Transferrer:
Kevin Tobin
SHNID:
gd1986-03-25.145619.PandP-aud.tobin.flac16
Source:
Patched and pitch corrected audience (44/16)
Taper Notes:
View NotesPatched during close to the end of Drums. This recording was fairly fast - about .7 second per minute Brokedown House Production
Taper: chasingwilma
2:11:59
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1986-03-25.127540.chasingwilma.flac24
Source:
source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: D5scott
2:08:51
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1986-03-25.117825.BeyerM160.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notesnote: * There are gaps that are filled in with this alternative source: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m) --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Mark McCue
2:11:43
Rating:
8.00 / 1 rating
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1986-03-25.senn441.mccue.ford.111954.sbeok.flac16
Source:
MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
Taper Notes:
View NotesComments: - * First time played Notes: - Set One tape flip patched with shnid 3188 (Beyer Dynamic M88 > Sony TC-D5M) - Set Two tape flip patched with shnid 102169 (Nakamichi cm 100's w/shotguns > Sony TC-D5) - SBE Free. Files meta tagged with Tag&Rename. All editing and mastering with UAD-1 in 24/88.2.
Taper: Jon Pasternak
2:11:34
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak and Dave Mallick
SHNID:
gd1986-03-25.nak300.pasternak.mallick.105580.flac16
Source:
Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m)
Lineage:
Nak DR-2>Tascam CDRW2000>CD; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
Taper: Greg Holtz
2:11:13
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1986-03-25.nak100.holtz.jaz.102169.flac16
Source:
2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5
Lineage:
Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
Taper: Joe D'Amico
2:11:55
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1986-03-25.nak300.damico.87672.flac16
Source:
nak 300 mics w/ cp4 shotguns
Lineage:
nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Brian Mandel
2:08:41
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1986-03-25.nak300.mandel.80002.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper Notes:
View NotesNote - Disc1 Flip after It Must Have Been the Roses Note - Disc 2 goes over 80 minutes, you can either move the encore or tuning/space to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start . flip - after Drums/Space
Taper: Tony Suraci
2:10:44
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1986-03-25.nakcm304.suraci.sbeok.79901.flac16
Source:
Nak CM304's>Sony D5
Lineage:
Nak CR5A>Lunatec V3>SD722
Taper Notes:
View Notes# first Desolation Row, also a tape flip at the 9:42 mark. * Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Source 24 of 24
2:06:34
Rating:
7.45 / 11 ratings
SHNID:
gd86-03-25.beyer.connor.3188.sbeok.shnf
Source:
AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (
Taper Notes:
View NotesAUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min