12
1983
Sources
Taper: Steve Marcus
2:29:55
SBD
Taper:
Steve Marcus
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-12-30.169108.sbd.marcus.menke.miller.clugston.flac2496
Source:
Steve Marcus' Master Soundboard Cassettes > Sony WM-D6C (Maxell MX-90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (24-bit/96k .wav) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Steve Marcus for the Master Soundboard Cassettes - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source, as well as Joani Walker (RIP), Paul Scotton and Charlie Miller for the soundboard source which, when combined, supplies a 0:43 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2024
Taper: Steve Marcus
2:29:55
SBD
Taper:
Steve Marcus
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-12-30.169107.sbd.marcus.menke.miller.clugston.flac1648
Source:
Steve Marcus' Master Soundboard Cassettes > Sony WM-D6C (Maxell MX-90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (24-bit/96k .wav) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Steve Marcus for the Master Soundboard Cassettes - Thanks to Bob Menke for the transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source, as well as Joani Walker (RIP), Paul Scotton and Charlie Miller for the soundboard source which, when combined, supplies a 0:43 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2024
Taper: Bill Bradt
2:28:54
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-12-30.176298.nak700.bradt.miller.clugston.flac2496
Source:
Bill Bradt's Master Audience Cassettes: Nakamichi 700 mics > dbx223 > Sony D5M (TDK MA-90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source and Doug Lamarre for the Sennheiser 441 source which, when combined, supplies a 0:38 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2025
Taper: Bill Bradt
2:28:54
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-12-30.176297.nak700.bradt.miller.clugston.flac1648
Source:
Bill Bradt's Master Audience Cassettes: Nakamichi 700 mics > dbx223 > Sony D5M (TDK MA-90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (24 bit-96k .wav) > Adobe Audition CC 2026 (DDi codec) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt (RIP) and Kathy Weir Bradt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source and Doug Lamarre for the Sennheiser 441 source which, when combined, supplies a 0:38 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2025
Taper: Andrew F.
2:28:46
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1983-12-30.senn441.andrewf.30072.sbeok.flac16
Source:
MD-441 mics > Marantz PMD-340 cassette deck Taped onto Sony UC-XS 90 cassette tape with Dolby On Set up FOB aprx 25 feet from stage, mics on 8-foot stand
Lineage:
Master Cassette > Sony TC-D5M > Marantz CDR-500 > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
Taper Notes:
View Notes-- First notes clipped: Ramble on Rose, Rooster (tape flip), and Terrapin. -- Tape flip at end of drums. Aprx fifteen seconds missing start of space. -- At these new year's shows, there were no right and left side speaker stacks. Instead, there was one large group of speaker stacks directly over center stage and arrayed in a semi-circle. We set up right underneath the speaker array, and angled the mics upwards. -- This was a tremendous show with great energy. (Shakedown!) After Day Job, the crowd stayed and cheered for aprx 10 minutes while the BGP people tried to get us to leave. Jerry has left the building! -- Combined CDR tracks with WavMerge, made fades with Soundforge, retracked with CD-Wave, SBE-OK and checksums with Trader's Little Helper, lossless compression with Flac Frontend.