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Re
1983
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June 18th
9 shows
70 tapes
Years
1995
30.6k
49 shows
343 tapes
1994
13k
85 shows
460 tapes
1993
40k
83 shows
656 tapes
1992
44.9k
57 shows
539 tapes
1991
44.7k
78 shows
973 tapes
1990
54.4k
78 shows
1,139 tapes
1989
48.4k
78 shows
1,017 tapes
1988
20.1k
82 shows
882 tapes
1987
43.2k
88 shows
1,025 tapes
1986
12.7k
47 shows
684 tapes
1985
33.3k
73 shows
1,357 tapes
1984
27.1k
67 shows
1,075 tapes
1983
20.7k
71 shows
1,069 tapes
1982
42.3k
63 shows
753 tapes
1981
30k
92 shows
868 tapes
1980
70.8k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
37.7k
87 shows
592 tapes
1977
241.3k
64 shows
418 tapes
1976
103.1k
45 shows
298 tapes
1975
6.4k
25 shows
63 tapes
1974
87.5k
42 shows
324 tapes
1973
90.6k
75 shows
445 tapes
1972
57.5k
88 shows
361 tapes
1971
33.6k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.6k
112 shows
326 tapes
1968
7.5k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
7k
32 shows
78 tapes
1965
637
2 shows
2 tapes
1983
10/20/83
tuning
0:15
Bertha ->
6:10
Greatest Story Ever Told
3:51
West A.A. Fadeaway
8:05
New Minglewood Blues
9:30
Tennessee Jed
7:43
tuning
1:25
Hell in a Bucket
6:15
Row Jimmy
9:09
Looks Like Rain ->
8:31
Deal
9:00
tuning
0:38
Help on the Way ->
3:14
Slipknot! ->
6:21
Franklin's Tower ->
10:15
Samson & Delilah
8:48
Eyes of the World ->
12:31
Drums ->
9:05
Space ->
7:02
Spanish Jam ->
4:31
The Other One ->
9:26
Stella Blue ->
11:11
Around & Around ->
3:49
Good Lovin'
9:10
Day Job
4:31
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:53:35
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-20.164900.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 5:33 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Eaton
2:53:35
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-20.164899.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies an 5:33 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens
2:48:42
Taper:
Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-20.143326.beyerm201.holbrook.flac2448
Source:
Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M
Lineage:
Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ paused tape between songs // tape flip ** missed with Beyers; 1st gen from kidwells's master # during drums you can hear a security guard yell at the tapers, "Stay down, Stay DOWN, IF you want to stay in here STAY Down!" apparently we lowered the stand for a while. ^ brief cut at start of track (had to swap tapes back to tape 1 about 20 seconds after ). &^% Aggregious cut at end of show tape ran out on tape 1 tour story in text file
Taper: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens
2:48:42
Taper:
Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-20.143325.beyerm201.holbrook.flac1644
Source:
Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M
Lineage:
Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes/ paused tape between songs // tape flip ** missed with Beyers; 1st gen from kidwells's master # during drums you can hear a security guard yell at the tapers, "Stay down, Stay DOWN, IF you want to stay in here STAY Down!" apparently we lowered the stand for a while. ^ brief cut at start of track (had to swap tapes back to tape 1 about 20 seconds after ). &^% Aggregious cut at end of show tape ran out on tape 1 tour story in text file
Taper: Jeff Silberman
3:00:43
Rating:
8.00 / 5 ratings
Taper:
Jeff Silberman
Transferrer:
Jeff Silberman
SHNID:
gd83-10-20.senn-silberman.skankweed.13164.sbeok.shnf
Source:
Audience: Sennheiser 441's
Lineage:
Senn 441s (FOB) > PCM > DAT > CDRx? > EAC > SF 6.0 > CD Wave > SHN
Taper Notes:
View NotesSeveral small dropouts and some diginoise were removed from the first set, all of which were in between songs. One spot of d/n in Samson was removed transparently. The end of Day Job was patched from an alternate source. All editing and patching of the source done in Sound Forge 6.0 by Skankweed ([email protected]). Discs were then retracked with CD WAVE and verified with SHNTOOL. I think this is glitch free, but please report any problems to me so I can fix them. I don't normally provide filler, but since the encore is also missing from the Silberman recording of 10/21 I'm providing it here to get it into wider circulation. This version is from the same Sony source used to patch the encore on these discs. Thanks to Duncan for providing the source discs.