RELISTENTOTHE Grateful Dead
Re
1983
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Grateful Dead
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1983
10/11/83
Wang Dang Doodle
7:49
Jack Straw
5:36
Loser
7:23
Me And My Uncle >
3:16
Mexicali Blues
4:55
Bird Song
11:42
Hell in a Bucket
5:44
Day Job
4:40
China Cat Sunflower >
6:12
I Know You Rider
8:28
I Need a Miracle
4:52
Bertha >
6:10
Jam >
3:18
China Doll >
8:35
Drums >
12:39
Space >
11:15
St. Stephen >
7:02
Throwing Stones >
9:22
Touch of Grey
6:44
Johnny B. Goode
4:21
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
2:28:25
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-10-11.135250.mtx.v2.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard(shnid:07372)SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91124) Recording Info:(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller
Taper Notes:
View Notes***This is a completely new matrix, with a different audience source than the one used for gd83-10-11.120001.mtx.dusborne.flac16. That was my third matrix and I was never happy with the results, there were a lot of phasing issues that have been fixed in this new matrix.
Taper: Executive Crew Kyle Holbrook Tom Pinney
2:21:21
SBD
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-11.143259.senn421-beyer-m201.holbrook.flac2448
Source:
Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes* volume fluctuation ~2:35 >end of tune, some mic pre-amp distortion ,then levels get turned down. / paused tape between songs + Bobby says: "Jerry's speaker just barked its' heart out, so we're gonna change it" tour story in text file
Taper: Executive Crew Kyle Holbrook Tom Pinney
2:21:21
SBD
Rating:
10.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-11.143258.senn421-beyer-m201.holbrook.flac1644
Source:
Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes3b7924fb39d7bdc2a9260055ba2e04ff *gd1983-10-11msgholbrook-16s1t01.flac 3ecc73998c24a6b52162a74b1c338c40 *gd1983-10-11msgholbrook-16s1t02.flac 7bfbdd4fbd2333f86825db9be0857365 *gd1983-10-11msgholbrook-16s1t03.flac 7935e7373601a2f4298bfc767e5e6715 *gd1983-10-11msgholbrook-16s1t04.flac dfb11e0ed95a31c222191d129255f1c8 *gd1983-10-11msgholbrook-16s1t05.flac 61ab91778caaec946608d221edd78490 *gd1983-10-11msgholbrook-16s1t06.flac f72898aec3b4b02377327723c36043cf *gd1983-10-11msgholbrook-16s1t07.flac e437cfdee62e7e8a5c93a24968fa8319 *gd1983-10-11msgholbrook-16s1t08.flac 78a10aa2b340330baf3c418a152902f3 *gd1983-10-11msgholbrook-16s1t09.flac 494cea665a4b8b7bbf68f5e0a683390e *gd1983-10-11msgholbrook-16s2t01.flac 6b31395c38e6b172b460b0cc108adca7 *gd1983-10-11msgholbrook-16s2t02.flac 73e7e3aaa10a5242a47637ec36c6afc6 *gd1983-10-11msgholbrook-16s2t03.flac 03ff17977bc35720974e4e49f44fe55a *gd1983-10-11msgholbrook-16s2t04.flac 7c6ba6bef56c578d4fc3e0f4f1fd6ed7 *gd1983-10-11msgholbrook-16s2t05.flac a9ed5552b73d20295665dc01eb3da486 *gd1983-10-11msgholbrook-16s2t06.flac 6f3b8f5113db343aec5d5b9de47dbd4d *gd1983-10-11msgholbrook-16s2t07.flac 5b5513784e3528a7b7f242c2abad6a92 *gd1983-10-11msgholbrook-16s2t08.flac bb12f15a098b30b40d989a83d47ed9f4 *gd1983-10-11msgholbrook-16s2t09.flac 7d6a70a098cdf69b960e0b0ac91114f5 *gd1983-10-11msgholbrook-16s2t10.flac 2acc7456b857ad1ff5d14e74eb257f6c *gd1983-10-11msgholbrook-16s2t11.flac 4d86c1aae1ee27b35793d096415f6a13 *gd1983-10-11msgholbrook-16s2t12.flac 8318edfb38794267ebe877b3521078f6 *gd1983-10-11msgholbrook-16s2t13.flac
Transferrer: matrix by dusborne
2:27:47
SBD
Rating:
10.00 / 4 ratings
Transferrer:
matrix by dusborne
SHNID:
gd1983-10-11.120001.mtx.dusborne.flac16
Source:
2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT;
Lineage:
DAT > ZA2 > SoundForge
Taper Notes:
View Notes----------------------------------------------------------------------------------------- 2 source matrix: Soundboard (shnid=07372): ----------------------------------------------------------------------------------------- gd83-10-11.07372.sbd.braverman.sbeok.t-flac16 Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN Audience (shnid=00344): ------------------------------------------------------------------------------------------ gd83-10-11.00344.fob-senn421.silberman-gustin.sbeok.t-flac16 Source: FOB Sennheiser 441's > Technics PCM master > DAT Transfer: DAT > ZA2 > SoundForge Taper: Jeff Silberman ------------------------------------------------------------------------------------------ -Thank you to Bob Harrell and Peter Braverman for their work on and making available the sbd. -Thank you Jeff Silberman for recording the show. -Thank you Andy G. for making the Audience recording available. -Thanks to germain for everything;seeding,encouragement,advice and tutelage. Matrix by dusborne using Sound Forge Pro 10.0, Samplitude 11.5 Producer and Audacity 2.0 for tracking. 04-25-2012 ------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ Notes: Mix Ratio: SBD -3 db Aud 0 db ** some minor mix adjustments here and there when needed ** No noise reduction was used in this matrix. set 1 ---Aud was patched with SBD for 3 seconds in Jack Straw. ---Aud was patched with SBD for 2 seconds during the transition between Uncle->Mex due to a sonic anomaly. ---Aud was patched with SBD for 1 second right before Bucket. set 2 ---SBD patched with Aud for 35 seconds during China Doll. ---Aud patched with SBD for 25 seconds during the jam into drums. ---Aud patched with SBD for 1 minute and 2 seconds during drums. ---SBD patched with Aud for 1 minute and 52 seconds during Touch of Grey. ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 04-25-2012 ------------------------------------------------------------------------------------------
Transferrer: Dr. Goodseeds
2:20:03
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Dr. Goodseeds
SHNID:
gd1983-10-11.sbd.harrell.14525.shnf
Source:
SBD > Cassette Master
Lineage:
Cassette Master > Dat x 2 > CDR > SHN
Taper Notes:
View Notesnotes - These discs made avaliable to gdlive are identicle in terms of tracking and editing as those seeded on etree but these do have minimal noise reduction. These are the copies I listen to. I believe there is nothing wrong with NR and many of the folks downloading from gdlive don't have the capablities and or time to perform such procedures. So if you are worried about a good listen get these. If you are worried about collectiblity or want to do your own NR and or GE get the etree version. I made several splices to patch cassette flips using the etree audience version of this show and used many different technics to make these splices as transparent as possible. All editing was done using Cool Edit Pro. Patches are found on the following tracks: - patch: d2t01 0:00.00 -> 0:12.20 - patch: d2t06 3:53.19 -> 4:29.22 - patch: d3t04 2:42.23 -> 4:33.06 - I would like to thank my friend Bob for getting me the etree discs to make the patches and thank Jay Silberman for taking the time to record these wonderful audience tapes. Any questions or commennts feel free to contact me at [email protected]
Taper: Rob Eaton
2:27:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-11.167346.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2023
Taper: Rob Eaton
2:27:29
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-11.167345.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2023
Taper: Chris Hecht
1:27:51
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.148172.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space" - Sugar Magnolia tease before "Touch Of Grey" - Pitch corrected - Set One tape lost Mastered by Scott Clugston September 2019
Taper: Chris Hecht
1:27:51
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.148171.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space" - Sugar Magnolia tease before "Touch Of Grey" - Pitch corrected - Set One tape lost Mastered by Scott Clugston September 2019
Taper: Mark Cohen
2:23:45
Rating:
10.00 / 1 rating
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143611.fob.nak700.cohen.miller.clugston.flac2496
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mark Cohen
2:23:45
Rating:
9.00 / 2 ratings
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143610.fob.nak700.cohen.miller.clugston.flac1648
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Jim Wise
2:20:04
Rating:
9.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143046.beyer.m160.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the shnid137301 Sennheiser 421 source which supplies a 0:13 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston August 2018
Source 23 of 32
2:26:49
SHNID:
gd1983-10-11.168941.mtx.seamons.ht170.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 11, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected a little faster using Jeff Silberman's PCM Dat as a reference. The speed was increased 0.25% for set 1 through Mexicali Blues, then 0.5% for Bird Song, then 0.6% through the rest of the show, with a couple sections at 0.8%. Silberman's AUD source via Andy Gustin (shnid=344, 1/31/00), patches breaks between songs in the AUD, including brief cuts at the beginnings of Bird Song, Hell In A Bucket, and China Cat Sunflower. A 20-second section in Bird Song is patched where the Beyer M160 source becomes briefly dampened. Approximately 1:20 is also patched during Drums. AUD-only cuts between songs were cross-faded. Some light EQ was used during set two only for the SBD. EQ was also used to address some boominess in the AUD during the second set (the SBD had more bass too). The sound dynamics changed in the SBD source for the second set, with some hotter levels and a more blarey sound for the first several songs, then less apparent as it goes, but still pleasing after being matrixed. Made some initial minor SBD level adjustments. There is a little static burst hiccup in China Cat at 3:20. A few others occur in set two. Several clicks removed during Drums, Space, St. Stephen and Throwing Stones.