10
1983
Sources
Transferrer: Matrix by Dave Usborne
2:28:25
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-10-11.135250.mtx.v2.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard(shnid:07372)SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91124) Recording Info:(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller
Taper Notes:
View Notes***This is a completely new matrix, with a different audience source than the one used for gd83-10-11.120001.mtx.dusborne.flac16. That was my third matrix and I was never happy with the results, there were a lot of phasing issues that have been fixed in this new matrix.
Taper: Executive Crew Kyle Holbrook Tom Pinney
2:21:21
SBD
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-11.143259.senn421-beyer-m201.holbrook.flac2448
Source:
Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes* volume fluctuation ~2:35 >end of tune, some mic pre-amp distortion ,then levels get turned down. / paused tape between songs + Bobby says: "Jerry's speaker just barked its' heart out, so we're gonna change it" tour story in text file
Taper: Executive Crew Kyle Holbrook Tom Pinney
2:21:21
SBD
Rating:
10.00 / 2 ratings
Taper:
Executive Crew Kyle Holbrook Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-11.143258.senn421-beyer-m201.holbrook.flac1644
Source:
Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes3b7924fb39d7bdc2a9260055ba2e04ff *gd1983-10-11msgholbrook-16s1t01.flac 3ecc73998c24a6b52162a74b1c338c40 *gd1983-10-11msgholbrook-16s1t02.flac 7bfbdd4fbd2333f86825db9be0857365 *gd1983-10-11msgholbrook-16s1t03.flac 7935e7373601a2f4298bfc767e5e6715 *gd1983-10-11msgholbrook-16s1t04.flac dfb11e0ed95a31c222191d129255f1c8 *gd1983-10-11msgholbrook-16s1t05.flac 61ab91778caaec946608d221edd78490 *gd1983-10-11msgholbrook-16s1t06.flac f72898aec3b4b02377327723c36043cf *gd1983-10-11msgholbrook-16s1t07.flac e437cfdee62e7e8a5c93a24968fa8319 *gd1983-10-11msgholbrook-16s1t08.flac 78a10aa2b340330baf3c418a152902f3 *gd1983-10-11msgholbrook-16s1t09.flac 494cea665a4b8b7bbf68f5e0a683390e *gd1983-10-11msgholbrook-16s2t01.flac 6b31395c38e6b172b460b0cc108adca7 *gd1983-10-11msgholbrook-16s2t02.flac 73e7e3aaa10a5242a47637ec36c6afc6 *gd1983-10-11msgholbrook-16s2t03.flac 03ff17977bc35720974e4e49f44fe55a *gd1983-10-11msgholbrook-16s2t04.flac 7c6ba6bef56c578d4fc3e0f4f1fd6ed7 *gd1983-10-11msgholbrook-16s2t05.flac a9ed5552b73d20295665dc01eb3da486 *gd1983-10-11msgholbrook-16s2t06.flac 6f3b8f5113db343aec5d5b9de47dbd4d *gd1983-10-11msgholbrook-16s2t07.flac 5b5513784e3528a7b7f242c2abad6a92 *gd1983-10-11msgholbrook-16s2t08.flac bb12f15a098b30b40d989a83d47ed9f4 *gd1983-10-11msgholbrook-16s2t09.flac 7d6a70a098cdf69b960e0b0ac91114f5 *gd1983-10-11msgholbrook-16s2t10.flac 2acc7456b857ad1ff5d14e74eb257f6c *gd1983-10-11msgholbrook-16s2t11.flac 4d86c1aae1ee27b35793d096415f6a13 *gd1983-10-11msgholbrook-16s2t12.flac 8318edfb38794267ebe877b3521078f6 *gd1983-10-11msgholbrook-16s2t13.flac
Transferrer: matrix by dusborne
2:27:47
SBD
Rating:
10.00 / 4 ratings
Transferrer:
matrix by dusborne
SHNID:
gd1983-10-11.120001.mtx.dusborne.flac16
Source:
2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT;
Lineage:
DAT > ZA2 > SoundForge
Taper Notes:
View Notes----------------------------------------------------------------------------------------- 2 source matrix: Soundboard (shnid=07372): ----------------------------------------------------------------------------------------- gd83-10-11.07372.sbd.braverman.sbeok.t-flac16 Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN Audience (shnid=00344): ------------------------------------------------------------------------------------------ gd83-10-11.00344.fob-senn421.silberman-gustin.sbeok.t-flac16 Source: FOB Sennheiser 441's > Technics PCM master > DAT Transfer: DAT > ZA2 > SoundForge Taper: Jeff Silberman ------------------------------------------------------------------------------------------ -Thank you to Bob Harrell and Peter Braverman for their work on and making available the sbd. -Thank you Jeff Silberman for recording the show. -Thank you Andy G. for making the Audience recording available. -Thanks to germain for everything;seeding,encouragement,advice and tutelage. Matrix by dusborne using Sound Forge Pro 10.0, Samplitude 11.5 Producer and Audacity 2.0 for tracking. 04-25-2012 ------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------ Notes: Mix Ratio: SBD -3 db Aud 0 db ** some minor mix adjustments here and there when needed ** No noise reduction was used in this matrix. set 1 ---Aud was patched with SBD for 3 seconds in Jack Straw. ---Aud was patched with SBD for 2 seconds during the transition between Uncle->Mex due to a sonic anomaly. ---Aud was patched with SBD for 1 second right before Bucket. set 2 ---SBD patched with Aud for 35 seconds during China Doll. ---Aud patched with SBD for 25 seconds during the jam into drums. ---Aud patched with SBD for 1 minute and 2 seconds during drums. ---SBD patched with Aud for 1 minute and 52 seconds during Touch of Grey. ----------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 04-25-2012 ------------------------------------------------------------------------------------------
Transferrer: Dr. Goodseeds
2:20:03
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Dr. Goodseeds
SHNID:
gd1983-10-11.sbd.harrell.14525.shnf
Source:
SBD > Cassette Master
Lineage:
Cassette Master > Dat x 2 > CDR > SHN
Taper Notes:
View Notesnotes - These discs made avaliable to gdlive are identicle in terms of tracking and editing as those seeded on etree but these do have minimal noise reduction. These are the copies I listen to. I believe there is nothing wrong with NR and many of the folks downloading from gdlive don't have the capablities and or time to perform such procedures. So if you are worried about a good listen get these. If you are worried about collectiblity or want to do your own NR and or GE get the etree version. I made several splices to patch cassette flips using the etree audience version of this show and used many different technics to make these splices as transparent as possible. All editing was done using Cool Edit Pro. Patches are found on the following tracks: - patch: d2t01 0:00.00 -> 0:12.20 - patch: d2t06 3:53.19 -> 4:29.22 - patch: d3t04 2:42.23 -> 4:33.06 - I would like to thank my friend Bob for getting me the etree discs to make the patches and thank Jay Silberman for taking the time to record these wonderful audience tapes. Any questions or commennts feel free to contact me at [email protected]
Taper: Rob Eaton
2:27:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-11.167346.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2023
Taper: Rob Eaton
2:27:29
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1983-10-11.167345.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 mics + (1) Neumann U87 mic blend (mounted on soundboard) > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies the first 0:25 of "China Cat Sunflower", as well as Mark Cohen for the Nakamichi 700 source, which combined with Silberman's Sennheiser 441 source, supplies a 6:37 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2023
Taper: Chris Hecht
1:27:51
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.148172.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space" - Sugar Magnolia tease before "Touch Of Grey" - Pitch corrected - Set One tape lost Mastered by Scott Clugston September 2019
Taper: Chris Hecht
1:27:51
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.148171.2nd.set.fob.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the shnid32644 (FOB) Beyer M160 source which supplies a 3:41 patch in "Drums > Space" - Sugar Magnolia tease before "Touch Of Grey" - Pitch corrected - Set One tape lost Mastered by Scott Clugston September 2019
Taper: Mark Cohen
2:23:45
Rating:
10.00 / 1 rating
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143611.fob.nak700.cohen.miller.clugston.flac2496
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Mark Cohen
2:23:45
Rating:
9.00 / 2 ratings
Taper:
Mark Cohen
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143610.fob.nak700.cohen.miller.clugston.flac1648
Source:
Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg)
Lineage:
Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Cohen for the master (FOB) cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Eaton, J.J. Clifton and Charlie Miller for the shnid91124 Sennheiser 421 + Neumann U87 blend source which supplies a 0:48 patch in "Drums" - Pitch corrected Mastered by Scott Clugston November 2018
Taper: Jim Wise
2:20:04
Rating:
9.00 / 2 ratings
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-10-11.143046.beyer.m160.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Charlie Miller for the shnid137301 Sennheiser 421 source which supplies a 0:13 patch in "Drums" - Pitch Corrected Mastered by Scott Clugston August 2018
Source 23 of 32
2:26:49
SHNID:
gd1983-10-11.168941.mtx.seamons.ht170.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) October 11, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected a little faster using Jeff Silberman's PCM Dat as a reference. The speed was increased 0.25% for set 1 through Mexicali Blues, then 0.5% for Bird Song, then 0.6% through the rest of the show, with a couple sections at 0.8%. Silberman's AUD source via Andy Gustin (shnid=344, 1/31/00), patches breaks between songs in the AUD, including brief cuts at the beginnings of Bird Song, Hell In A Bucket, and China Cat Sunflower. A 20-second section in Bird Song is patched where the Beyer M160 source becomes briefly dampened. Approximately 1:20 is also patched during Drums. AUD-only cuts between songs were cross-faded. Some light EQ was used during set two only for the SBD. EQ was also used to address some boominess in the AUD during the second set (the SBD had more bass too). The sound dynamics changed in the SBD source for the second set, with some hotter levels and a more blarey sound for the first several songs, then less apparent as it goes, but still pleasing after being matrixed. Made some initial minor SBD level adjustments. There is a little static burst hiccup in China Cat at 3:20. A few others occur in set two. Several clicks removed during Drums, Space, St. Stephen and Throwing Stones.