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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h61882
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k389
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.2k286
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k295
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k384
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k426
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.7k345
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.3k148
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.1k905
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h886101
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.5k413
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.4k525
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.2k155
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k229
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h7.3k847
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.3k188
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.7k227
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.7k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.4k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41942
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.4k428
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.6k609
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.8k357
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.7k205
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k275
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h826101
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11316
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24818
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h352
7d1128
30d63237
2 shows
2 tapes
1983
10/8/83
Crowd..Tuning
2:43
Feel Like A Stranger
7:22
Friend Of The Devil
8:34
Minglewood Blues
8:38
Brown Eyed Women
5:22
Cassidy (Tape Flip After Song)
6:08
West L.A. Fadeaway
8:58
Hell In A Bucket
6:37
Deal, Set Break
8:09
Day Job
5:24
Playing In The Band >
13:52
Crazy Fingers >
9:30
Drums >
9:32
Spa..ce > (Tape Flip Inside)
8:01
Truckin' >
7:42
Spoonful >
3:00
Wharf Rat >
9:11
Good Lovin'
8:41
U.S. Blues
5:24
FIN
View on archive.org
Sources
Taper: Jim Vita
2:21:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-08.163815.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies a 0:09 patch in "Drums", as well as a 0:07 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston August 2022
Taper: Jim Vita
2:21:58
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-10-08.163814.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies a 0:09 patch in "Drums", as well as a 0:07 patch in "Space" - Truckin' space included in "Truckin'" - Pitch corrected Mastered by Scott Clugston August 2022
Transferrer: Charlie Miller
2:18:33
Transferrer:
Charlie Miller
SHNID:
gd1983-10-08.137317.senn421.miller.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction 24 > 16 notes by Norm 24 bit files decoded to wav > r8brain @ very high > 16 44.1 output wav 16 44.1 wav > TLH encode flac level 8 & fix sbe > TLH for ffp, md5, show audio file details
Transferrer: Charlie Miller
2:18:33
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1983-10-08.137299.senn421.miller.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Jeff Silberman
2:24:42
Rating:
8.25 / 10 ratings
Taper:
Jeff Silberman
Transferrer:
Charlie Miller
SHNID:
gd1983-10-08.senn441.silberman.miller.97883.sbeok.flac16
Source:
(FOB) Sennheiser 441 -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Recorded by Jeff Silberman
Taper: Unknown
2:17:05
Transferrer:
Bill Graves
SHNID:
gd1983-10-08.143272.beyer.graves.flac1648
Source:
(FOB) Beyer M-88'S > Cassette > DAT
Lineage:
Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC
Taper Notes:
View NotesNotes: - Friend of the Devil has a couple fall outs - In almost every case of non-connected songs, the tape cuts out during the crowd. - Cut after Good Lovin up to the start of US Blues Huge thanks to Mark Lynn for the use of the DATs This show is a Boiler in the Basement Installment - http://boilerinthebasementmusic.wordpress.com/
Taper: Executive Crew Chris Kidwell Tom Pinney Greg Martens
2:26:58
Taper:
Executive Crew Chris Kidwell Tom Pinney Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-08.143257.mke2002.holbrook.flac2448
Source:
Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC
Lineage:
Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. & Levels low at start # Bobby says "Aww comeon, comeon Candace, this is a red light song" (apparently she had the stage lit in all blue) + Sugar Magnolia tease at start tour story is in the text file
Taper: Executive Crew Chris Kidwell Tom Pinney Greg Martens
2:26:58
Taper:
Executive Crew Chris Kidwell Tom Pinney Greg Martens
Transferrer:
Kyle Holbrook
SHNID:
gd1983-10-08.143256.senn-mke2002.holbrook.flac1644
Source:
Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC
Lineage:
Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. & Levels low at start # Bobby says "Aww comeon, comeon Candace, this is a red light song" (apparenty she had the stage lit in all blue) + Sugar Magnolia tease at start tour story in text file
Taper: Steve Hill
2:22:48
Rating:
8.00 / 1 rating
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-10-08.135279.Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some higher recording levels to start Set 1 and end of Set 2. All and all another excellent share from the Hill collection of masters and the Grateful Dead's Fall 1983 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Taper: Steve Hill
2:22:48
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-10-08.135278.Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some higher recording levels to start Set 1 and end of Set 2. All and all another excellent share from the Hill collection of masters and the Grateful Dead's Fall 1983 Tour!!!!!!!!! AS ALWAYS ENJOY!!!!!!
Source 11 of 20
2:25:32
Rating:
9.00 / 2 ratings
SHNID:
gd1983-10-08.123722.flac16
Source:
Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC
Taper: chasingwilma
2:17:39
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-10-08.119831.chasingwilma.flac24
Source:
Updated
Lineage:
(3) audio technica atm11 (fob)> realistic mixer> d-5> tc sony tc we435> pcm m10> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24 bit <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: chasingwilma
2:17:54
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-10-08.119831.aud.chasingwilma.flac24
Source:
lineage: (3) audio technica atm11 (fob)>realistic mixer> d-5> tc we435> sbm-1> d8> soundcard>cdwave 44100/stereo/24 bit> traders little helper encoding option 8; taper: chasingwilma
Taper: Da Weez
2:19:52
Rating:
8.67 / 3 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-10-08.111147.beyer-senn-daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes;
Lineage:
Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View Notes** With an awesome Sugar Magnolia tease for the intro! ------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" We sure do miss him! -------------------------------------------------------------------
Taper: chasingwilma
2:19:21
Rating:
10.00 / 4 ratings
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-10-08.fob.atm11.chasingwilma.101936.sbeok.flac16
Source:
3 audio techinca atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot
Lineage:
master cassette > cd > eac > flac; Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
Transferrer: M. Watson
2:35:38
Rating:
8.67 / 3 ratings
Transferrer:
M. Watson
Source:
(FOB)Nak CM300->?
Lineage:
?->PCM->Apogee->DAT Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0->FLAC
Taper Notes:
View NotesThis came from Keith Litzenberger's DAT collection. The DAT was labeled "Nak300->PCM->Apogee->DAT." I'm not sure if this correct or not. There are no cuts where cassettes would normally flip but there is some hiss during the quiet parts of Space. Whatever the case it sounds awesome, Enjoy
Taper: Ross Lipton
1:13:57
Rating:
9.00 / 2 ratings
Taper:
Ross Lipton
Transferrer:
Bill Koucky
SHNID:
gd1983-10-08.set-2.fob.senn421.lipton.gmb.89802.sbeok.flac16
Source:
Sennheiser 421(location: FOB 8th Row Center) > Sony D5 > Sony D6 (TDK MA 90)
Lineage:
Master Cassette > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
Taper Notes:
View NotesSet 2 Only
Source 18 of 20
2:19:05
Rating:
7.00 / 4 ratings
SHNID:
gd83-10-08.horvath.ladner.24156.sbeok.shnf
Source:
MAC(FOB Atm 11)>DAT>CDR>WAV>SHN
Taper Notes:
View NotesSource: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.
Source 19 of 20
2:17:00
Rating:
7.67 / 18 ratings
SHNID:
gd83-10-08.fob-aud.willy.11734.sbeok.shnf
Source:
FOB-MC>DAT>CD
Taper Notes:
View NotesFOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy
Source 20 of 20
4:14:12
Rating:
6.00 / 1 rating
Source:
Three Nak 701s > Mx-100(modified) > D5 > D10 > HHB CDR800 > SHN
Taper Notes:
View Notescompared to the actual show, this source is missing FOTD & minglewood, d1t02 is the US Blues encore (as is d2t09) and d1t03 is a snippet of a Zappa tune (so I'm told) that makes fun of Deadheads and touring.