Brown Eyed Women | 1983-10-08 | Grateful Dead

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies a 0:09 patch in "Drums", as well as a 0:07 patch in "Space"
- Truckin' space included in "Truckin'"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Taper: Jim Vita

2:21:58

Taper:

Jim Vita

Transferrer:

Scott Clugston, Charlie Miller

SHNID:

gd1983-10-08.163814.senn421.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman and Charlie Miller for the Sennheiser 441 source which supplies a 0:09 patch in "Drums", as well as a 0:07 patch in "Space"
- Truckin' space included in "Truckin'"
- Pitch corrected

Mastered by Scott Clugston
August 2022

Transferrer: Charlie Miller

gd1983-10-08.137317.senn421.miller.flac16

Source:

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

24 > 16 notes by Norm
24 bit files decoded to wav > r8brain @ very high > 16 44.1 output wav
16 44.1 wav > TLH encode flac level 8 & fix sbe > TLH for ffp, md5, show audio file details

Transferrer: Charlie Miller

gd1983-10-08.137299.senn421.miller.flac24

Source:

(FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched)

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Jeff Silberman

gd1983-10-08.senn441.silberman.miller.97883.sbeok.flac16

Source:

(FOB) Sennheiser 441 -> PCM -> Dat (44.1k)

Lineage:

Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC

Taper Notes:

View NotesNotes:
-- Disc change is seamless
-- Recorded by Jeff Silberman

Taper: Unknown

gd1983-10-08.143272.beyer.graves.flac1648

Source:

(FOB) Beyer M-88'S > Cassette > DAT

Lineage:

Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC

Taper Notes:

View NotesNotes:
- Friend of the Devil has a couple fall outs
- In almost every case of non-connected songs, the tape cuts out during the crowd.
- Cut after Good Lovin up to the start of US Blues

Huge thanks to Mark Lynn for the use of the DATs

This show is a Boiler in the Basement Installment -
http://boilerinthebasementmusic.wordpress.com/

Taper: Executive Crew Chris Kidwell Tom Pinney Greg Martens

2:26:58

Taper:

Executive Crew Chris Kidwell Tom Pinney Greg Martens

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-08.143257.mke2002.holbrook.flac2448

Source:

Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
&    Levels low at start
#    Bobby says "Aww comeon, comeon Candace, this is a red light song" (apparently she had the stage lit in all blue)
+    Sugar Magnolia tease at start


tour story is in the text file

Taper: Executive Crew Chris Kidwell Tom Pinney Greg Martens

2:26:58

Taper:

Executive Crew Chris Kidwell Tom Pinney Greg Martens

Transferrer:

Kyle Holbrook

SHNID:

gd1983-10-08.143256.senn-mke2002.holbrook.flac1644

Source:

Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC

Lineage:

Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notesrecording notes:
Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.
&    Levels low at start
#    Bobby says "Aww comeon, comeon Candace, this is a red light song" (apparenty she had the stage lit in all blue)
+    Sugar Magnolia tease at start

tour story in text file

Taper: Steve Hill

gd1983-10-08.135279.Unk-Hill.Keo.Flac1644

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between songs, some higher
recording levels to start Set 1 and end of Set 2.
All and all another excellent share from the Hill
collection of masters and the Grateful Dead's
Fall 1983 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Taper: Steve Hill

gd1983-10-08.135278.Unk-Hill.Keo.Flac2496

Taper Notes:

View NotesComments:Another Huge Thanks out to Steve for
recording and sharing his source for this show!
Some tape pauses between songs, some higher
recording levels to start Set 1 and end of Set 2.
All and all another excellent share from the Hill
collection of masters and the Grateful Dead's
Fall 1983 Tour!!!!!!!!!
AS ALWAYS ENJOY!!!!!!

Source 11 of 20

gd1983-10-08.123722.flac16

Source:

Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC

Taper: chasingwilma

gd1983-10-08.119831.chasingwilma.flac24

Source:

Updated

Lineage:

(3) audio technica atm11 (fob)> realistic mixer> d-5> tc sony tc we435> pcm m10> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24 bit <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures

Taper: chasingwilma

gd1983-10-08.119831.aud.chasingwilma.flac24

Source:

lineage: (3) audio technica atm11 (fob)>realistic mixer> d-5> tc we435> sbm-1> d8> soundcard>cdwave 44100/stereo/24 bit> traders little helper encoding option 8; taper: chasingwilma

Taper: Da Weez

gd1983-10-08.111147.beyer-senn-daweez.d5scott.flac16

Source:

Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes;

Lineage:

Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files

Taper Notes:

View Notes** With an awesome Sugar Magnolia tease for the intro!  
-------------------------------------------------------------------
R.I.P. Sandy - aka "Bigfoot"  We sure do miss him!
-------------------------------------------------------------------

Taper: chasingwilma

gd1983-10-08.fob.atm11.chasingwilma.101936.sbeok.flac16

Source:

3 audio techinca atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot

Lineage:

master cassette > cd > eac > flac; Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging

Transferrer: M. Watson

?->PCM->Apogee->DAT Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0->FLAC

Taper Notes:

View NotesThis came from Keith Litzenberger's DAT collection. The DAT was labeled "Nak300->PCM->Apogee->DAT." 
I'm not sure if this correct or not. There are no cuts where cassettes would normally flip but there 
is some hiss during the quiet parts of Space. Whatever the case it sounds awesome, Enjoy

Taper: Ross Lipton

gd1983-10-08.set-2.fob.senn421.lipton.gmb.89802.sbeok.flac16

Source:

Sennheiser 421(location: FOB 8th Row Center) > Sony D5 > Sony D6 (TDK MA 90)

Lineage:

Master Cassette > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC

Taper Notes:

View NotesSet 2 Only

Source 18 of 20

gd83-10-08.horvath.ladner.24156.sbeok.shnf

Source:

MAC(FOB Atm 11)>DAT>CDR>WAV>SHN

Taper Notes:

View NotesSource:  MAC(FOB Atm 11)>DAT>CDR>WAV>SHN
Taper:  Mark Horvath.
DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.

Source 19 of 20

gd83-10-08.fob-aud.willy.11734.sbeok.shnf

Source:

FOB-MC>DAT>CD

Taper Notes:

View NotesFOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy

Source 20 of 20

Three Nak 701s > Mx-100(modified) > D5 > D10 > HHB CDR800 > SHN

Taper Notes:

View Notescompared to the actual show, this source is missing FOTD & minglewood, d1t02 is the US Blues encore (as is d2t09) and d1t03 is a snippet of a Zappa tune (so I'm told) that makes fun of Deadheads and touring.