They Love Each Other | 1983-09-18 | Grateful Dead

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Grateful Dead

1.3M

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1983

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Marin County Veterans Auditorium

Marin County Veterans Auditorium

Carrier Dome, Syracuse U.

Cumberland County Civic Center

Hartford Civic Center

Hartford Civic Center

Madison Square Garden

Madison Square Garden

Santa Cruz County Fairgrounds

Nevada County Fairgrounds

Grass Valley, CA, USA

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Boise Pavillion Boise State U.

Silva Hall, Hult Center

Silva Hall, Hult Center

Silva Hall, Hult Center

Seattle Center Coliseum

Portland Memorial Coliseum

Ventura County Fairgrounds

Ventura County Fairgrounds

Poplar Creek Music Theater

Hofman Estates, IL, USA

Poplar Creek Music Theater

Hofman Estates, IL, USA

St. Paul Civic Center

Merriweather Post Pavilion

Merriweather Post Pavilion

Saratoga Performing Arts Center

Saratoga Springs, NY, USA

Philadelphia, PA, USA

Philadelphia, PA, USA

Veterans Memorial Coliseum

Veterans Memorial Coliseum

Providence Civic Center

Alfond Arena, U. of Maine

East Rutherford, NJ, USA

East Rutherford, NJ, USA

Community War Memorial Auditorium

Patrick Field House, U. of Vermont

Morgantown Civic Center

San Francisco, CA, USA

San Francisco, CA, USA

San Francisco, CA, USA

Compton Terrace Amphitheatre

Club Front - Rehearsals

Stone House Studio - Rehearsals

Stone House Studio - Rehearsals

Stone House Studio - Rehearsals

Stone House Studio - Rehearsals

Novato, CA

47:22

1 tape

Sources

Source 1 of 12

gd83-09-18.sbd.dodd.17409.sbeok.shnf

Source:

MSC>Cass>DAT>CDR Eac > cool edit pro > shntool > cdwav > shnv3 Discs kindly provided by Andy Lemieux Eac > shn by Ernie Dodd

Taper Notes:

View NotesMSC>Cass>DAT>CDR  
 Eac > cool edit pro > shntool > cdwav > shnv3
 Discs kindly provided by Andy Lemieux
 Eac > shn by Ernie Dodd

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-09-18.163784.senn421.vita.miller.clugston.flac2496

Source:

Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies most of "Jack Straw" (5:48) total, as well as a 0:38 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-09-18.163783.senn421.vita.miller.clugston.flac1648

Source:

Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st Generation Cassettes

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies most of "Jack Straw" (5:48) total, as well as a 0:38 patch in "Space"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Bob Wagner

Scott Clugston, Charlie Miller

SHNID:

gd1983-09-18.163460.nak700.wagner.miller.clugston.flac2496

Source:

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita for the Sennheiser 421 source which supplies a 1:47 patch in "Drums", as well as 0:11 and 0:05 patches in "Sugar Magnolia"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Bob Wagner

Scott Clugston, Charlie Miller

SHNID:

gd1983-09-18.163459.nak700.wagner.miller.clugston.flac1648

Source:

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Lineage:

Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jim Vita for the Sennheiser 421 source which supplies a 1:47 patch in "Drums", as well as 0:11 and 0:05 patches in "Sugar Magnolia"
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
November 2022

Taper: Gesine Lohr

gd1983-09-18.151144.aud.lohr.vernon.flac1648

Source:

Unspecified mics > unspecified deck > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648

Taper Notes:

View NotesRecording Notes:
- volume adjustments during 02
- wind noise & crowd chatter
- tape flips 06 (part of start cut), 11, 15

Taper: Gesine Lohr

gd1983-09-18.151143.aud.lohr.vernon.flac2496

Source:

Unspecified mics > unspecified deck > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View NotesRecording Notes:
- volume adjustments during 02
- wind noise & crowd chatter
- tape flips 06 (part of start cut), 11, 15

Taper: billydee

Joe Noel, Larry Sellers

SHNID:

gd1983-09-18.140957.FOB.NAK700.DSD.billydee.Sellers.Noel.t-flac1644

Source:

billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

Lineage:

master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper Notes:

View Notespatch info:
- Source #79375 supplies
- s1t04 - 2:59 - 3:05
- s1t06 - 5:49 - 5:55
- s2t04 - 4:01 - 4:54
- s2t05 - 6:59 - 7:16
- s2t09 - 5:26 - 5:30, 5:34 - 5:36 & 7:59 - 8:13

Notes:
- tapes pauses/flips touched up
- Phil - the low end on this capture makes me wonder if a 3rd mic was employed
- A sheep was in attendance. (with black leather chrome spiked suspenders??)
- Bob, Brent & the Rhythm Devils jam it out after Terrapin.
- How do you like your TOO??  Shaken or stirred??
- The Joint…  round & round.  After all we are in Grass Valley.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: billydee

Larry Sellers & the Philly Crew; Joe Noel

SHNID:

gd1983-09-18.138828.FOB.NAK700.DSD.billydee.Sellers.Noel.t-flac24

Source:

billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)

Lineage:

master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT

Taper Notes:

View Notes- tapes pauses/flips touched up
- Phil - the low end on this capture makes me wonder if a 3rd mic was employed
- A sheep was in attendance. (with black leather chrome spiked suspenders??)
- Bob, Brent & the Rhythm Devils jam it out after Terrapin.
- How do you like your TOO??  Shaken or stirred??
- The Joint…  round & round.  After all we are in Grass Valley.

Taper: Tazuo Yamaguchi and Jamie Poris

Tazuo Yamaguchi and Jamie Poris

Transferrer:

Russ Cansler

SHNID:

gd1983-09-18.nak700.guch.poris.russjcan.98307.flac16

Source:

Nakamichi 700's with Sony TC-D5 FOB DFC Maxell XL-IIs 90 nr dbx II

Lineage:

Master>NakCR-3A>dbx224>hd>Audacity>CDWave>TLH

Taper: Andrew F

gd1983-09-18.aud.andrewf.79375.sbeok.flac16

Source:

2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard.

Lineage:

MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F.

Taper Notes:

View NotesNotes

- Some patches were taken from ShnID-7225: The last 12 seconds of drums, the first 13 seconds of Sugar Magnolia, and the first 8 seconds of Baby Blue.
- Soundforge was used to make fades, to add the patches, and to adjust pitch in ShnID-7225 (-0.3 semitone).     ***ENJOY***

Source 12 of 12

gd83-09-18.set2-neumann.clugston.7225.sbeok.shnf

Source:

Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR

Taper Notes:

View Notesset 2; Master FOB Audience Cassette; Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston