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June 16th
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1995
30.1k
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343 tapes
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12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
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42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1983
9/10/83
Tuning
1:48
The Music Never Stopped
9:31
They Love Each Other
8:29
My Brother Esau
5:29
Big Railroad Blues ->
5:50
Beat It On Down The Line
3:37
Tennessee Jed
7:59
New Minglewood Blues ->
7:33
China Cat Sunflower ->
6:24
I Know You Rider
5:20
Man Smart (Woman Smarter)
6:10
Cumberland Blues
7:39
Playing In The Band ->
12:35
China Doll ->
5:25
Jam ->
4:21
Drums ->
5:57
Space ->
7:58
The Other One ->
12:37
Goin' Down The Road Feeling Bad ->
6:42
One More Saturday Night
5:26
Cold Rain And Snow
6:29
FIN
View on archive.org
Sources
Taper: Recording by Les Shields (Recording Guru) and Kevin T. Hughes, AICP, CEP (San Luis Obispo, CA 1981-1985).
2:33:11
Taper:
Recording by Les Shields (Recording Guru) and Kevin T. Hughes, AICP, CEP (San Luis Obispo, CA 1981-1985).
Transferrer:
Transfer and mastering by Kevin T. Hughes
SHNID:
gd1983-09-10.162895.nak300-cp4.shields-hughes.flac2496
Source:
FOB location – Master Audience Recording produced by a pair of Nak CM300 Microphones w/ CP4 Shotgun Caps > Sony D5 > Sony D6 Recorders > (Master) Maxell MX 90 Cassette(s)
Lineage:
Denon DRM-555 Player > Acer Aspire AX 3910 PC via In Line 3.5 cm portal > Audacity 3.2.2 (Wave Editor for 24/96 FLAC Conversion).
Taper Notes:
View Notes// - tape paused or flipped * from Hunter Trix Vol.112 SBD/MTX (see mastering notes for details) Mastering Notes: This super clean recording sounds and feels like it did back in '80s. The show with recorded using an 8’ mic-stand that was placed 12' left of center from the middle of Healy’s Board facility. Thus, this recording has great vocal quality, a thick/bold bass sound and good signal separation on both channels. (a) Set I had a couple of sound quality issues found in 'Brother Esau' (i.e., a saturated bass problem associated with too high recording levels at the beginning of this song; and, it also had a very minor, 12 second, low volume problem that occurs within the first minute of track #1, 'The Music Never Stops'; and (b) The final FLAC recording used a different version of ‘Big Railroad Blues’ and ‘Beat It On Down The Line’. When the tape was flipped during the first set these 2 tracks were recorded over with the next song in the Set....'Tennessee Jed'. These tracks where added from Hunter Trix Vol.112 SBD/MTX recording to full-out the show's actual play list (Hunter's MTX recording can be found at https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16). All editing was performed to ensure the highest sound compatibility between each version of the show (i.e., without any noticeable loss of listening "enjoyablity"). Kevin T. Hughes
Taper: billydee
2:48:20
Taper:
billydee
Transferrer:
Joe Noel, Larry Sellers
SHNID:
gd1983-09-10.141023.FOB.Beyer.billydee.Sellars.Noel.t.flac1644
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch: - Source #84487 (Silberman) supplies - s2t01; 0:00 - 0:14 (banter) - s2t02; 0:00 - 0:04 - s2t03; 0:00 - 0:48 & 7:15 - 8:44 (tuning) - s2t07; 0:00 - 1:02 (most of its tuning) - s2t08; 2:32 - 3:14 Notes: - Tape pauses were smoothed over with crossfades - It rained, luckily it did not fish. - Bucket up, this roller coaster only goes down hill. - A rhythm section jam emerges from China Doll. - filler on end of billydee's set I cassette, moved to the end of set II. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: billydee
2:48:20
Rating:
10.00 / 1 rating
Taper:
billydee
Transferrer:
Larry Sellers & the Philly Crew; Joe Noel
SHNID:
gd1983-09-10.139020.FOB.Beyer.billydee.Sellars.Noel.t.flac24
Source:
billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD)
Lineage:
MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - Tape pauses were smoothed over with crossfades - It rained, luckily it did not fish. - Bucket up, this roller coaster only goes down hill. - A rhythm section jam emerges from China Doll. - filler on end of billydee's set I cassette, moved to the end of set II.
Taper: Dead John or Bonner
2:27:16
Taper:
Dead John or Bonner
SHNID:
gd1983-09-10.nak300.deadjohn-or-bonner.96920.flac16
Source:
Nak 300 > Nak 550 > MAC
Lineage:
MAC > Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6
Taper Notes:
View NotesIMHO this source is better than any circulating version of this show. This version is a fresh transfer of master tapes that were recorded on a well cared for NAK 550. Although this is a 16.1/44 transfer I believe the superior bass response and ability to handle Phil Bombs of the Nak 550 make this the best version of this show, even surpassing the recent 24/96 MOTB transfer of a D5 master. I am curious to see if others agree. If the opportunity arises I will get a 24/48 transfer off the masters but for now it is what it is. I forgot to split The Other One and GDTRFB so for now I have left them as one track.