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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1983
9/4/83
Intro
0:52
Bertha->
6:24
Promised Land
4:04
Friend Of The Devil
8:44
Little Red Rooster
8:48
Tennessee Jed
8:36
My Brother Esau //
5:22
equipment break
0:31
Althea->
9:11
Hell In A Bucket ->
5:35
China Cat Sunflower-> I Know You Rider
11:13
Scarlet Begonias-> Fire On The Mountain
26:24
Women Are Smarter->
7:11
Drums-> //
8:05
Space -> Spanish Jam->
12:41
The Wheel->
5:19
The Other One->
7:56
Wharf Rat->
10:43
Around & Around->
3:55
One More Saturday Night
4:30
Encore WAS U.S. Blues +
0:52
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:41:00
SBD
Rating:
9.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1983-09-04.sbd.miller.117185.flac16
Source:
SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k)
Lineage:
Dat -> Samplitude Professional v11.2 -> FLAC
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- There's a short tape flip in Althea at 5:33 -- Thanks to Rob Eaton for the Dat
Source 2 of 18
2:41:01
SBD
SHNID:
gd1983-09-04.142047.sbd.flac1644
Source:
SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
Transferrer: Matrix by Dave Usborne
2:43:42
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-04.132245.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View NotesMatrix by dusborne 12-17-2014 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 12-17-2014
Transferrer: Scott Clugston and Bill Tetzeli
2:41:03
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Scott Clugston and Bill Tetzeli
SHNID:
gd1983-09-04.sbd.clugston.tetzeli.fix-2193.35214.reflac.flac16
Source:
Master Soundboard Cassette > Cassette > DAT > CDR patched with MAC (2 Beyer M160s + 1 Sennheiser 441 blend) > Sony TCD5M > Sound Forge 5 > SHN)
Taper Notes:
View NotesScott Clugston did the patching Bill Tetzeli patched the CD2/CD3 transition SteveSw fixed the ReplayGain
Source 5 of 18
2:41:05
SBD
Rating:
8.73 / 23 ratings
SHNID:
gd83-09-04.sbd.clugston.2193.sbeok.shnf
Source:
Master Soundboard Cassette > Cassette > DAT > CDR
Taper Notes:
View NotesMaster Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree
Taper: Bob Wagner
2:47:32
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149229.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Bob Wagner
2:47:32
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149228.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Unknown
1:42:47
Transferrer:
Rick Gastwirt;Charlie Miller;Joe Noel
SHNID:
gd1983-09-04.138336.Senn.421.Gastwirt.Miller.Noel.t-flac16
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
Source 9 of 18
2:49:31
Rating:
10.00 / 1 rating
SHNID:
gd1983-09-04.169013.mtx.seamons.ht173.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) November 1, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected slower -0.5% through Little Red Rooster, then -0.3% through the end of set one. No pitch correction needed for set two. A 4-second cut in Althea, a 44-second cut during Space, and a 4-second cut during Spanish Jam in the SBD source are now patched. The Executive Crew (Kyle Holbrook, Chris Kidwell and Tom Pinney) AUD source (#143000, 8/24/18) provides a partial 0:28 patch of the song break before Hell In A Bucket. There were some initial mix fluctuations and a more brittle sound in the SBD source during Bertha, particularly before Phil's bass kicks in. There's also a subtle warbly, watery sound in the SBD source at times early on (during Bertha, Promised Land, and Hell In A Bucket mostly), which can sometimes be detected in the PA as well in the AUD source. Nothing major or frequent. After significant improvement with Friend Of The Devil, the sound becomes optimal and more balanced around Little Red Rooster - really good outdoor sound on this one, approaching Frost '82 style. Some very light EQ was used for most of the show to address two particular high end frequencies. The sound dynamics of the SBD source changed significantly for the first half of the second set, with a little more muffled sound and noticeably less bass response through Women Are Smarter. We did some mild compensatory EQ by adding decibels to select bass frequencies in an organic way for this section, then a little less in two subsequent sections as the bass returned more during the set, closer to how it sounds in set 1. We left the high end untouched here, and the normal treble returns soon after the cut in Space (closer to how it sounds in set 1). This source appeared more welcoming to significant bass adjustments (in set 2), while other recordings are often more sensitive to increases, becoming too heavy very quickly, and are better left untouched. Some additional EQ was used for the AUD source in set two only. There are some moments of heavy buzzing or crackling in the sound system during Women Are Smarter and U.S. Blues. A couple clicks were removed during Spanish Jam. Bobby sings "One more Labor Day night" during One More Saturday Night. He also humorously slips in "One more Latter-day night" (at 3:27 and 3:56, for example), referring to the Church of Jesus Christ of Latter-day Saints, of which its headquarters is located in nearby Salt Lake City. A very lush, bright, crisp, and airy sound for this one, with plenty of robust bass. A unique sounding, quality outdoor matrix thanks to the excellent sources!
Taper: John O'Connor
2:41:11
Rating:
8.00 / 1 rating
Taper:
John O'Connor
SHNID:
gd1983-09-04.150334.nak100.oconnor.flac16
Source:
Source: Nakamichi 100 shotguns > Sony D5 Location: FOB
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143001.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story is in info file
Taper: Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
2:36:56
Taper:
Executive Crew, Kyle Holbrook, Chris Kidwell, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-09-04.143000.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44 </b> Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// tape flip + We were spoiled tapers and purposely turned off the decks when US Blues started.(apologies) tour story in text file
Taper: Mike Darby
2:12:32
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119805.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:12:32
Rating:
9.00 / 2 ratings
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119804.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Bob Morris
2:40:41
Taper:
Bob Morris
SHNID:
gd1983-09-04.aud.morris.111032..sbeok.flac24
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Taper Notes:
View Notes- Tape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transfer (9/09) & 2496 edit (5/10) by Bob Morris.
Taper: Unknown
2:39:22
Rating:
9.00 / 2 ratings
Source:
MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View Notes* PA problems drop out in FOTD ** Tape flip This corrects the Sector & Boundary Errors to #10253
Taper: Bob Morris
2:40:38
Rating:
6.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1983-09-04.nak300.morris.102050.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip between Drums and Space. Recorded by Bob Morris -- thanks to Sam for help. Transferred & edited by Bob M 9/09. Flaced and shared by Chuck T./Crazyfingers
Source 18 of 18
2:40:17
Rating:
8.80 / 5 ratings
SHNID:
gd83-09-04.beyer-senn.unk.10253.sbeok.shnf
Source:
Sony TCD5M > Sound Forge 5 >MKW .96f > Power Post 2K
Taper Notes:
View NotesMaster Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K