RELISTENTOTHE Grateful Dead
Re
1983
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Grateful Dead
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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1983
9/4/83
Bertha >
6:35
The Promised Land
4:21
Friend Of The Devil
8:36
Little Red Rooster
8:23
Tennessee Jed
8:18
My Brother Esau
5:10
Althea
9:47
Hell In A Bucket
5:37
China Cat Sunflower >
4:57
I Know You Rider
6:06
Scarlet Begonias >
12:12
Fire On The Mountain
14:50
Men Smart (Women Smarter) >
7:15
Drums >
9:21
Space >
5:24
Spanish Jam >
6:03
The Wheel >
5:32
The Other One >
7:57
Wharf Rat >
10:49
Around and Around >
3:52
One More Saturday Night
4:33
U.S. Blues
5:25
FIN
View on archive.org
Sources
Transferrer: Matrix by Dave Usborne
2:43:42
SBD
Rating:
8.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1983-09-04.132245.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
Taper Notes:
View NotesMatrix by dusborne 12-17-2014 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 12-17-2014
Taper: Bob Wagner
2:47:32
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149229.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Taper: Bob Wagner
2:47:32
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-09-04.149228.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master recording (patched out of Jaime Poris) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the folks responsible for the Beyer M160, Sennheiser 441 blend source which supplies 156 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston March 2020
Source 9 of 18
2:49:31
Rating:
10.00 / 1 rating
SHNID:
gd1983-09-04.169013.mtx.seamons.ht173.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) November 1, 2024
Taper Notes:
View NotesNotes: The SBD was pitch corrected slower -0.5% through Little Red Rooster, then -0.3% through the end of set one. No pitch correction needed for set two. A 4-second cut in Althea, a 44-second cut during Space, and a 4-second cut during Spanish Jam in the SBD source are now patched. The Executive Crew (Kyle Holbrook, Chris Kidwell and Tom Pinney) AUD source (#143000, 8/24/18) provides a partial 0:28 patch of the song break before Hell In A Bucket. There were some initial mix fluctuations and a more brittle sound in the SBD source during Bertha, particularly before Phil's bass kicks in. There's also a subtle warbly, watery sound in the SBD source at times early on (during Bertha, Promised Land, and Hell In A Bucket mostly), which can sometimes be detected in the PA as well in the AUD source. Nothing major or frequent. After significant improvement with Friend Of The Devil, the sound becomes optimal and more balanced around Little Red Rooster - really good outdoor sound on this one, approaching Frost '82 style. Some very light EQ was used for most of the show to address two particular high end frequencies. The sound dynamics of the SBD source changed significantly for the first half of the second set, with a little more muffled sound and noticeably less bass response through Women Are Smarter. We did some mild compensatory EQ by adding decibels to select bass frequencies in an organic way for this section, then a little less in two subsequent sections as the bass returned more during the set, closer to how it sounds in set 1. We left the high end untouched here, and the normal treble returns soon after the cut in Space (closer to how it sounds in set 1). This source appeared more welcoming to significant bass adjustments (in set 2), while other recordings are often more sensitive to increases, becoming too heavy very quickly, and are better left untouched. Some additional EQ was used for the AUD source in set two only. There are some moments of heavy buzzing or crackling in the sound system during Women Are Smarter and U.S. Blues. A couple clicks were removed during Spanish Jam. Bobby sings "One more Labor Day night" during One More Saturday Night. He also humorously slips in "One more Latter-day night" (at 3:27 and 3:56, for example), referring to the Church of Jesus Christ of Latter-day Saints, of which its headquarters is located in nearby Salt Lake City. A very lush, bright, crisp, and airy sound for this one, with plenty of robust bass. A unique sounding, quality outdoor matrix thanks to the excellent sources!
Taper: Mike Darby
2:12:32
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1983-09-04.Tascam120.Darby.119805.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Thanks out to Mr. Darby for recording and sharing his source for this show! Another fantastic share from Mr. Darby's collection of Master Grateful Dead recorded shows even though there are a few songs missing from this share. AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!