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1995
30.9k
49 shows
343 tapes
1994
12.9k
85 shows
460 tapes
1993
38.6k
83 shows
656 tapes
1992
46.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
51.1k
78 shows
1,139 tapes
1989
48.5k
78 shows
1,017 tapes
1988
20.2k
82 shows
882 tapes
1987
43k
88 shows
1,025 tapes
1986
12.7k
47 shows
684 tapes
1985
28.5k
73 shows
1,357 tapes
1984
27.2k
67 shows
1,075 tapes
1983
20.6k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
30.4k
92 shows
868 tapes
1980
70.9k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
38k
87 shows
592 tapes
1977
253k
64 shows
418 tapes
1976
99.8k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
88.3k
42 shows
324 tapes
1973
90.5k
75 shows
445 tapes
1972
58.6k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.5k
112 shows
326 tapes
1968
7.7k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8.2k
32 shows
78 tapes
1965
638
2 shows
2 tapes
1983
8/26/83
Bertha ->
7:18
Promised Land
5:12
Peggy-O
8:10
Me and My Uncle ->
3:13
Big River
6:58
West L.A. Fadeaway
8:48
New Minglewood Blues
10:11
Loser ->
6:59
Let It Grow
12:35
tuning
2:04
Scarlet Begonias -> Fire On The Mountain
23:05
Man Smart / Woman Smarter
7:12
equipment break*
1:54
He's Gone ->
12:33
Drums ->
7:01
Space ->
7:26
Truckin' ->
8:01
Wang Dang Doodle ->
4:48
Stella Blue ->
8:35
Sugar Magnolia
9:03
encore: U.S. Bluesgd1983-08-26beyerm201-24 s2t12
6:00
FIN
View on archive.org
Sources
Taper: Mark Severson
2:47:38
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-26.148833.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90)
Lineage:
Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums" - First "Wang Dang Doodle" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2020
Taper: Mark Severson
2:47:38
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-26.148832.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90)
Lineage:
Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums" - First "Wang Dang Doodle" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2020
Taper: Kyle Holbrook & Chris Kidwell
2:47:06
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-26.142901.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC
Lineage:
Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5MPlayback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesrecording notes: // tape flip # Sound is rough for first few minutes, took them a while to dial the PA in. Overall Sound quality not as good on set 1, surely due to distance from PA; does seem to get "better" in the middle of Minglewood. & paused between songs * very long stop between Woman and He's Gone (must have been equipment problems) % First time played (h/t dead.net) + extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia Tour story in the setlist file
Taper: Kyle Holbrook & Chris Kidwell
2:47:06
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-26.142900.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC
Lineage:
Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5MPlayback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesrecording notes: // tape flip # Sound is rough for first few minutes, took them a while to dial the PA in. Overall Sound quality not as good on set 1, surely due to distance from PA; does seem to get "better" in the middle of Minglewood. & paused between songs * very long stop between Woman and He's Gone (must have been equipment problems) % First time played (h/t dead.net) + extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia Tour story in the setlist file