Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h53271
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.3k163
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k430
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.6k347
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5.2k649
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.3k795
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.9k327
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k205
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.8k448
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k172
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.1k142
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.2k271
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.8k324
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k207
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k258
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.3k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.4k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22924
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.7k488
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9k1.3k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k258
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k173
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.5k183
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.2k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h51064
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9213
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h45829
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1983
Sources
Taper: Bill Bradt
1:33:39
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt for the source cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source and Ernie Dodd for the Sennheiser 421 source which, when combined, supplies a 4:09 patch in the "Drums > Space" transition - Debut of "Wang Dang Doodle" - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Bill Bradt
1:33:39
Taper:
Bill Bradt
Transferrer:
Scott Clugston, Charlie Miller
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96 .wav) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bill Bradt for the source cassette - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson for the Nakamichi 700 source and Ernie Dodd for the Sennheiser 421 source which, when combined, supplies a 4:09 patch in the "Drums > Space" transition - Debut of "Wang Dang Doodle" - Pitch corrected Mastered by Scott Clugston March 2026
Taper: Mark Severson
2:47:38
Rating:
6.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-26.148833.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90)
Lineage:
Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums" - First "Wang Dang Doodle" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2020
Taper: Mark Severson
2:47:38
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-26.148832.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90)
Lineage:
Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master (FOB) source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ernie Dodd for the shnid12258 Sennheiser 421 source which supplies a 0:06 patch in "Drums" - First "Wang Dang Doodle" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston January 2020
Taper: Kyle Holbrook & Chris Kidwell
2:47:06
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-26.142901.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC
Lineage:
Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5MPlayback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesrecording notes: // tape flip # Sound is rough for first few minutes, took them a while to dial the PA in. Overall Sound quality not as good on set 1, surely due to distance from PA; does seem to get "better" in the middle of Minglewood. & paused between songs * very long stop between Woman and He's Gone (must have been equipment problems) % First time played (h/t dead.net) + extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia Tour story in the setlist file
Taper: Kyle Holbrook & Chris Kidwell
2:47:06
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook & Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-26.142900.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC
Lineage:
Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5MPlayback: Nakamichi CR-5A ->Tascam DR-680 24/48Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notesrecording notes: // tape flip # Sound is rough for first few minutes, took them a while to dial the PA in. Overall Sound quality not as good on set 1, surely due to distance from PA; does seem to get "better" in the middle of Minglewood. & paused between songs * very long stop between Woman and He's Gone (must have been equipment problems) % First time played (h/t dead.net) + extra reverb in Bob's vocals adds odd echoness to Sugar Magnolia Tour story in the setlist file
Taper: Daweez
2:35:08
Rating:
7.33 / 5 ratings
Taper:
Daweez
Transferrer:
D5scott
SHNID:
gd1983-08-26.110903.Sennheiser421-daweez.D5scott.flac16
Source:
2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View Notes** 1st time played ------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" We sure do miss him! -------------------------------------------------------------
Source 8 of 8
2:35:30
Rating:
7.20 / 5 ratings
SHNID:
gd83-08-26.sennheiser.dodd.12258.sbeok.shnf
Source:
AUD (Senn. 421’s)> MC >DAT>CDR
Taper Notes:
View NotesAUD (Senn. 421Âs)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd