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Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h61984
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.7k207
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h3k368
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.3k294
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.2k461
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h9k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k292
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k130
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k194
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66574
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.4k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.5k304
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.2k157
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k169
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.1k577
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k205
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k228
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.8k2.8k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.5k793
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58858
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.5k697
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k281
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k173
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k227
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k295
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h889120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13918
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h28515
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1983
Sources
Source 1 of 15
2:18:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd83-08-21.nak300cp4-reutelhuber.miller.23853.sbeok.shnf
Source:
Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5)Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)Process Info:Processed through Nuendo using Waves (slight
Taper Notes:
View NotesRecording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150944.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150943.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148073.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148072.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 4 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95687.flac24
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Thanks to Michael Kirschner for lending me his masters
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 9 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95672.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Disc change is seamless -- Thanks to Michael Kirschner for lending me his masters
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155989.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155988.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151142.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151141.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:41
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142899.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:39
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142898.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Da Weez
2:17:31
Rating:
8.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-08-21.111536.Sennheiser.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 15 of 15
2:22:42
Rating:
9.33 / 5 ratings
SHNID:
gd83-08-21.sennheiser.bennet.10920.sbeok.shnf
Source:
FOB Senn 441>Sony TC-D5>DAT>CD
Taper Notes:
View NotesFOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett