It's All Over Now, Baby Blue | 1983-08-21 | Grateful Dead

View NotesRecording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5)
Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)
Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). 
Recorded and Transfered BY Bill Reutelhuber
Tracked and SHN'd By Charlie Miller

Taper: Recorded by Bob Wagner

2:24:52

Taper:

Recorded by Bob Wagner

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-21.150944.fob.nak700.wagner.miller.clugston.flac2496

Source:

Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master (FOB) cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2020

Taper: Recorded by Bob Wagner

2:24:52

Taper:

Recorded by Bob Wagner

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-21.150943.fob.nak700.wagner.miller.clugston.flac1648

Source:

Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Bob Wagner for the master (FOB) cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2020

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-21.148073.akg.d330bt.senn421.hecht.miller.clugston.flac2496

Source:

Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

Scott Clugston and Charlie Miller

SHNID:

gd1983-08-21.148072.akg.d330bt.senn421.hecht.miller.clugston.flac1648

Source:

Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Michael Kirschner

gd1983-08-21.fob.sonyECM220t.kirschner.miller.95687.flac24

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24

Taper Notes:

View NotesPatch Info:
(FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies:
Space (0:09 - 0:17)

Notes:
-- Thanks to Michael Kirschner for lending me his masters

Taper: Michael Kirschner

gd1983-08-21.fob.sonyECM220t.kirschner.miller.95672.sbeok.flac16

Source:

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
(FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies:
Space (0:09 - 0:17)

Notes:
-- Disc change is seamless
-- Thanks to Michael Kirschner for lending me his masters

Taper: Rob Eaton

Rob Eaton, Scott Clugston

SHNID:

gd1983-08-21.155989.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones"
- Pitch corrected

Mastered by Scott Clugston
January 2022

Taper: Rob Eaton

Rob Eaton, Scott Clugston

SHNID:

gd1983-08-21.155988.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones"
- Pitch corrected

Mastered by Scott Clugston
January 2022

Taper: Gesine Lohr

gd1983-08-21.151142.aud.lohr.vernon.flac2496

Source:

Nakamichi mics > Nakamichi deck > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View NotesRecording Notes:
- wind noise in a few places
- Samson has a few false starts
- tape flips at 07, 13, 19

Taper: Gesine Lohr

gd1983-08-21.151141.aud.lohr.vernon.flac1648

Source:

Nakamichi mics > Nakamichi deck > MAC

Lineage:

MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648

Taper Notes:

View NotesRecording Notes:
- wind noise in a few places
- Samson has a few false starts
- tape flips at 07, 13, 19

Taper: Kyle Holbrook;Executive Crew;Chris Kidwell

2:20:41

Taper:

Kyle Holbrook;Executive Crew;Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-21.142899.beyerm201.holbrook.flac2448

Source:

<b/>flac24/48khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//  Tape Flip
/// Tape Swap
^   Loud crackle from PA at start
*   Missed start as we had started taking gear apart

Tour story in the setlist file

Taper: Kyle Holbrook;Executive Crew;Chris Kidwell

2:20:39

Taper:

Kyle Holbrook;Executive Crew;Chris Kidwell

Transferrer:

Kyle Holbrook

SHNID:

gd1983-08-21.142898.beyerm201.holbrook.flac1644

Source:

<b/>flac16/44.1khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC

Lineage:

Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8

Taper Notes:

View Notes//  Tape Flip
/// Tape Swap
^   Loud crackle from PA at start
*   Missed start as we had started taking gear apart

Tour story in the setlist file

Taper: Da Weez

gd1983-08-21.111536.Sennheiser.daweez.d5scott.flac16

Source:

Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper Notes:

View Notes---------------------------------
R.I.P. Sandy - aka "Bigfoot"  
---------------------------------

Source 15 of 15

gd83-08-21.sennheiser.bennet.10920.sbeok.shnf

Source:

FOB Senn 441>Sony TC-D5>DAT>CD

Taper Notes:

View NotesFOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett