Bands
Featured
Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h59080
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k308
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k195
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10.1k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k334
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k250
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k693
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k157
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k291
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17.1k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37640
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k534
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k281
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k204
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k164
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68687
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8914
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1983
Sources
Source 1 of 15
2:18:01
SBD
Rating:
8.50 / 4 ratings
SHNID:
gd83-08-21.nak300cp4-reutelhuber.miller.23853.sbeok.shnf
Source:
Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5)Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k)Process Info:Processed through Nuendo using Waves (slight
Taper Notes:
View NotesRecording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150944.fob.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Recorded by Bob Wagner
2:24:52
Taper:
Recorded by Bob Wagner
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.150943.fob.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master (FOB) cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Kirschner and Charlie Miller for the Sennheiser 441 source which supplies first 3:04 of "Cassidy", as well as a 1:53 patch in the "Drums > Space" transition - Thanks to Joe B. Jones for verifying the pitch Mastered by Scott Clugston October 2020
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148073.akg.d330bt.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Chris Hecht
2:19:20
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1983-08-21.148072.akg.d330bt.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew for the shnid142899 Beyer M201 source which supplies the first 0:23 of "Samson & Delilah" , as well as a 0:36 patch in "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 4 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95687.flac24
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/FujiMetal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Thanks to Michael Kirschner for lending me his masters
Taper: Michael Kirschner
2:17:13
Rating:
9.33 / 9 ratings
Taper:
Michael Kirschner
Transferrer:
Charlie Miller
SHNID:
gd1983-08-21.fob.sonyECM220t.kirschner.miller.95672.sbeok.flac16
Source:
(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 441 -> Cassette Master -> Dat -> CD (shnid=10920) supplies: Space (0:09 - 0:17) Notes: -- Disc change is seamless -- Thanks to Michael Kirschner for lending me his masters
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155989.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Rob Eaton
2:18:29
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston
SHNID:
gd1983-08-21.155988.fob.senn441.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:13 patch in "Throwing Stones" - Pitch corrected Mastered by Scott Clugston January 2022
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151142.aud.lohr.vernon.flac2496
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Gesine Lohr
2:28:09
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1983-08-21.151141.aud.lohr.vernon.flac1648
Source:
Nakamichi mics > Nakamichi deck > MAC
Lineage:
MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View NotesRecording Notes: - wind noise in a few places - Samson has a few false starts - tape flips at 07, 13, 19
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:41
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142899.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Kyle Holbrook;Executive Crew;Chris Kidwell
2:20:39
Taper:
Kyle Holbrook;Executive Crew;Chris Kidwell
Transferrer:
Kyle Holbrook
SHNID:
gd1983-08-21.142898.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1khz </b> Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~125 feet from stage, DFC
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View Notes// Tape Flip /// Tape Swap ^ Loud crackle from PA at start * Missed start as we had started taking gear apart Tour story in the setlist file
Taper: Da Weez
2:17:31
Rating:
8.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1983-08-21.111536.Sennheiser.daweez.d5scott.flac16
Source:
Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Source 15 of 15
2:22:42
Rating:
9.33 / 5 ratings
SHNID:
gd83-08-21.sennheiser.bennet.10920.sbeok.shnf
Source:
FOB Senn 441>Sony TC-D5>DAT>CD
Taper Notes:
View NotesFOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett