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Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1983
6/28/83
tuning
1:56
Feel Like a Stranger /
8:30
Dire Wolf /
3:37
It's All Over Now
6:45
Brown Eyed Women /
5:20
Little Red Rooster /
8:50
Tennessee Jed //
8:02
Looks Like Rain > %
7:24
Deal
7:10
Intro
0:48
Help on the Way > Slipknot! > Franklin's Tower
22:45
Man Smart/Woman Smarter >
7:14
He's Gone >
13:03
drums // drums >
11:27
space >
12:17
Throwin' Stones >
8:51
Not Fade Away >
6:10
Stella Blue ///
7:43
Sugar Magnolia #
10:07
encore Iko Iko
5:37
FIN
View on archive.org
Sources
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142395.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142394.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Robert Bryant
2:33:20
Rating:
8.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.141162.fob.bryant.miller.noel.t-flac1644
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Robert Bryant
2:33:21
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.140523.FOB.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Analog4011
2:36:52
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149944.akg460B.ck61.analog4011.flac1644
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View Notes Second night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Analog4011
2:36:52
Rating:
10.00 / 2 ratings
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149921.akg460B.ck61.analog4011.flac24192
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View NotesSecond night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Michael Gardner
2:26:27
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146188.gardner.suraci.nak300.flac24
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Michael Gardner
2:26:27
Rating:
10.00 / 1 rating
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146187.gardner.suraci.nak300.flac16
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135356.Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135355.Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: George "Fingers" Bethke;Justin Lee
2:24:38
Rating:
9.50 / 4 ratings
Taper:
George "Fingers" Bethke;Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1983-06-28.senn421.bethke.lee.119579.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
Source 12 of 13
2:33:56
Rating:
9.00 / 5 ratings
SHNID:
gd1983-06-28.fob.senn441.miller.28361.flac16
Source:
<b>flac16</b>
Lineage:
CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Source 13 of 13
2:37:20
Rating:
9.76 / 17 ratings
SHNID:
gd83-06-28.sennheiser.hogan.3593.sbeok.shnf
Source:
FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)
Taper Notes:
View NotesFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge