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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.4k197
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59083
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.8k786
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h2k261
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.6k606
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k366
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k404
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k143
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82293
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k235
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k187
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k181
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k279
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k689
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k179
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h3.7k482
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.2k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.4k755
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85171
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k564
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k583
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k433
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k242
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.4k952
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59572
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30323
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1983
6/28/83
tuning
1:56
Feel Like a Stranger /
8:30
Dire Wolf /
3:37
It's All Over Now
6:45
Brown Eyed Women /
5:20
Little Red Rooster /
8:50
Tennessee Jed //
8:02
Looks Like Rain > %
7:24
Deal
7:10
Intro
0:48
Help on the Way > Slipknot! > Franklin's Tower
22:45
Man Smart/Woman Smarter >
7:14
He's Gone >
13:03
drums // drums >
11:27
space >
12:17
Throwin' Stones >
8:51
Not Fade Away >
6:10
Stella Blue ///
7:43
Sugar Magnolia #
10:07
encore Iko Iko
5:37
FIN
View on archive.org
Sources
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142395.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142394.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Robert Bryant
2:33:20
Rating:
8.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.141162.fob.bryant.miller.noel.t-flac1644
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Robert Bryant
2:33:21
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.140523.FOB.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Analog4011
2:36:52
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149944.akg460B.ck61.analog4011.flac1644
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View Notes Second night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Analog4011
2:36:52
Rating:
10.00 / 2 ratings
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149921.akg460B.ck61.analog4011.flac24192
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View NotesSecond night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Michael Gardner
2:26:27
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146188.gardner.suraci.nak300.flac24
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Michael Gardner
2:26:27
Rating:
10.00 / 1 rating
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146187.gardner.suraci.nak300.flac16
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135356.Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135355.Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: George "Fingers" Bethke;Justin Lee
2:24:38
Rating:
9.50 / 4 ratings
Taper:
George "Fingers" Bethke;Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1983-06-28.senn421.bethke.lee.119579.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
Source 12 of 13
2:33:56
Rating:
9.00 / 5 ratings
SHNID:
gd1983-06-28.fob.senn441.miller.28361.flac16
Source:
<b>flac16</b>
Lineage:
CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Source 13 of 13
2:37:20
Rating:
9.76 / 17 ratings
SHNID:
gd83-06-28.sennheiser.hogan.3593.sbeok.shnf
Source:
FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)
Taper Notes:
View NotesFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge