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Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1983
6/28/83
tuning
0:48
Feel Like A Stranger
8:06
Dire Wolf
3:20
It's All Over Now
6:57
Brown Eyed Women
5:24
Little Red Rooster
8:53
Tennessee Jed
7:59
Looks Like Rain
7:19
Deal
7:02
Help On The Way
7:45
Slipknot
2:29
Franklin's Tower
11:54
Women Are Smarter
6:40
He's Gone
12:10
Drums
11:34
space
12:11
Throwing Stones
8:38
Not Fade Away
5:58
Stella Blue
7:35
Sugar Magnolia
6:02
Sunshine Daydream
3:04
Iko Iko
4:55
fade out
0:09
FIN
View on archive.org
Sources
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142395.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142394.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Robert Bryant
2:33:20
Rating:
8.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.141162.fob.bryant.miller.noel.t-flac1644
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Robert Bryant
2:33:21
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.140523.FOB.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Analog4011
2:36:52
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149944.akg460B.ck61.analog4011.flac1644
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View Notes Second night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Analog4011
2:36:52
Rating:
10.00 / 2 ratings
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149921.akg460B.ck61.analog4011.flac24192
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View NotesSecond night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Michael Gardner
2:26:27
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146188.gardner.suraci.nak300.flac24
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Michael Gardner
2:26:27
Rating:
10.00 / 1 rating
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146187.gardner.suraci.nak300.flac16
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135356.Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135355.Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: George "Fingers" Bethke;Justin Lee
2:24:38
Rating:
9.50 / 4 ratings
Taper:
George "Fingers" Bethke;Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1983-06-28.senn421.bethke.lee.119579.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
Source 12 of 13
2:33:56
Rating:
9.00 / 5 ratings
SHNID:
gd1983-06-28.fob.senn441.miller.28361.flac16
Source:
<b>flac16</b>
Lineage:
CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Source 13 of 13
2:37:20
Rating:
9.76 / 17 ratings
SHNID:
gd83-06-28.sennheiser.hogan.3593.sbeok.shnf
Source:
FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)
Taper Notes:
View NotesFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge