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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h49568
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k396
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k313
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k314
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k385
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k394
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k363
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k975
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h957109
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3k350
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k572
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k230
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k981
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k197
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48850
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k470
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k381
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k172
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k215
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k277
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h832102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12318
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h382
7d1128
30d63237
2 shows
2 tapes
1983
6/28/83
Feel Like A Stranger
8:16
Dire Wolf
3:51
It's All Over Now
6:35
Brown Eyed Women
5:11
Little Red Rooster
9:25
Tennessee Jed>
7:56
Looks Like Rain>
7:34
Deal
6:57
Help On The Way>
8:10
Slipknot>
2:32
Franklin's Tower>
12:04
Women Are Smarter
6:55
He's Gone//
11:53
//drums>Space>
13:30
Throwing Stones>
8:23
Not Fade Away>
5:41
Stella Blue>
7:46
Sugar Magnolia
9:22
Iko Iko//
2:37
FIN
View on archive.org
Sources
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142395.beyerm201.holbrook.flac2448
Source:
<b/>flac24/48</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Tom Pinney & Kyle Holbrook and Executive Crew
2:43:36
SBD
Taper:
Tom Pinney & Kyle Holbrook and Executive Crew
Transferrer:
Kyle Holbrook
SHNID:
gd1983-06-28.142394.beyerm201.holbrook.flac1644
Source:
<b/>flac16/44.1</b> First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 >Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD)
Lineage:
Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8
Taper Notes:
View NotesRecording Notes / paused between songs // tape flip /// tape swap % missed start # missed less than 10 seconds of music at transition into Sugar Magnolia A final taper's note is we were using extra heavy duty TDK metal tapes, the MA-R90; the cartridge was "a one piece die-cast metal alloy between transparent hard plastic plates " as well as the tape bing a metal alloy. I have included photos of the tape and tape cover in this fileset. In the Download Options Section click JPEG.
Taper: Robert Bryant
2:33:20
Rating:
8.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.141162.fob.bryant.miller.noel.t-flac1644
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Robert Bryant
2:33:21
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1983-06-28.140523.FOB.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - normal bias cassettes - cross fades applied to tape pauses - recording was on the boomy side so a lite high pass filter was applied. - level drop in He's Gone (7:12 - 8:27) has been restored as best as possible - left channel drop out in Stella Blue (0:07-0:10) filled in with right channel Patch Info: - Source #28361 (Senn 441) - s1t05; 08:16 - end - s1t06; start - 0:04.2 & last 4.2 seconds - s1t07; start - 0:22
Taper: Analog4011
2:36:52
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149944.akg460B.ck61.analog4011.flac1644
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View Notes Second night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Analog4011
2:36:52
Rating:
10.00 / 2 ratings
Taper:
Analog4011
Transferrer:
Analog4011
SHNID:
gd1983-06-28.149921.akg460B.ck61.analog4011.flac24192
Source:
Mics: Mics: AKG 460B with the CK1 capsules Recorder: 1981 TCD-5M Sony Cassette Pro Portable Location: Sec 100 Row C Seat 107 Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback
Lineage:
Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment Chord Company Interconnect Cable (Naim Co.) Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz Sound Forge just to track. NO OTHER BULLSHIT!
Taper Notes:
View NotesSecond night of two. Yes I did go to both. I thought this came out best. Really the only Dead show I really liked. Good ol Poplar Creek. Thank goodness for Archiv.org in getting a setlist and knowing where each song ends. This plays nice and loud on a good stereo system! I forgot until now that I was hitting the pause button between some songs. They sure knew how to waste time between those songs. Enjoy RB Understand that all this archiving that is recorded in 24b/192khz I am doing SOLELY for myself. It is the best sound! Now sharing it in cd format is lossy. Besides I have enough work to do and consider yourself lucky if I do upload a CD format. If you really enjoy these archives get them at this resolution despite the file size. Down the road you will not be sorry. Is this a nice enough way to say it? ***Everything I do for my stereo room and gear is carefully chosen for the finest of quality control. This means A to B comparisons for EVERYTHING! I leave no stone unturned. I decide if what I do will end up being a more musical experience and not the opposite like more processed sounding. I split hairs!! I have learned what is more musical from all the decades of listening to differences. Stereo and audio gear is not nearly as subjective as people make it out to be. It is either more musical or more processed sounding at the end of the day. One more thing I learned, THERE IS NO SUCH THING AS THE SAME! Practically the same yes! The same, NO! So with this all said…..I thank all the people here for the great compliments since I came here in 2006. It means a lot to me after decades of sleepless nights and stressful days carrying in top shelve equipment every time out!*** With every digital transfer the master tapes become obsolete. If you try any which way to transfer them again they won't sound as good. As long as there are ample backups of course there is no need for them.
Taper: Michael Gardner
2:26:27
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146188.gardner.suraci.nak300.flac24
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Michael Gardner
2:26:27
Rating:
10.00 / 1 rating
Taper:
Michael Gardner
Transferrer:
Tony Suraci
SHNID:
gd1983-06-28.146187.gardner.suraci.nak300.flac16
Source:
Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet
Lineage:
Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16
Taper Notes:
View NotesNote: it’s been pointed out that some of the encores on my recent uploads are the last file of set one. This is the way it was on the master cassette and I felt no reason to charge it. If it annoys anyone, you can simply change the track part of the file name
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135356.Unk-Hill.Keo.Flac1644
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: Steve Hill
2:33:01
Taper:
Steve Hill
Transferrer:
Keo
SHNID:
gd1983-06-28.135355.Unk-Hill.Keo.Flac2496
Taper Notes:
View NotesComments:Another Huge Thanks out to Steve for recording and sharing his source for this show! Some tape pauses between songs, some missing from drums and Looks Like Rain from the tape flips, all and all another excellent share from the Hill Collection of Masters and the Grateful Dead's Summer 1983 Tour!!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!!!!
Taper: George "Fingers" Bethke;Justin Lee
2:24:38
Rating:
9.50 / 4 ratings
Taper:
George "Fingers" Bethke;Justin Lee
Transferrer:
Dave Cohen
SHNID:
gd1983-06-28.senn421.bethke.lee.119579.flac16
Source:
Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
Source 12 of 13
2:33:56
Rating:
9.00 / 5 ratings
SHNID:
gd1983-06-28.fob.senn441.miller.28361.flac16
Source:
<b>flac16</b>
Lineage:
CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Taper Notes:
View Notes<b>flac16</b>; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
Source 13 of 13
2:37:20
Rating:
9.76 / 17 ratings
SHNID:
gd83-06-28.sennheiser.hogan.3593.sbeok.shnf
Source:
FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended)
Taper Notes:
View NotesFOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge