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Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h53271
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k194
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.9k384
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k280
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.4k550
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k947
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.9k351
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k130
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.5k283
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h949107
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k209
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k505
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k173
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k152
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k292
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k258
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k257
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.4k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h18.4k2.4k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h21323
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k487
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k241
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k179
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k164
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h56572
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h46830
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h554
7d895
30d58534
2 shows
2 tapes
1983
4/13/83
Jack Straw
6:14
They Love Each Other
7:48
Beat It On Down The Line
3:43
West L.A. Fadeaway
7:20
Mama Tried
2:43
Cumberland Blues
6:20
Ramble On Rose
7:02
Far From Me
4:08
My Brother Esau
6:26
Might As Well
4:26
Scarlet Begonias
12:33
Fire On The Mountain
12:16
Estimated Prophet
11:27
Eyes Of The World
7:56
Maybe You Know
3:48
Drums>Space
5:05
Morning Dew
11:09
Throwing Stones
8:26
Good Lovin'
8:30
Touch Of Grey
6:01
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:45:01
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
Taper Notes:
View Notesatch info: shnid: 21921 - Mark Horvath FOB Recording d2t08 - 3:38 - 9:47 Fix info: d2t01 - The right channel drops out from 12:15 - 13:30. Repaired.
Source 2 of 17
2:40:39
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd83-04-13.sbd.lai.23849.sbeok.shnf
Source:
SDB> CM> C> DAT> CDR
Taper Notes:
View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed
Source 3 of 17
2:44:25
SBD
Rating:
8.63 / 20 ratings
SHNID:
gd83-04-13.sbd.sacks.1614.sbeok.shnf
Source:
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
Taper Notes:
View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Tom Pinney
2:34:26
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Tom Pinney
2:34:25
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1</b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140090.aud.lamarre.berger.flac24
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140089.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: chasingwilma
2:35:32
Rating:
6.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.aud.horvath.flac24
Source:
Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath
Taper: chasingwilma
2:35:07
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.chasingwilma.flac24
Source:
Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: Joe Morrone
2:48:57
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119554.flac1644
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.
Taper: Joe Morrone
2:41:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119531.flac2448
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing from the recordings, cross-faded together at start of Space track-ID.
Transferrer: Hunter Seamons
2:44:26
Rating:
9.64 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-04-13.mtx.seamons.113852.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Frank Venezia
1:35:24
Rating:
6.67 / 3 ratings
Transferrer:
Frank Venezia
Lineage:
My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Rhythm Devils is severely cut -- Fire on the Mountain is not cut -- Space is not cut -- Morning Dew is not cut -- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this
Taper: Andrew F
2:36:34
Rating:
8.67 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1983-04-13.nak300.andrewf.82876.flac16
Source:
Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.
Taper Notes:
View NotesNotes: - I did not record the drums at this concert... D'OH! - Patches taken from ShnID-21921, located as follows: - Jack Straw 0:00 > 0:03. - Far From Me 0:00 > 0:09. - Eyes of the World 6:13 > 6:19. - Soundforge used to make fades, add patches, repair drop-outs. - TLH used for SBE-OK, lossless compression, checksums.
Source 17 of 17
2:23:21
Rating:
9.47 / 30 ratings
SHNID:
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
Source:
MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper Notes:
View NotesSource: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath