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Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1983
Sources
Transferrer: Charlie Miller
1:45:01
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
Taper Notes:
View Notesatch info: shnid: 21921 - Mark Horvath FOB Recording d2t08 - 3:38 - 9:47 Fix info: d2t01 - The right channel drops out from 12:15 - 13:30. Repaired.
Source 2 of 17
2:40:39
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd83-04-13.sbd.lai.23849.sbeok.shnf
Source:
SDB> CM> C> DAT> CDR
Taper Notes:
View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed
Source 3 of 17
2:44:25
SBD
Rating:
8.63 / 20 ratings
SHNID:
gd83-04-13.sbd.sacks.1614.sbeok.shnf
Source:
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
Taper Notes:
View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Tom Pinney
2:34:26
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Tom Pinney
2:34:25
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1</b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140090.aud.lamarre.berger.flac24
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140089.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: chasingwilma
2:35:32
Rating:
6.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.aud.horvath.flac24
Source:
Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath
Taper: chasingwilma
2:35:07
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.chasingwilma.flac24
Source:
Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: Joe Morrone
2:48:57
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119554.flac1644
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.
Taper: Joe Morrone
2:41:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119531.flac2448
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing from the recordings, cross-faded together at start of Space track-ID.
Transferrer: Hunter Seamons
2:44:26
Rating:
9.64 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-04-13.mtx.seamons.113852.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Frank Venezia
1:35:24
Rating:
6.67 / 3 ratings
Transferrer:
Frank Venezia
Lineage:
My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Rhythm Devils is severely cut -- Fire on the Mountain is not cut -- Space is not cut -- Morning Dew is not cut -- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this
Taper: Andrew F
2:36:34
Rating:
8.67 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1983-04-13.nak300.andrewf.82876.flac16
Source:
Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.
Taper Notes:
View NotesNotes: - I did not record the drums at this concert... D'OH! - Patches taken from ShnID-21921, located as follows: - Jack Straw 0:00 > 0:03. - Far From Me 0:00 > 0:09. - Eyes of the World 6:13 > 6:19. - Soundforge used to make fades, add patches, repair drop-outs. - TLH used for SBE-OK, lossless compression, checksums.
Source 17 of 17
2:23:21
Rating:
9.47 / 30 ratings
SHNID:
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
Source:
MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper Notes:
View NotesSource: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath