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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h815113
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h61086
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h4.4k581
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k351
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h8.4k1.1k
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h2.6k347
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h2.9k363
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k146
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.3k254
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h88698
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h1.8k210
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1k137
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.8k218
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.3k295
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h5.7k621
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.2k177
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h2.2k296
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h16.4k2.3k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h3.7k518
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h81175
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.4k558
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.6k599
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.5k429
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2k226
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h9.4k960
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.3k377
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h41650
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10915
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22417
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h503
7d1066
30d56034
2 shows
2 tapes
1983
4/13/83
Jack Straw
7:09
They Love Each Other
8:14
Beat It On Down the Line
4:22
West L.A. Fadeaway
8:06
Mama Tried
2:51
Cumberland Blues
7:03
Ramble On Rose
7:20
Far From Me
4:24
My Brother Esau
6:40
Might As Well
4:37
Scarlet Begonias >
14:19
Fire on the Mountain
12:27
Estimated Prophet >
11:52
Eyes of the Word >
9:54
Maybe You Know >
3:52
Drums >
8:10
Space >
9:32
Morning Dew >
6:00
Throwing Stones >
8:30
Good Lovin'
8:55
Touch of Grey
6:22
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:45:01
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
Taper Notes:
View Notesatch info: shnid: 21921 - Mark Horvath FOB Recording d2t08 - 3:38 - 9:47 Fix info: d2t01 - The right channel drops out from 12:15 - 13:30. Repaired.
Source 2 of 17
2:40:39
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd83-04-13.sbd.lai.23849.sbeok.shnf
Source:
SDB> CM> C> DAT> CDR
Taper Notes:
View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed
Source 3 of 17
2:44:25
SBD
Rating:
8.63 / 20 ratings
SHNID:
gd83-04-13.sbd.sacks.1614.sbeok.shnf
Source:
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
Taper Notes:
View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Tom Pinney
2:34:26
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Tom Pinney
2:34:25
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1</b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140090.aud.lamarre.berger.flac24
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140089.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: chasingwilma
2:35:32
Rating:
6.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.aud.horvath.flac24
Source:
Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath
Taper: chasingwilma
2:35:07
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.chasingwilma.flac24
Source:
Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: Joe Morrone
2:48:57
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119554.flac1644
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.
Taper: Joe Morrone
2:41:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119531.flac2448
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing from the recordings, cross-faded together at start of Space track-ID.
Transferrer: Hunter Seamons
2:44:26
Rating:
9.64 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-04-13.mtx.seamons.113852.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Frank Venezia
1:35:24
Rating:
6.67 / 3 ratings
Transferrer:
Frank Venezia
Lineage:
My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Rhythm Devils is severely cut -- Fire on the Mountain is not cut -- Space is not cut -- Morning Dew is not cut -- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this
Taper: Andrew F
2:36:34
Rating:
8.67 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1983-04-13.nak300.andrewf.82876.flac16
Source:
Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.
Taper Notes:
View NotesNotes: - I did not record the drums at this concert... D'OH! - Patches taken from ShnID-21921, located as follows: - Jack Straw 0:00 > 0:03. - Far From Me 0:00 > 0:09. - Eyes of the World 6:13 > 6:19. - Soundforge used to make fades, add patches, repair drop-outs. - TLH used for SBE-OK, lossless compression, checksums.
Source 17 of 17
2:23:21
Rating:
9.47 / 30 ratings
SHNID:
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
Source:
MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper Notes:
View NotesSource: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath