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Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h58879
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h750109
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.4k461
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.3k702
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k887
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h3k390
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k366
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k562
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k118
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k214
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k191
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k163
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k251
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6k713
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k243
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.6k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k487
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k786
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k316
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k209
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k179
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43755
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15220
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1983
Sources
Transferrer: Charlie Miller
1:45:01
SBD
Transferrer:
Charlie Miller
SHNID:
gd1983-04-13.138339.SBD.set2.Gastwirt.Miller.Noel.t-flac16
Source:
<b>flac16/48kHz</b>; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller
Lineage:
Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
Taper Notes:
View Notesatch info: shnid: 21921 - Mark Horvath FOB Recording d2t08 - 3:38 - 9:47 Fix info: d2t01 - The right channel drops out from 12:15 - 13:30. Repaired.
Source 2 of 17
2:40:39
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd83-04-13.sbd.lai.23849.sbeok.shnf
Source:
SDB> CM> C> DAT> CDR
Taper Notes:
View NotesSDB> CM> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed
Source 3 of 17
2:44:25
SBD
Rating:
8.63 / 20 ratings
SHNID:
gd83-04-13.sbd.sacks.1614.sbeok.shnf
Source:
MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
Taper Notes:
View NotesMSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162702.senn421.blend.vita.miller.clugston.flac2496
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Jim Vita
2:46:08
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1983-04-13.162701.senn421.blend.vita.miller.clugston.flac1648
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre and Rob Berger for the Nakamichi 304 source which supplies a 0:12 patch in "Eyes Of The World", as well as a 0:13 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2022
Taper: Tom Pinney
2:34:26
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141637.senn421.executive-crew.holbrook.flac2448
Source:
<b/>flac24/48 </b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Tom Pinney
2:34:25
Taper:
Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1983-04-13.141636.senn421.executive-crew.holbrook.flac1644
Source:
<b/>flac16/44.1</b> Location: 50ft from Right Stack about row 17 aisle seatsFirst Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage:
JVC -> Sony TCD5MTransfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Taper Notes:
View NotesRecording Information Both tapes had an odd underlying intermittent but present for long time periods noise, like a fuzz on it. I also have a first gen made in 1983 which had the same fuzzy tone so I guess it was either the master tape or the PA. We were directly on axis with the Right stack which was placed on the stage. // / Cut at end,flip; missed ~90 seconds of music;spliced end of Eyes then uncut into Maybe You know //^ cut for lead deck flip, didn't start until space // * tape swap
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140090.aud.lamarre.berger.flac24
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: Doug Lamarre
2:41:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1983-04-13.140089.aud.lamarre.berger.flac16
Source:
aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
Taper: chasingwilma
2:35:32
Rating:
6.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.aud.horvath.flac24
Source:
Lineage: (2) Sennheiser 421>d-5>d-5 (mine)> Sony Tc We435> Sbm-1>d-8>soundcard> Cdwave 44100/stereo/24 Bit> Traders Little Helper Encoding Option 8; Taper: Mark Horvath
Taper: chasingwilma
2:35:07
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1983-04-13.119845.chasingwilma.flac24
Source:
Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; <b>Note</b>: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
Taper: Joe Morrone
2:48:57
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119554.flac1644
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums has been patched in from ID-1614 and re-mixed in Wavelab to more resemble an AUD.
Taper: Joe Morrone
2:41:59
Taper:
Joe Morrone
Transferrer:
Andrew F.
SHNID:
gd1983-04-13.nak300.morrone.119531.flac2448
Source:
AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Joe Morrone.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
Taper Notes:
View NotesSame recording as ID-82876, however this one originates from the lead deck, with better signal & equipment, onto metal tapes, and without the tape damage present on the ID-82876 master. Overall, the sound is an improvement... An alternate 1st-gen AUD patches Jack Straw 0:00 > 0:18. MAC from ID-82876 patches tape-flip in Eyes 7:02 > 7:08. Drums missing from the recordings, cross-faded together at start of Space track-ID.
Transferrer: Hunter Seamons
2:44:26
Rating:
9.64 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-04-13.mtx.seamons.113852.flac16
Source:
Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
Transferrer: Frank Venezia
1:35:24
Rating:
6.67 / 3 ratings
Transferrer:
Frank Venezia
Lineage:
My Cassette>Nak DR-1>Sony R300>44.1>ZA2>SoundForge4.5>WAV>FlacFrontEnd>FLAC (2 Discs Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Rhythm Devils is severely cut -- Fire on the Mountain is not cut -- Space is not cut -- Morning Dew is not cut -- in spring 1983, i went to my friend Tim Paisley's house in Garden City, NY and copied as many of his cousin's master cassettes as i could; he told me they used a three-mic setup to record this
Taper: Andrew F
2:36:34
Rating:
8.67 / 3 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1983-04-13.nak300.andrewf.82876.flac16
Source:
Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard.
Lineage:
MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC.
Taper Notes:
View NotesNotes: - I did not record the drums at this concert... D'OH! - Patches taken from ShnID-21921, located as follows: - Jack Straw 0:00 > 0:03. - Far From Me 0:00 > 0:09. - Eyes of the World 6:13 > 6:19. - Soundforge used to make fades, add patches, repair drop-outs. - TLH used for SBE-OK, lossless compression, checksums.
Source 17 of 17
2:23:21
Rating:
9.47 / 30 ratings
SHNID:
gd83-04-13.horvath-sennheiser.ladner.21921.sbeok.shnf
Source:
MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper Notes:
View NotesSource: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath