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1983
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June 21st
13 shows
141 tapes
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1995
28.6k
49 shows
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1994
15.2k
85 shows
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39.1k
83 shows
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1992
43k
57 shows
539 tapes
1991
49.8k
78 shows
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1990
57.4k
78 shows
1,139 tapes
1989
52.8k
78 shows
1,017 tapes
1988
22k
82 shows
882 tapes
1987
44.5k
88 shows
1,025 tapes
1986
12.6k
47 shows
684 tapes
1985
34.8k
73 shows
1,357 tapes
1984
27.1k
67 shows
1,075 tapes
1983
24.5k
71 shows
1,069 tapes
1982
32.7k
63 shows
753 tapes
1981
28.4k
92 shows
868 tapes
1980
73.6k
91 shows
794 tapes
1979
21.1k
79 shows
608 tapes
1978
37.4k
87 shows
592 tapes
1977
212.4k
64 shows
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1976
119.3k
45 shows
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1975
7.8k
25 shows
63 tapes
1974
82.9k
42 shows
324 tapes
1973
76.8k
75 shows
445 tapes
1972
57.7k
88 shows
361 tapes
1971
33.5k
82 shows
357 tapes
1970
39k
101 shows
376 tapes
1969
28.4k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.4k
32 shows
78 tapes
1965
613
2 shows
2 tapes
1983
3/31/83
Tuning
1:15
Feel Like A Stranger
8:44
Friend of the Devil >
8:50
LIttle Red Rooster
9:02
Dupree's Diamond Blues
5:13
Me and My Uncle >
3:02
Big River
6:02
West L.A. Fadeaway
6:32
My Brother Esau
6:07
Don't East Me In
3:14
Tuning
1:11
Lost Sailor >
7:04
Saint of Circumstance >
6:43
Far From Me
4:11
Terrapin Station >
12:44
Drums >
7:41
Space >
7:23
The Other One >
6:05
Throwing Stones >
7:39
Wharf Rat >
9:18
Around and Around >
3:56
Good Lovin'
8:31
Brokedown Palace
5:18
FIN
View on archive.org
Sources
Transferrer: Hunter Seamons
2:22:35
SBD
Rating:
8.50 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1983-03-31.mtx.seamons.94016.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller Post Processing by David Minches [email protected] April 28, 2006 ---------------------------------------------------- AUD: Recording Info: (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> CD -> EAC -> SHN 2 Discs SHN / 2 Discs Audio All transfers done by Charlie Miller [email protected] shn conversion done 5/22/03 --------------------------------------------------- Thank you to Charlie Miller for the SBD and AUD transfers. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 15, 2008 Notes: 1) One momentary cut in the AUD during Drums into Space. One brief cut in the SBD during Space. 2) Fades were used to create a "seamless" AUD track. 3) There are several atomic Phil bombs during Terrapin and Other One. 4) Jerry Garcia on "matrix" recording in 1981 regarding the Dead Set and Reckoning albums: "It's a remarkable process that gives [the recording] a three-dimensionality that is uncanny - it really does...It's actually superimposed, the best of both worlds: the close mic sound of being right on stage, you know, and the thing of being in the room and the way the room, what the room does - those things superimposed on each other, you know, in various relationships. It's pretty much like being there."
Source 4 of 7
2:26:20
SBD
Source:
SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06.
Taper Notes:
View NotesThe transferred cassettes were marked "5th gen sbd", and judging from the sound, this appears to be correct. The show is complete and the sound quality is good considering the apparent number of generations in the source. A slightly degraded sbd source provides certain parts of the show: all of the "tuning" track before Stranger, and from 01:04 of Drums thru 05:40 of The Other One. There's a brief cut in drums at the source-change point, and a small cut in space that was presumably for a tape flip. Soundforge was used to make fades, small edits, and smooth out the areas around the tape flips. Thanks go to Jeff Harrison for the source cassettes, and to Jake Feinberg for his tireless efforts to track down new sources for etreers everywhere. ENJOY AND SMILE!