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1983
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June 17th
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1995
30.9k
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343 tapes
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12.9k
85 shows
460 tapes
1993
38.6k
83 shows
656 tapes
1992
46.1k
57 shows
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1991
43k
78 shows
973 tapes
1990
51.1k
78 shows
1,139 tapes
1989
48.5k
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20.2k
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43k
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1986
12.7k
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28.5k
73 shows
1,357 tapes
1984
27.2k
67 shows
1,075 tapes
1983
20.6k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
30.4k
92 shows
868 tapes
1980
70.9k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
38k
87 shows
592 tapes
1977
253k
64 shows
418 tapes
1976
99.8k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
88.3k
42 shows
324 tapes
1973
90.5k
75 shows
445 tapes
1972
58.6k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
1969
28.5k
112 shows
326 tapes
1968
7.7k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8.2k
32 shows
78 tapes
1965
638
2 shows
2 tapes
1983
3/26/83
Jack Straw
6:06
Friend Of The Devil
9:08
Little Red Rooster
9:38
Brown Eyed Women
4:59
Me & My Uncle >
2:44
Mexicali Blues
5:12
Althea
8:40
My Brother Esau >
5:51
Deal >
8:18
Promised Land
4:17
Scarlet Begonias >
12:43
Fire On The Mountain >
9:59
Estimated Prophet >
12:14
Eyes Of The World >
9:01
The Other One >
3:41
Drums >
7:45
Space >
5:01
The Other One >
5:07
Stella Blue >
7:24
Around & Around >
3:50
One More Saturday Night
5:38
E: Touch Of Grey
6:33
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:34:28
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1983-03-26.140315.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to the folks responsible for the shnid81092 Neumann KM54 source which supplies some crowd and the first beat of "Little Red Rooster" (0:01.24 total), the crowd and the first 0:02.33 of "Brown Eyed Women" (0:17 total), a 0:01.63 patch just as Bob begins to speak before "My Brother Esau" as well as the last 6:27 of "Estimated Prophet" - The Neumann KM54 patch source was gently equalized to remove some of the "room boom" - Thanks to the folks responsible for the shnid79606 Sennheiser 421 source that supplies the final 0:02 of "One More Saturday Night" as well as the encore break and the first few beats of "Touch Of Grey" - Level fluctuations at the beginning of "Jack Straw" - Between song transitions smoothed - Noodle into the pre-drums Other One included in the 1st "The Other One" - Post "Drums" Other One space included in the "The Other One" part deux Mastered by Scott Clugston 12/21/2017
Taper: Kyle Holbrook
2:26:26
Taper:
Kyle Holbrook
SHNID:
gd1983-03-26.141353.pcmf1jvc.holbrook.flac2448
Lineage:
Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded By: Kyle HolbrookTransferred & Processed: Kyle Holbrook
Taper Notes:
View Notes****Listening to set 2 on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.**** Recording Notes: Upon entry, I was forced into the floor area and sat down next to these guys setting up a pretty intensive recording rig. It wasn't my seat, but I must have seemed like I belonged as the guys said, give us your cables to patch out. I was surprised but gave them my RCA's and wound up patched into a Sony PCMF-1 Digital signal processor out the chain into my TCD5M, fourth in line. I think they recorded into a Sony Beta recorder but am not certain. After the first set the guy next to me says, "who are you? My friend says he doesn't know you." I said my name and that I didn't know him/them either. They unplugged me and I decided to go up to my hotel room and grab my JVC headphone microphones for second set. I sat in my ticketed seat in the Loge about 40 feet directly behind the sound board and wore these JVC Binaural headphone mics the entire set. && Not on master tape # missing Left channel, and dropouts; Pre-amp distortion as the head deck adjusts levels; finally set ~ / tape flip // ending cut as other decks flip ** dropouts and quality changes ~3:15 (turned limiter off?) ^ cuts (accidental pausing?) //& Slight cut at start Check out the text file for my ongoing tour story (Rt click; open in new tab)
Taper: Kyle Holbrook
2:26:26
Taper:
Kyle Holbrook
SHNID:
gd1983-03-26.141352.pcmf1jvc.holbrook.flac1644
Lineage:
Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded By: Kyle HolbrookTransferred & Processed: Kyle Holbrook
Taper Notes:
View Notes****Listening to set 2 on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.**** Recording Notes: Upon entry, I was forced into the floor area and sat down next to these guys setting up a pretty intensive recording rig. It wasn't my seat, but I must have seemed like I belonged as the guys said, give us your cables to patch out. I was surprised but gave them my RCA's and wound up patched into a Sony PCMF-1 Digital signal processor out the chain into my TCD5M, fourth in line. I think they recorded into a Sony Beta recorder but am not certain. After the first set the guy next to me says, "who are you? My friend says he doesn't know you." I said my name and that I didn't know him/them either. They unplugged me and I decided to go up to my hotel room and grab my JVC headphone microphones for second set. I sat in my ticketed seat in the Loge about 40 feet directly behind the sound board and wore these JVC Binaural headphone mics the entire set. && Not on master tape # missing Left channel, and dropouts; Pre-amp distortion as the head deck adjusts levels; finally set ~ / tape flip // ending cut as other decks flip ** dropouts and quality changes ~3:15 (turned limiter off?) ^ cuts (accidental pausing?) //& Slight cut at start Check out the text file for my ongoing tour story (Rt click; open in new tab)