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1995
28.6k
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343 tapes
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85 shows
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43k
57 shows
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1991
49.8k
78 shows
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1990
57.4k
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52.8k
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22k
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12.6k
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34.8k
73 shows
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27.1k
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24.5k
71 shows
1,069 tapes
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32.7k
63 shows
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28.4k
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73.6k
91 shows
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21.1k
79 shows
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37.4k
87 shows
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1977
212.4k
64 shows
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119.3k
45 shows
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7.8k
25 shows
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82.9k
42 shows
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76.8k
75 shows
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57.7k
88 shows
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33.5k
82 shows
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1970
39k
101 shows
376 tapes
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28.4k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.4k
32 shows
78 tapes
1965
613
2 shows
2 tapes
1983
3/26/83
gd83-03-26 01 Jack Straw
6:24
gd83-03-26 02 Friend Of The Devil
9:16
gd83-03-26 03 Little Red Rooster
9:24
gd83-03-26 04 Brown Eyed Women
4:57
gd83-03-26 05 Mama Tried
2:46
gd83-03-26 06 Mexicali Blues
5:17
gd83-03-26 07 Althea
8:15
gd83-03-26 08 My Brother Esau
5:55
gd83-03-26 09 Deal
8:26
gd83-03-26 10 Promised Land
4:07
gd83-03-26 11 Scarlet Begonias
12:52
gd83-03-26 12 Fire On The Mountain
10:08
gd83-03-26 13 Estimated Prophet
12:11
gd83-03-26 14 Eyes Of The World
8:17
gd83-03-26 15 The Other One
4:47
gd83-03-26 16 Drums
7:28
gd83-03-26 17 Space
5:22
gd83-03-26 18 The Other One
5:25
gd83-03-26 19 Stella Blue
7:16
gd83-03-26 20 Around & Around
3:52
gd83-03-26 21 One More Saturday Night
5:20
gd83-03-26 22 Touch Of Grey
6:43
FIN
View on archive.org
Sources
Taper: Rob Eaton
2:34:28
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1983-03-26.140315.sbd.eaton.miller.clugston.flac1648
Source:
Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the source Dat - Thanks to Charlie Miller for the transfer - 1st soundboard in circulation for this date (Dec 2017) - Thanks to the folks responsible for the shnid81092 Neumann KM54 source which supplies some crowd and the first beat of "Little Red Rooster" (0:01.24 total), the crowd and the first 0:02.33 of "Brown Eyed Women" (0:17 total), a 0:01.63 patch just as Bob begins to speak before "My Brother Esau" as well as the last 6:27 of "Estimated Prophet" - The Neumann KM54 patch source was gently equalized to remove some of the "room boom" - Thanks to the folks responsible for the shnid79606 Sennheiser 421 source that supplies the final 0:02 of "One More Saturday Night" as well as the encore break and the first few beats of "Touch Of Grey" - Level fluctuations at the beginning of "Jack Straw" - Between song transitions smoothed - Noodle into the pre-drums Other One included in the 1st "The Other One" - Post "Drums" Other One space included in the "The Other One" part deux Mastered by Scott Clugston 12/21/2017
Taper: Kyle Holbrook
2:26:26
Taper:
Kyle Holbrook
SHNID:
gd1983-03-26.141353.pcmf1jvc.holbrook.flac2448
Lineage:
Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded By: Kyle HolbrookTransferred & Processed: Kyle Holbrook
Taper Notes:
View Notes****Listening to set 2 on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.**** Recording Notes: Upon entry, I was forced into the floor area and sat down next to these guys setting up a pretty intensive recording rig. It wasn't my seat, but I must have seemed like I belonged as the guys said, give us your cables to patch out. I was surprised but gave them my RCA's and wound up patched into a Sony PCMF-1 Digital signal processor out the chain into my TCD5M, fourth in line. I think they recorded into a Sony Beta recorder but am not certain. After the first set the guy next to me says, "who are you? My friend says he doesn't know you." I said my name and that I didn't know him/them either. They unplugged me and I decided to go up to my hotel room and grab my JVC headphone microphones for second set. I sat in my ticketed seat in the Loge about 40 feet directly behind the sound board and wore these JVC Binaural headphone mics the entire set. && Not on master tape # missing Left channel, and dropouts; Pre-amp distortion as the head deck adjusts levels; finally set ~ / tape flip // ending cut as other decks flip ** dropouts and quality changes ~3:15 (turned limiter off?) ^ cuts (accidental pausing?) //& Slight cut at start Check out the text file for my ongoing tour story (Rt click; open in new tab)
Taper: Kyle Holbrook
2:26:26
Taper:
Kyle Holbrook
SHNID:
gd1983-03-26.141352.pcmf1jvc.holbrook.flac1644
Lineage:
Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded By: Kyle HolbrookTransferred & Processed: Kyle Holbrook
Taper Notes:
View Notes****Listening to set 2 on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears.**** Recording Notes: Upon entry, I was forced into the floor area and sat down next to these guys setting up a pretty intensive recording rig. It wasn't my seat, but I must have seemed like I belonged as the guys said, give us your cables to patch out. I was surprised but gave them my RCA's and wound up patched into a Sony PCMF-1 Digital signal processor out the chain into my TCD5M, fourth in line. I think they recorded into a Sony Beta recorder but am not certain. After the first set the guy next to me says, "who are you? My friend says he doesn't know you." I said my name and that I didn't know him/them either. They unplugged me and I decided to go up to my hotel room and grab my JVC headphone microphones for second set. I sat in my ticketed seat in the Loge about 40 feet directly behind the sound board and wore these JVC Binaural headphone mics the entire set. && Not on master tape # missing Left channel, and dropouts; Pre-amp distortion as the head deck adjusts levels; finally set ~ / tape flip // ending cut as other decks flip ** dropouts and quality changes ~3:15 (turned limiter off?) ^ cuts (accidental pausing?) //& Slight cut at start Check out the text file for my ongoing tour story (Rt click; open in new tab)