Big Railroad Blues | 1983-03-25 | Grateful Dead

View NotesNotes:
- Thanks for the upgrade, you know who you are
- Thanks to Matt Field and all the folks responsible for the shnid139596 (FOB) Sennheiser 421 source (first PCM GD recording) which supplies the crowd and first 0:07 of "Cold Rain & Snow' (0:14 total), some crowd and the first 0:04 of "New Minglewood Blues"(0:24 total), some crowd and the first 0:03 of "Dire Wolf" (0:07 total), some crowd and first 0:18 (0:28 total) of "Big Railroad Blues", some crowd and first few notes of "Me & My Uncle" (0:08 total), some crowd and the first 0:06 of "Tennesse Jed" (0:09 total), the transition between "Tennessee Jed" and "Let It Grow" (0:34 total), some crowd and the first 0:03 Of "Help On The Way (0:13 total), a 0:21 patch in "Drums", as well as some crowd and the first 0:03 of "Don't Ease Me In" (0:13 total)
- Throwing Stones space included in "Throwing Stones"
- Pitch corrected

Mastered by Scott Clugston
January 2020

Source 2 of 12

2:12:14

SBD

Rating:

7.50 / 6 ratings

SHNID:

gd83-03-25.sbd.miller.23572.sbeok.shnf

Source:

SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

Taper Notes:

View NotesSBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> 
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller

Taper: Ken Kelley

Scott Clugston, Charlie Miller

SHNID:

gd1983-03-25.167107.nak700.kelley.miller.clugston.flac2496

Source:

Ken Kelley's Master Audience Cassettes; Nakamichi 700 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)

Lineage:

Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496

Taper Notes:

View NotesNotes:
- Thanks to Ken Kelley for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Dave Cramer for the Sennheiser 421 source which supplies a 1:27 patch in "Drums", as well as an 0:08 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2023

Taper: Ken Kelley

Scott Clugston, Charlie Miller

SHNID:

gd1983-03-25.167106.nak700.kelley.miller.clugston.flac1648

Source:

Ken Kelley's Master Audience Cassettes; Nakamichi 700 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)

Lineage:

Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > TLH 2496

Taper Notes:

View NotesNotes:
- Thanks to Ken Kelley for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Dave Cramer for the Sennheiser 421 source which supplies a 1:27 patch in "Drums", as well as an 0:08 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
October 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-03-25.157656.senn421.blend.vita.miller.clugston.flac2496

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Matt Field and Dave Cramer for the Sennheiser 421 source which supplies a 0:29 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1983-03-25.157655.senn421.blend.vita.miller.clugston.flac1648

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Matt Field and Dave Cramer for the Sennheiser 421 source which supplies a 0:29 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Keith Kreider

Charlie Miller and Scott Clugston

SHNID:

gd1983-03-25.139596.fob.senn421.pcm.miller.clugston.flac16

Source:

Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston

Taper Notes:

View NotesNotes:
- Thanks to Keith Kreider for the tape
- Thanks to Charlie Miller for the transfer
- 1st audience PCM recording

Transfer by Charlie Miller
Mastered by Scott Clugston
10/24/17

Taper: Kyle Holbrook

gd1983-03-25.141356.nak300.holbrook.flac2448

Source:

<b/>flac24/48 </b> Recording InformationMaster AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC

Lineage:

Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded by: Kyle HolbrookTransferred: Kyle Holbrook

Taper Notes:

View NotesRecording Notes:
Heavy wind gust noise and light rain most of Set One
// tape flip
^ missed start
& distortion from PA- Rain residue we always thought!

Check out the text file for my ongoing tour story (Rt click; open in new tab)

Taper: Kyle Holbrook

gd1983-03-25.141355.nak300.holbrook.flac1644

Source:

<b/>flac16/44.1 </b> Recording InformationMaster AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC

Lineage:

Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SDRecorded by: Kyle HolbrookTransferred: Kyle Holbrook

Taper Notes:

View NotesRecording Notes:
Heavy wind gust noise and light rain most of Set One
// tape flip
^ missed start
& distortion from PA- Rain residue we always thought!

Check out the text file for my ongoing tour story (Rt click; open in new tab)

Taper: Brian Schley

gd1983-03-25.134371.nak300.schley.flac1644

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015

Taper Notes:

View NotesNote: Phil road-tested his new 6-string bass at this show. Patches 
from ID-7350 covers tape-flip and spots where the tape broke: Drums 
0:28 > 0:30, Drums 4:09 > 5:12, and in Not Fade Away 4:41 > 4:43. 
Thanks to Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Brian Schley

gd1983-03-25.134370.nak300.schley.flac2448

Source:

AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015

Taper Notes:

View NotesNote: Phil road-tested his new 6-string bass at this show. Patches 
from ID-7350 covers tape-flip and spots where the tape broke: Drums 
0:28 > 0:30, Drums 4:09 > 5:12, and in Not Fade Away 4:41 > 4:43. 
Thanks to Jon Pasternak & Charlie McGuth for organizing this project!

Source 12 of 12

gd83-03-25.fob-senn.willy.7350.sbeok.shnf

Source:

FOB>3 Senn. 421's>MC>DAT>CD

Taper Notes:

View NotesFOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy