Bands
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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57077
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k257
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k301
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.6k1.2k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k308
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k135
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2.1k237
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h79591
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k194
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.5k637
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k157
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k148
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.9k236
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.6k300
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.5k210
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k254
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.8k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h33836
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k559
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.7k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k275
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k197
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k199
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k163
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h70688
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9114
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41726
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1982
Sources
Transferrer: Charlie Miller
1:18:21
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16
Source:
SBD -> PCM
Lineage:
PCM -> Peak -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master (shnid=81515) supplies: Scarlet Begonias (0:00 - 0:13) (7:18 - 7:22) Fire On The Mountain (3:11 - 8:21) Notes: -- First few notes of U.S. Blues missing -- Thanks to Michael Kirschner for lending me his PCM tapes
Taper: Cassettes provided by Joani Walker and Paul Scotton
1:18:43
SBD
Rating:
8.00 / 3 ratings
Taper:
Cassettes provided by Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- The circulating 1st Set sbd sucks, so I didn't include it -- First few notes of U.S. Blues missing
Transferrer: Bill Koucky and Chris Ladner
2:11:48
SBD
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
Source:
SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried
Lineage:
4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).
Taper Notes:
View NotesOriginal Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out in hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud that I have put up. It sounds like it could be a monitor mix at times not all of the instruments are there and the crowd is silent in the tape. Very strange when compared to the aud and when being in the audience myself. Tons of energy and power that just does come accross on this recording Take it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to [email protected] Enjoy!!! C.Ladner's remastering comments: - there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound. - dead space associated with tape splices removed using Wavelab 5. - levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used. -I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source. This is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).
Taper: Chris Hecht
2:17:48
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:17:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Bill Koucky
2:12:09
Rating:
8.00 / 2 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM)
Lineage:
Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC
Taper Notes:
View NotesOriginal seeder flaw notes: Pauses between 1st set tunes quick pause before encore. Remaster comments: There is some minor hiss during the quietest portions of the show which I left as is - no NR.
Transferrer: Bill Koucky and Chris Ladner and Chris Chappell
2:16:53
Rating:
9.33 / 6 ratings
Transferrer:
Bill Koucky and Chris Ladner and Chris Chappell
SHNID:
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16
Source:
See info file
Lineage:
See info file