Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.4k190
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h60185
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6k806
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.2k278
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h4.9k638
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k369
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k404
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k145
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k280
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h84695
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k238
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k187
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.3k178
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k237
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.2k290
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k181
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.5k460
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.3k728
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h86472
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.5k566
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.5k591
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.6k446
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k248
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.6k978
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.5k607
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52564
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13620
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h32124
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1982
Sources
Transferrer: Charlie Miller
1:18:21
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16
Source:
SBD -> PCM
Lineage:
PCM -> Peak -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master (shnid=81515) supplies: Scarlet Begonias (0:00 - 0:13) (7:18 - 7:22) Fire On The Mountain (3:11 - 8:21) Notes: -- First few notes of U.S. Blues missing -- Thanks to Michael Kirschner for lending me his PCM tapes
Taper: Cassettes provided by Joani Walker and Paul Scotton
1:18:43
SBD
Rating:
8.00 / 3 ratings
Taper:
Cassettes provided by Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- The circulating 1st Set sbd sucks, so I didn't include it -- First few notes of U.S. Blues missing
Transferrer: Bill Koucky and Chris Ladner
2:11:48
SBD
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
Source:
SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried
Lineage:
4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).
Taper Notes:
View NotesOriginal Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out in hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud that I have put up. It sounds like it could be a monitor mix at times not all of the instruments are there and the crowd is silent in the tape. Very strange when compared to the aud and when being in the audience myself. Tons of energy and power that just does come accross on this recording Take it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to [email protected] Enjoy!!! C.Ladner's remastering comments: - there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound. - dead space associated with tape splices removed using Wavelab 5. - levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used. -I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source. This is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).
Taper: Chris Hecht
2:17:48
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:17:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Bill Koucky
2:12:09
Rating:
8.00 / 2 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM)
Lineage:
Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC
Taper Notes:
View NotesOriginal seeder flaw notes: Pauses between 1st set tunes quick pause before encore. Remaster comments: There is some minor hiss during the quietest portions of the show which I left as is - no NR.
Transferrer: Bill Koucky and Chris Ladner and Chris Chappell
2:16:53
Rating:
9.33 / 6 ratings
Transferrer:
Bill Koucky and Chris Ladner and Chris Chappell
SHNID:
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16
Source:
See info file
Lineage:
See info file