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Bands
Grateful Dead
Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1982
Sources
Transferrer: Charlie Miller
1:18:21
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16
Source:
SBD -> PCM
Lineage:
PCM -> Peak -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: SBD -> Cassette Master (shnid=81515) supplies: Scarlet Begonias (0:00 - 0:13) (7:18 - 7:22) Fire On The Mountain (3:11 - 8:21) Notes: -- First few notes of U.S. Blues missing -- Thanks to Michael Kirschner for lending me his PCM tapes
Taper: Cassettes provided by Joani Walker and Paul Scotton
1:18:43
SBD
Rating:
8.00 / 3 ratings
Taper:
Cassettes provided by Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90)
Lineage:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- The circulating 1st Set sbd sucks, so I didn't include it -- First few notes of U.S. Blues missing
Transferrer: Bill Koucky and Chris Ladner
2:11:48
SBD
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
Source:
SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried
Lineage:
4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5).
Taper Notes:
View NotesOriginal Seeder Notes: This is a poor recording of an excellent but very rare show. I put this out in hopes of finding an upgrade or possibly using it to make a matrix with my 1st gen sen 441 aud that I have put up. It sounds like it could be a monitor mix at times not all of the instruments are there and the crowd is silent in the tape. Very strange when compared to the aud and when being in the audience myself. Tons of energy and power that just does come accross on this recording Take it for what it's worth. The Mix in general poor editing from cassette to DAT-dead air after Big River and Drums at flips Whitch leads me to belive that the master was a cassete, no reel to reel at the time anyway...HELP!!! send comments to [email protected] Enjoy!!! C.Ladner's remastering comments: - there were multiple tiny little micropops throughout the show which I was able to sucessfully remove using Waves X-Crackle and Wavelab 5 without coloring the sound. - dead space associated with tape splices removed using Wavelab 5. - levels adjusted by + 1.7 dB and mastering using Waves L3 Multimaximizer > tracking into individual tracks (previously Me and My Uncle > Big River and Scarlet > Fire were one long track) and FLAC encoding (level 5) using CDWAV 1.9. No NR or selective frequency augmentation was used. -I spliced in the first 8 seconds of the encore (US Blues) from 1st Gen Aud Cass Sen 441> Sony D5 FOB source. This is easily the best SBD recording of this performance I have heard (having accumulated half a dozen different digital sources).
Taper: Chris Hecht
2:17:48
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Chris Hecht
2:17:46
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bill Koucky and Chris Ladner for the shnid777463 (FOB) Sennheiser 441 source which supplies the end of "Let It Grow", the crowd and first 0:15 of "Scarlet Begonias" (3:31 total), as well as a 0:13 patch in "Space" - Beginning of "US Blues" muffled - Pitch corrected Mastered by Scott Clugston August 2019
Taper: Bill Koucky
2:12:09
Rating:
8.00 / 2 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky and Chris Ladner
SHNID:
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16
Source:
FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM)
Lineage:
Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC
Taper Notes:
View NotesOriginal seeder flaw notes: Pauses between 1st set tunes quick pause before encore. Remaster comments: There is some minor hiss during the quietest portions of the show which I left as is - no NR.
Transferrer: Bill Koucky and Chris Ladner and Chris Chappell
2:16:53
Rating:
9.33 / 6 ratings
Transferrer:
Bill Koucky and Chris Ladner and Chris Chappell
SHNID:
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16
Source:
See info file
Lineage:
See info file