New Minglewood Blues -> | 1982-10-10 | Grateful Dead

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

gd1982-10-10.sbd.fixed.miller.110783.flac24

View NotesNotes:
-- This source has the encores fixed
-- Set 2 is seamless
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

gd1982-10-10.sbd.miller.110628.flac24

View NotesNotes:
-- This source has the encores fixed
-- This is a 24bit/48k source not suitable for CD's
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

gd1982-10-10.sbd.miller.110626.flac16

View NotesNotes:
-- This is a 24bit/48k source not suitable for CD's
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C)

Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

View NotesNotes:
-- Set 2 is seamless
-- This is an upgrade to all previous SBD sources
-- This transfer has been dolby decoded and pitch corrected
-- Thanks to David Gans for lending me his tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Matrix by Hunter Seamons

Matrix by Hunter Seamons

gd1982-10-10.mtx.seamons.fix.92058.sbeok.flac16

MATRIX MIX: SBD/AUD (About 60%/40%)

gd1982-10-10.sbd.tetzeli.ayers.79903.sbeok.flac16

View NotesMATRIX MIX: SBD/AUD (About 60%/40%)

-----------------------------------------------------------------

AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC
Recorded by Rango Keshavan
Special thanks to Kurt Thompson for the FLAC files

-----------------------------------------------------------------

SBD: MC>DAT>ZA2>CD>EAC>SHN

-----------------------------------------------------------------
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
08/13/07 Remastered: 05/30/08  

Notes:

1) The high gain of the AUD was decreased by 10 dB.

2) The low gain of the SBD was decreased by 5 dB.

3) The SBD first set and encores were originally about 3% fast. This is FAST.

4) There is occasional static in both sources.

5) The AUD vocals get a little more "metallic" at times, but they turned out to be pretty darn good for this matrix.

6) There were some tricky spots in syncing these, so I added some extra love.

7) This is a HUGE Bobby show. 

8) Enjoy!

Remastering Notes (05/30/08):

1)Portions of ALL songs were re-synced, except Minglewood Blues and Looks Like Rain. This means a HUGE overall improvement - 100's of edits!

2)The SBD levels in the encores were increased. They were at lower levels, originally, from the rest of the show.

3)The AUD levels during Drums and Space were increased when the SBD is not present. They were just too low before.

Taper: See info file

gd82-10-10.sbd.sacks.338.sbefail.shnf

MC>DAT>ZA2>CD>EAC>SHN

Source 8 of 27

SBD:MCass>(?)DAT>CD>EAC>SHN

Scott Clugston, Charlie Miller

View NotesSBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?)

Taper: Mark Severson

gd1982-10-10.167624.nak700.severson.miller.clugston.flac2496

Mark Severson's Master Audience Cassettes (patched out of Bob Menke); Nakamichi 700 mics > Sony TC-D5M (Maxell UDXLII)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in "Drums"
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
September 2020

Taper: Mark Severson

gd1982-10-10.167623.nak700.severson.miller.clugston.flac1648

Mark Severson's Master Audience Cassettes (patched out of Bob Menke); Nakamichi 700 mics > Sony TC-D5M (Maxell UDXLII)

Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in "Drums"
- Wheel space included in "The Wheel"
- Pitch corrected

Mastered by Scott Clugston
September 2020

Taper: Walt Keeler

gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)

Charlie Miller and Joe Noel

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 22, 2018

This file set is 16 bit @ 44.1

Patch info;
- shnid 109823 (Nakamichi 700-FOB)
- s1t01 - s1t04; all
- s1t05; 02:55 - 03:27, 08:24 - end (tuning)
- s1t06; start - 00:02, 06:06 - end (tuning)
- s1t07; start - 00:09, 07:18 - end (tuning)
- s1t08; start - 00:03
- s1t10; 00:27 - 00:37
- s2t05; 04:06 - 04:27
- s2t06; 00:04 - 00:13
- s2t12; 07:12 - 07:27

Notes;
- Here's to Walt getting close, real close.
- Thank you Charlie for transferring & coordinating this effort.
- Thanks to the Bob Wagner for the patch source.
- unfortunately the first four track are missing.
- Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start.  The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.

Taper: Walt Keeler

gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)

gd1982-10-10.123624.senn421.gans.miller.flac16

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 22, 2018

Patch info;
- shnid 109823 (Nakamichi 700-FOB)
- s1t01 - s1t04; all
- s1t05; 02:55 - 03:27, 08:24 - end (tuning)
- s1t06; start - 00:02, 06:06 - end (tuning)
- s1t07; start - 00:09, 07:18 - end (tuning)
- s1t08; start - 00:03
- s1t10; 00:27 - 00:37
- s2t05; 04:06 - 04:27
- s2t06; 00:04 - 00:13
- s2t12; 07:12 - 07:27

Notes;
- Here's to Walt getting close, real close.
- Thank you Charlie for transferring & coordinating this effort.
- Thanks to the Bob Wagner for the patch source.
- unfortunately the first four track are missing.
- Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start.  The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.

Taper: David Gans

Sennheiser 421 -> Cassette Master (Sony TC-D5M)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16

gd1982-10-10.123623.senn421.gans.miller.flac24

View NotesNotes:
-- Set 2 is seamless
-- Thanks to David Gans for lending me his masters
-- David was patched out of Eddie Claridge set up at the SBD
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: David Gans

Sennheiser 421 -> Cassette Master (Sony TC-D5M)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24

gd1982-10-10.nak700.wagner.miller.109823.flac24

View NotesNotes:
-- Thanks to David Gans for lending me his masters
-- David was patched out of Eddie Claridge set up at the SBD
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Bob Wagner

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24

gd1982-10-10.nak700.wagner.miller.109822.flac16

View NotesNotes:
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Bob Wagner

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16

gd1982-10-10.sonyecm220T.keshavan.miller.93733.sbeok.flac24

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Rango Keshavan

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)

gd1982-10-10.sonyecm220T.keshavan.miller.93732.sbeok.flac16

View NotesNotes:
-- Thanks to Rango Keshavan for lending me his masters

Taper: Rango Keshavan

(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Richie Stankiewicz, Andrew F

View NotesNotes:
-- Set 2 disc change is seamless
-- Thanks to Rango Keshavan for lending me his masters

Taper: Richie Stankiewicz

gd1982-10-10.beyers.stankiewicz.128808.flac16

AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot.

MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.

Richie Stankiewicz and Andrew F

View NotesNote: Patches from ID-109823 as follows; Touch of Grey 6:56 thru Drums 8:00, 
Sugar Magnolia 8:15 to end of track, and Baby Blue 6:00 to end of track.

Taper: Richie Stankiewicz

gd1982-10-10.beyers.stankiewicz.128807.flac2496

AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot.

MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.

gd1982-10-10.111039.nak300.hoey.flac16

View NotesNote: Patches from ID-109823 as follows; Touch of Grey 6:56 thru Drums 8:00, 
Sugar Magnolia 8:15 to end of track, and Baby Blue 6:00 to end of track.

Source 21 of 27

Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact

Transferrer: Hunter Seamons

gd1982-10-10.mtx.seamons.ht02.110970.flac16

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)

Transferrer: Hunter Seamons

gd1982-10-10.mtx.seamons.110744.flac24

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)

Taper: anonymous taper and Jamie Poris

anonymous taper and Jamie Poris

Transferrer:

Brian Green and Evan K.

gd1982-10-10.nak700.anon-poris.LMPP.95682.flac16

3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B )

MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)

gd1982-10-10.mtx.seamons.86784.sbeok.shnf

View NotesNotes:

- Patch midway through sugar magnolia from " from shnID 93733

- Tape flips crossfaded where applicable

- Of the two 82 frosts, this one is my choice. It's very crisp and clear
and the vocals are jsut right in the mix. Thanks again to the anon-poris-friends team
for another stellar pull!!!

Tapers Comments:

These 82 Frost shows are also a tapers choice. Taping these shows 
with the same three mic mix yielded steller recordings. Unlike the 
Greek Theater shows this venue created a much warmer vibe which seems 
to come through on these analogs.  Being a student at Stanford Jamie 
was in his element. I don't recall all of the other tapers who helped 
us make these shows but they were great.

Taper: Rango Keshavan