RELISTENTOTHE Grateful Dead
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1982
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1982
10/10/82
gd82-10-10 t01 New Minglewood Blues
7:27
gd82-10-10 t02 Sugaree
10:11
gd82-10-10 t03 Little Red Rooster
7:42
gd82-10-10 t04 Tennessee Jed
8:55
gd82-10-10 t05 Cassidy
6:05
gd82-10-10 t06 Loser
7:24
gd82-10-10 t07 Far From Me
4:15
gd82-10-10 t08 Looks Like Rain
8:52
gd82-10-10 t09 China Cat Sunflower
6:08
gd82-10-10 t10 I Know You Rider
5:59
gd82-10-10 t11 Tuning
0:46
gd82-10-10 t12 Playin' In The Band
7:24
gd82-10-10 t13 Crazy Fingers
11:40
gd82-10-10 t14 Lost Sailor
7:48
gd82-10-10 t15 Saint Of Circumstance
7:07
gd82-10-10 t16 Touch Of Grey
7:36
gd82-10-10 t17 Drums
8:34
gd82-10-10 t18 Space
6:08
gd82-10-10 t19 The Wheel
6:12
gd82-10-10 t20 Throwing Stones
8:01
gd82-10-10 t21 Not Fade Away
4:49
gd82-10-10 t22 Black Peter
8:29
gd82-10-10 t23 Sugar Magnolia
11:09
gd82-10-10 t24 Satisfaction
6:20
gd82-10-10 t25 It's All Over Now, Baby Blue
6:51
FIN
View on archive.org
Sources
Taper: Tim Dalton
3:01:52
SBD
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-10-10.141523.sbd.pcm.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid11074 soundboard source which supplies a 0:02.077 patch in "Tennessee Jed" - Thanks to Rango Keshavan and Charlie Miller for the shnid93733 Sony ECM220T source which supplies a 0:04 patch at the beginning of "Loser", a 0:17 patch in "Drums", as well as a 0:12 patch in "The Wheel" - Thanks to Richie Stankiewicz and Andrew F. for the shnid128808 Beyer M160 source which supplies a 0:33 patch in "Crazy Fingers" - Wheel space included in "The Wheel" - Pitch corrected - Transitions smoothed - Updated txt file Mastered by Scott Clugston March 29, 2018
Transferrer: Matrix by Hunter Seamons
3:01:41
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1982-10-10.mtx.seamons.fix.92058.sbeok.flac16
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View NotesMATRIX MIX: SBD/AUD (About 60%/40%) ----------------------------------------------------------------- AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Special thanks to Kurt Thompson for the FLAC files ----------------------------------------------------------------- SBD: MC>DAT>ZA2>CD>EAC>SHN ----------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 Notes: 1) The high gain of the AUD was decreased by 10 dB. 2) The low gain of the SBD was decreased by 5 dB. 3) The SBD first set and encores were originally about 3% fast. This is FAST. 4) There is occasional static in both sources. 5) The AUD vocals get a little more "metallic" at times, but they turned out to be pretty darn good for this matrix. 6) There were some tricky spots in syncing these, so I added some extra love. 7) This is a HUGE Bobby show. 8) Enjoy! Remastering Notes (05/30/08): 1)Portions of ALL songs were re-synced, except Minglewood Blues and Looks Like Rain. This means a HUGE overall improvement - 100's of edits! 2)The SBD levels in the encores were increased. They were at lower levels, originally, from the rest of the show. 3)The AUD levels during Drums and Space were increased when the SBD is not present. They were just too low before.
Taper: Walt Keeler
3:03:35
Taper:
Walt Keeler
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > Flac 24/96 October 22, 2018 This file set is 16 bit @ 44.1 Patch info; - shnid 109823 (Nakamichi 700-FOB) - s1t01 - s1t04; all - s1t05; 02:55 - 03:27, 08:24 - end (tuning) - s1t06; start - 00:02, 06:06 - end (tuning) - s1t07; start - 00:09, 07:18 - end (tuning) - s1t08; start - 00:03 - s1t10; 00:27 - 00:37 - s2t05; 04:06 - 04:27 - s2t06; 00:04 - 00:13 - s2t12; 07:12 - 07:27 Notes; - Here's to Walt getting close, real close. - Thank you Charlie for transferring & coordinating this effort. - Thanks to the Bob Wagner for the patch source. - unfortunately the first four track are missing. - Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start. The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.
Taper: Walt Keeler
3:03:35
Taper:
Walt Keeler
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496
Source:
Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90)
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > Flac 24/96 October 22, 2018 Patch info; - shnid 109823 (Nakamichi 700-FOB) - s1t01 - s1t04; all - s1t05; 02:55 - 03:27, 08:24 - end (tuning) - s1t06; start - 00:02, 06:06 - end (tuning) - s1t07; start - 00:09, 07:18 - end (tuning) - s1t08; start - 00:03 - s1t10; 00:27 - 00:37 - s2t05; 04:06 - 04:27 - s2t06; 00:04 - 00:13 - s2t12; 07:12 - 07:27 Notes; - Here's to Walt getting close, real close. - Thank you Charlie for transferring & coordinating this effort. - Thanks to the Bob Wagner for the patch source. - unfortunately the first four track are missing. - Battery conservation caused the beginning of some songs (s1) to be clipped others were within a second of the songs start. The patches listed above were used to smooth out the transitions & create a more enjoyable listening experience.
Taper: anonymous taper and Jamie Poris
3:06:31
Rating:
10.00 / 2 ratings
Taper:
anonymous taper and Jamie Poris
Transferrer:
Brian Green and Evan K.
SHNID:
gd1982-10-10.nak700.anon-poris.LMPP.95682.flac16
Source:
3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B )
Lineage:
MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
Taper Notes:
View NotesNotes: - Patch midway through sugar magnolia from " from shnID 93733 - Tape flips crossfaded where applicable - Of the two 82 frosts, this one is my choice. It's very crisp and clear and the vocals are jsut right in the mix. Thanks again to the anon-poris-friends team for another stellar pull!!! Tapers Comments: These 82 Frost shows are also a tapers choice. Taping these shows with the same three mic mix yielded steller recordings. Unlike the Greek Theater shows this venue created a much warmer vibe which seems to come through on these analogs. Being a student at Stanford Jamie was in his element. I don't recall all of the other tapers who helped us make these shows but they were great.