Never Trust A Women | 1982-09-20 | Grateful Dead

View NotesNotes:
-- This is a remaster of shnid=88857
-- The levels were a bit unbalanced so I fixed that
-- I adjusted the Dolby level because it didn't sound right
-- I pitch corrected the patch source and added a patch to The Other One
-- Patch source recorded by Jim Wise
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Charlie Miller

2:46:32

SBD

gd1982-09-20.sbd.miller.88857.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette -> CD

Lineage:

CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB/18th Row) Sennheiser 421 -> Cassette Master -> CD (shnid=3151) supplies:
Fire On The Mountain (3:39 - 4:18)

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Patch source recorded by Jim Wise

Transferrer: Charlie Miller

gd1982-09-20.sbd.miller.77482.sbeok.flac16

Source:

SBD -> Cassette Master -> Cassette -> CD

Lineage:

CD -> Samplitude Professional v7.02 -> FLAC

Taper Notes:

View NotesPatch Info:
(FOB/18th Row) Senn 421 -> Cassette Master -> CD Supplies:
Fire On The Mountain (3:37 - 4:16)

Notes:
-- Set 2 disc change is seamless

Transferrer: Hunter Seamons

gd1982-09-20.mtx.seamons.97897.sbeok.flac16

Source:

Matrix mix (SBD/AUD)

Taper Notes:

View Notes*Matrix*

-----------------------------------------------------------------
SBD (shnid=88857):

Recording Info:
SBD -> Cassette Master -> Cassette -> CD

Transfer Info:
CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
November 27, 2007

Patch Info:
(FOB/18th Row) Sennheiser 421 -> Cassette Master -> CD (shnid=3151) supplies:
Fire On The Mountain (3:39 - 4:18)

[Fire patch re-patched]
[30 second cut in early portion of The Other One]
[8 second cut toward end of Stella Blue]

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
-- Patch source recorded by Jim Wise

-----------------------------------------------------------------
AUD (shnid=3151):

Jim Wise (18th row - Center) Sennheiser 421's > Sony TC-D5 > Master Cassette > Playbackon Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1)  > EAC(tracked with Addawav & CDWav) > SHN

[8 second cut in Drums]
[Touch of Grey patched with Mark Cohen's source via David Minches] 

-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to Jim Wise and Mark Cohen for recording the show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 
March 14, 2009

Notes:

1) Speed of Women increased 1%.

Source 5 of 17

gd82-09-20.set2-sbd.miller.18113.sbeok.shnf

View NotesSet 2 SBD>Cm>Cass>CD via Charlie Miller

Source 6 of 17

gd82-09-20.set1-sbd.miller-sturtevant.15806.sbeok.shnf

View Notes1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant

Taper: Rob Eaton

Rob, Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1982-09-20.163448.senn441.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master Audience Cassettes; Sennheiser 441 mics > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:04 patch in "Shakedown Street", as well as a 0:41 patch in the "Drums > Space" transition
- Thanks to Charlie Miller for the soundboard source which supplies a 0:32 patch in "Drums" (audience patch source not available, 3/2022)
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Rob Eaton

Rob, Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1982-09-20.163447.senn441.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master Audience Cassettes; Sennheiser 441 mics > Nakamichi 550

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Jim Wise for the Sennheiser 421 source which supplies a 0:04 patch in "Shakedown Street", as well as a 0:41 patch in the "Drums > Space" transition
- Thanks to Charlie Miller for the soundboard source which supplies a 0:32 patch in "Drums" (audience patch source not available, 3/2022)
- Pitch corrected

Mastered by Scott Clugston
March 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-09-20.161629.beyer.m88.vita.miller.clugston.flac2496

Source:

Master Audience Cassettes; Beyer M88 mics > Sony D5

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Tim Friend, Joe Morrone and Andrew F for the Nakamichi 300 source which supplies a 0:17 patch in "Terrapin Station", as well as a 1:09 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
April 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-09-20.161628.beyer.m88.vita.miller.clugston.flac1648

Source:

Master Audience Cassettes; Beyer M88 mics > Sony D5

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Tim Friend, Joe Morrone and Andrew F for the Nakamichi 300 source which supplies a 0:17 patch in "Terrapin Station", as well as a 1:09 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
April 2022

Taper: Frank Streeter

gd1982-09-20.122089.senn421.streeter.miller.flac16

Source:

(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90)

Lineage:

Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Frank Streeter for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Frank Streeter

gd1982-09-20.122088.senn421.streeter.miller.flac24

Source:

(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90)

Lineage:

Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) ->Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- This is a 24bit source
-- Thanks to Frank Streeter for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: chasingwilma

gd1982-09-20.119120.nak300.chasingwilma.flac16

Source:

Nakamichi 300 (FOB)> D-5> Master Cassette

Lineage:

Sony TC WE435> Soundcard> CDwave 44100/Stereo/16 Bit> Traders Little Helper Encoding Option 8

Taper: Joe Morrone

gd1982-09-20.nak300.morrone.andrewf.118799.flac1644

Source:

AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012

Taper Notes:

View NotesNotes: Start of Good Time Blues slightly clipped. Patch from ID-3151 
Drums 2:34 > Space 0:23, and patch from ID-19145 Drums 4:16 > 4:24.
CDRs burning: D1 s1t01 > s1t09, D2 s1t10 > s2t04, D3 s2t05 > s2t15.

Taper: Joe Morrone

gd1982-09-20.nak300.morrone.118798.flac2448

Source:

AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Joe Morrone.

Lineage:

MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. February 2012

Taper Notes:

View NotesNotes: Start of Good Time Blues slightly clipped. Patch from ID-3151 
Drums 2:34 > Space 0:23, and patch from ID-19145 Drums 4:16 > 4:24.

Taper: Mark Cohen

Mark Cohen, David Minches

SHNID:

gd82-09-20.cohen.minches.19145.sbeok.shnf

Source:

Audience Recording: Nak 700s> Sony D5

Taper Notes:

View NotesNak 700s> Sony D5 recorded by Mark Cohen, A>D by Mark Coehn, D>SHN by David Minches

Taper: Jim Wise

gd82-09-20.senn-wise.sacks.3151.sbeok.shnf

Source:

Audience Recording: Sennheiser 421's

Lineage:

Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN

Taper Notes:

View NotesSennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1)  > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darrin Sacks