West L.A. Fade Away | 1982-09-18 | Grateful Dead

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Featured

Grateful Dead

1.3M

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1982

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Bob Marley Performing Arts Center

Bob Marley Performing Arts Center

Carrier Dome, Syracuse U.

Veterans Memorial Coliseum

Madison Square Garden

Madison Square Garden

Cumberland County Civic Center

Charlottesville, VA, USA

Lakeland Civic Center

West Palm Beach Auditorium

West Palm Beach, FL, USA

Saenger Performing Arts Center

Glen Helen Regional Park

Seattle Center Coliseum

Fieldhouse, U. Of Iowa

Alpine Valley Music Theatre

Alpine Valley Music Theatre

St. Paul Civic Center

Oklahoma City, OK, USA

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Compton Terrace Amphitheatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Moscone Convention Center

San Francisco, CA, USA

Baltimore Civic Center

Hartford Civic Center

Hartford Civic Center

Providence Civic Center

Glenns Falls Civic Center

Glenns Falls, NY, USA

Community War Memorial Auditorium

Onondaga County War Memorial

Philadelphia, PA, USA

Philadelphia, PA, USA

Cameron Indoor Stadium, Duke U.

Recreation Hall, UC Davis

Reno Centennial Coliseum

Pauley Pavilion, UCLA

Golden Hall, Community Concorse

Golden Hall, Community Concorse

San Francisco, CA, USA

San Francisco, CA, USA

Mickey's ranch studio

Novato, CA

42:15

1 tape

Sources

Transferrer: Charlie Miller

gd1982-09-18.123051.sbd.miller.flac16

Source:

SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC

Lineage:

FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC

Taper Notes:

View NotesNotes:
-- I cleaned up some stuff and tried to give the mix some life
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: chasingwilma

gd1982-09-18.sbd.chasingwilma.119221.flac16

Source:

lineage: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8

Transferrer: JR Fishman

gd1982-09-18.sbd.fishman.fix-3153.107429.flac16

Source:

SBD->Cassette Master(Dolby)

Lineage:

Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC

Source 4 of 13

gd82-09-18.sbd.weise.3153.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> CAS/1 (Dolby)> CD

Taper Notes:

View NotesSBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating <a href="http://db.etree.org/shninfo_detail.php?shnid=2335" rel="ugc nofollow">shn set</a>

Transferrer: Bruce Fried and Mike Lai

Bruce Fried and Mike Lai

SHNID:

gd1982-09-18.sbd.lai.2335.shnf

Source:

sdb>>cassette master>>cassette>>cdr

Taper Notes:

View Notesany song help send to  [email protected]
thanks to Dr.B.Fried for lending me his copy.
conversion by mike lai

Taper: Unknown

2:18:57

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] September 26, 2020

SHNID:

gd1982-09-18.150660.aud.cm.miller.flac16

Source:

AUD > Cassette Master

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- I purchased the tapes on eBay from an estate
-- I can not confirm the source but that's how they're labeled
-- Thanks to Bob Morris for the patch source
-- This file set is 16 bit @ 44.

Taper: Unknown

2:18:57

Transferrer:

All Transfers and Mastering By Charlie Miller [email protected] September 26, 2020

SHNID:

gd1982-09-18.150624.eBay.miller.flac2496

Source:

AUD > Cassette Master

Lineage:

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- I purchased the tapes on eBay from an estate
-- I can not confirm the source but that's how they're labeled
-- Thanks to Bob Morris for the patch source

Taper: Bob Morris

gd1982-09-18.nak300.morris.miller.98061.flac24

Source:

(FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/24

Taper Notes:

View Notes-- Recorded Section B Row H Seat 9 by Bob Morris
-- Thanks to Bob Morris for lending me his masters

Taper: Bob Morris

gd1982-09-18.nak300.morris.miller.98059.flac16

Source:

(FOB) Nakamichi 300/CP4 -> Cassette Master (SonyTC-D5M/Maxell UDXLII)

Lineage:

Cassette Master (Nakamichi DR-1) -> SoundDevices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/16

Taper Notes:

View Notes-- Recorded Section B Row H Seat 9 by Bob Morris
-- Thanks to Bob Morris for lending me his masters

Transferrer: Matrix by Hunter Seamons

2:19:27

Transferrer:

Matrix by Hunter Seamons

SHNID:

gd1982-09-18.150788.mtx.seamons.ht124.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)

Taper Notes:

View NotesThere were some very minuscule hiccups/cuts in the SBD source that were left intact, rather than jumping quickly to the AUD only, to keep things consistent and less jarring. These mostly unnoticeable anomalies (matrixing helped to spot them) were perhaps caused by the extra cassette generation.

The second set had slightly less optimal or similar sound, but some extra EQ work helped even things out (going less on certain frequencies is "more"). The first set was EQ'd as well, each source respectively, using a 31 band equalizer as usual. These subtle adjustments can really make all the difference and enhance the experience.

This show's a barn-burner top to bottom!

Taper: Doug Lamarre

gd1982-09-18.144663.aud.lamarre.berger.flac16

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Doug Lamarre

gd1982-09-18.144662.aud.lamarre.berger.flac24

Source:

source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b

Lineage:

nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019

Taper: Tim Friend

gd1982-09-18.nak300.friend.andrewf.97590.flac16

Source:

2x Nakamichi CM300's with CP4 shotguns (L R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor.

Lineage:

MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644

Taper Notes:

View NotesNote: Disc break is seamless (occurs where tape was paused).