RELISTENTOTHE Grateful Dead
Re
1982
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1982
9/17/82
bertha>
6:31
promised land
4:28
candyman
6:54
c.c. rider
8:17
althea
8:03
me & my uncle>
3:21
big river
5:37
dupree's diamond blues
6:03
it's all over now
7:12
west l.a. fadeaway
7:59
throwing stones
6:06
deal
5:53
touch of grey
6:55
women are smarter
6:18
high time
7:37
estimated prophet>
12:55
eyes of the world>
11:17
drums>
3:04
spanish jam>
7:42
the other one>
7:51
goin down the road feeling bad>
5:44
morning dew>
9:00
sugar magnolia
9:04
u.s. blues
5:22
FIN
View on archive.org
Sources
Transferrer: Rob Harrison, Andy Lemieux
2:43:40
SBD
Transferrer:
Rob Harrison, Andy Lemieux
SHNID:
gd1982-09-17.167526.sbd.fm.harrison.lemieux.sbeok.flac1644
Source:
Set 1. Recording: SBD > Dolby B metal cassette master. Set 2. Recording: FM (GDH #545 on 1999-03-01) > Rotel RB 1050 > Nakamichi DR-1 > Master Cassette
Lineage:
Set 1. Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > FLAC; Set 2 Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC
Taper Notes:
View NotesNotes: -- Set 2 is now complete. -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Transferrer: Rob Harrison
2:30:59
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Rob Harrison
SHNID:
gd1982-09-17.sbd.harrison.80770.sbeok.flac16
Source:
Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)
Lineage:
Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge
Taper Notes:
View NotesRecording/Transfer Info: Set 1. Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2. Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison December 5, 2006 Notes: -- Set 2 missing the first two songs -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Taper: Jim Wise
2:46:28
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:46:28
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Transferrer: Matrix by Hunter Seamons
2:48:02
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1982-09-17.152910.mtx.seamons.ht132.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Jim Wise's older transfer from 2008 was preferred over #142823. Some initial light tape warbles and mix fluctuations in Bertha. The matrix becomes optimal around when Jerry sings "I went down under the sea . . ." First performance of Throwing Stones. Schley and Wise's recordings had a nice complementary sound for the audience-only matrix portion (for Touch Of Grey and Women Are Smarter) given that Schley's tape had very up-front vocals and instrumentation and Wise's was more ambient. Clicks removed or reduced: 3 in High Time, 2 in Estimated Prophet, 5 in Space, 3 in Spanish Jam, 1 in Morning Dew. Fantastic recordings and show!
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48; Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"