1982
1982
Sources
Transferrer: Rob Harrison, Andy Lemieux
2:43:40
SBD
Transferrer:
Rob Harrison, Andy Lemieux
SHNID:
gd1982-09-17.167526.sbd.fm.harrison.lemieux.sbeok.flac1644
Source:
Set 1. Recording: SBD > Dolby B metal cassette master. Set 2. Recording: FM (GDH #545 on 1999-03-01) > Rotel RB 1050 > Nakamichi DR-1 > Master Cassette
Lineage:
Set 1. Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > FLAC; Set 2 Playback: Nakamichi DR-1 > Sony PCM R500 > HB 800 > CDR > Xact > .WAV > FLAC Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > FLAC
Taper Notes:
View NotesNotes: -- Set 2 is now complete. -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Transferrer: Rob Harrison
2:30:59
SBD
Rating:
8.00 / 5 ratings
Transferrer:
Rob Harrison
SHNID:
gd1982-09-17.sbd.harrison.80770.sbeok.flac16
Source:
Set 1 SBD > Dolby B metal cassette master. Set 2 SBD > ? (likely cassette master)
Lineage:
Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge
Taper Notes:
View NotesRecording/Transfer Info: Set 1. Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2. Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison December 5, 2006 Notes: -- Set 2 missing the first two songs -- Set 1 was xferred from the physical CD master from the GD vault. Me & My Uncle>Big River was recorded as a single track that I split in Soundforge. -- Set 2 is missing from the GD vault. Funny thing is that this show has circulated on DAT for many years.
Taper: Jim Wise
2:46:28
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Taper: Jim Wise
2:46:28
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Dan Haugh for the shnid82208 matrix source which supplies a 0:29 patch in "Drums" - Other One themed space - Noodle into Spanish Jam included in "Spanish Jam" - Awesome capture Mastered by Scott Clugston July 2018
Transferrer: Matrix by Hunter Seamons
2:48:02
Rating:
10.00 / 3 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1982-09-17.152910.mtx.seamons.ht132.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Jim Wise's older transfer from 2008 was preferred over #142823. Some initial light tape warbles and mix fluctuations in Bertha. The matrix becomes optimal around when Jerry sings "I went down under the sea . . ." First performance of Throwing Stones. Schley and Wise's recordings had a nice complementary sound for the audience-only matrix portion (for Touch Of Grey and Women Are Smarter) given that Schley's tape had very up-front vocals and instrumentation and Wise's was more ambient. Clicks removed or reduced: 3 in High Time, 2 in Estimated Prophet, 5 in Space, 3 in Spanish Jam, 1 in Morning Dew. Fantastic recordings and show!
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"
Taper: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
2:44:24
Taper:
Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager
Transferrer:
Kyle Holbrook
SHNID:
gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644
Source:
Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48; Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)
Taper Notes:
View Notesrecording notes: Listening to this recording on headphones will greatly enhance the experience as the binaural recording method uses microphones at the ears. $ set opens with fluctuating levels * taper says-"no left signal", when there was one, brief cut as deck was paused for about 1 second at start of song. //tape flip & some drums were not recorded; we started back when Jerry took stage and Space begins ** Crowd chanting Phil! Phil!Phil! just before the Spanish Jam # slight cut @105:14 due to accidental pause button hit. % distortion from the PA several times; noted on other AUD masters. ^ overall distortion on Tape AND PA + Bobby says "Hey listen, thanks for keeping us alive all these years"